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Two Days with Hans-Thies Lehmann

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Apr 23, 2018
Apr 24, 2018
Segal Theatre
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Photo courtesy of the artist

April 23 & April 24
Segal Theatre
Discussions + All Day Screenings

FREE + Open to public. First come, first served.

Join us for two evenings with German theatre researcher and author Hans-Thies Lehmann. His highly influential publication, Postdramatic Theatre (Routledge, 2006), established the modern visage of avant-garde theatre by cataloguing and defining the tendencies and stylistic traits of experimental works since the end of the 1960s. Scholars and colleagues Marvin Carlson, Elinor Fuchs, Brandon Woolf, John Jesurun, Uwe Mengel, Molly Davis, Peter Eckersall, Jonathan Kalb, Carol Martin, Melissa Wansin Wong, and Frank Hentschker will join Lehmann in discussion throughout the sessions.

Hans-Thies Lehmann is a professor emeritus for Theatre, Film, and Media Studies at the Johann Wolfgang Goethe-Universität Frankfurt am Main from 1988 until he was given emeritus status. His publications include Bertolt Brecht’s Hauspostille–Text und kollektives Lesen (1978, with Helmut Lethen); Theater und Mythos. Die Konstitution des Subjekts im Diskurs der antiken Tragödie (1991); Postdramatisches Theater (1999, now a standard work and translated into 26 languages); Heiner Müller Handbuch (ed. with Patrick Primavesi, 2003); and Tragödie und dramatisches Theater (Routledge,
2013). Hans-Thies Lehmann first studied general and comparative literary studies in Berlin and studied for his doctorate with Peter Szondi until his death. After gaining his doctorate, he was a visiting professor at the Universiteit van Amsterdam from 1979 to 1982. From 1983 to 1988, he was a university assistant at the Institute for Applied Theatre Studies in Gießen, where he substantially contributed to establishing and shaping the course of study with colleague Andzej Wirth. As a university professor for theatre studies at the J. W. Goethe-Universität Frankfurt/Main he made a remarkable contribution in devising theatre, film, and music studies courses, as well as establishing a course on dramaturgy in the framework of the Hessische Theaterakademie. In addition to guest professorships in Paris (France), Kaunas (Lithuania), Kraków (Poland), and Virginia (USA), Lehmann also works as a dramaturg for Jossi Wieler, Peter Palitzsch, Christof Nel, Theodoros Terzopoulos, Jan Fabre, and produces his own stage projects. He is on the board of the Gesellschaft für Theaterwissenschaft and a member of the Deutsche Akademie der Künste in Berlin. Hans-Thies Lehmann lives in Berlin with theatre critic Helen Varopoulou.


Monday, April 23

6:30pm Postdramatic Theatre and the 21 Century
Hans-Thies Lehmann

7:00pm New Forms of Theatre – Conversation I
Uwe Mengel, John Jesurun, Molly Davis & Hans-Thies Lehmann

7:20pm Performance in the Age of Performance – Conversation II
Bertie Ferdman, André Lepecki & Hans-Thies Lehmann

7:40pm Dramaturgy and Asian Theatres – Conversation III
Peter Eckersall, Melissa Wansin Wong & Hans-Thies Lehmann

10:00am – 6:00pm Daytime screenings of excerpts from works by:

Robert Wilson
The Wooster Group
John Jesurun
Jan Lauwers
Romeo Castellucci
She She Pop
René Pollesch

Tuesday, April 24

6:30pm On Tragedy
Hans-Thies Lehmann

7:00pm On Writing – Conversation I
Elinor Fuchs, Jonathan Kalb & Hans-Thies Lehmann

7:20pm Theater of the Real – Conversation II
Marvin Carlson, Carol Martin & Hans-Thies Lehmann

7:40pm German Theatre and the Giessen Institut – Conversation III
Brandon Woolf, Frank Hentschker & Hans-Thies Lehmann

10:00am – 6:00pm Daytime screenings of excerpts from works by:

Tadeusz Kantor
Théatre du Soleil/Ariane Mnouchkine
Klaus Michael Grüber
Einar Schleef
Angelus Novus
Jan Fabre

Special thanks to Richard Schechner and Yale University’s Department of Germanic Languages and Literatures (Katrin Trüstedt and Christian Kirchmeier).

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