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May 1, 2017

PEN World Voices: International Play Festival 2017: Patricia Cornelius – Shit

Photo by Sebastian Bourges

Monday, May 1
Segal Theatre
4:00pm

FREE + Open to public. First come, first served.

Shit
Written by Patricia Cornelius (Australia)
Directed by Katie Pearl
Discussion moderated by Peter Eckersall

Out of control girls, angry, nasty girls are a sight to behold. They’re terrifying, electrifying, they’re everything girls shouldn’t be, and we hate them. This is a work about these girls. Their names are Billy, Bobby and Sam.

Patricia Cornelius is a founding member of Melbourne Workers Theatre. She’s a playwright, novelist and film writer. Patricia has a fierce commitment to class and her work often examines the lives of the marginalized. Her work also includes dramaturgy and mentorship with young or new playwrights. Cornelius is a recipient of numerous awards including the 2015 Australian Writers’ Foundation Playwriting Award, the 2012 Patrick White Fellowship, and the 2014 Victorian Premier’s drama. Her plays have earned her 11 Australian Writers Guild awards. She has written over 30 plays including: Shit, Big Heart, Savages, Do not go gentle…, Slut, Love and The Call.

Katie Pearl is a director and writer of new plays and performance for both traditional and alternative spaces.  As co-Artistic Director of the OBIE Award-winning PearlDamour, the interdisciplinary company she shares with playwright Lisa D’Amour, her work has been supported by the Creative Capital Foundation, the Map Fund, and the NEA. Current projects include the multi-year Milton, a performance and community engagement experiment in 5 small towns named Milton around the country, and a new performance about climate and the deep ocean co-commissioned by the A.R.T. and the Harvard University Center for the Environment. Katie is currently an Anschutz Fellow at Princeton, where her teaching and research focus on the concept of the Artist-Citizen.

Peter Eckersall is Professor of Asian Theatre and Executive Officer of the Ph.D. Program in Theatre and Performance at the Graduate Centre, CUNY. Recent publications include We’re People Who Do Shows, Back to Back Theatre: Performance, Politics, Visibility (co-edited with Helena Grehan, Performance Research Books, 2013), Theatre and Performance in the Asia-Pacific: Regional Modernities in the Global Era (co-authored with Denise Varney, Barbara Hatley and Chris Hudson, Palgrave 2013), and Performativity and Event in 1960s Japan: City, Body, Memory (Palgrave 2013). He was the co-founder of Dramaturgies and was the resident dramaturg for the performance group Not Yet It’s Difficult.

 

Learn more about The PEN World Voices: International Play Festival.

Start: May 1, 2017
End: May 1, 2017
Venue: Segal Theatre
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May 1, 2017

PEN World Voices: International Play Festival 2017: Natal’ya Vorozhbit – Take out the Rubbish, Sasha

Photo courtesy of the Artist

Monday, May 1
Segal Theatre
6:00pm

FREE + Open to public. First come, first served.

Take out the Rubbish, Sasha
Written by Natal’ya Vorozhbit (Ukraine) & translated by Sasha Dugdale
Directed by Sarah Hughes
Discussion moderated by Christian Parker

In Kiev, Katya and Oksana prepare a funeral meal for their beloved husband, stepfather and Army colonel Sasha. But he isn’t going without a fight. The women in his life and the country need him.

Natal’ya Vorozhbit was born in Kiev, Ukraine and studied at the Moscow Literary Institute. Her plays Demons and Galka Motalka have been staged in Moscow and at the National Theatre of Latvia. The Khomenko Family Chronicles, a joint commission from the Royal Court Theatre, London and the BBC World Service was staged as part of the Royal Court’s International Season in 2007. In 2009 the Royal Shakespeare Company produced her play Grain Store as part of the RSC’s Revolutions project. In 2015, Take the Rubbish Out was produced by the National Theatre of Scotland and is currently nominated for the “Golden Mask” Award in Russia. At the moment Natal’ya is under commission to the Royal Court Theatre, London.

Sarah Hughes is a director and producer of theater and film. Recent: Real Talk / Kip Talk by Eliza Bent (Abrons Arts Center); some higher glimmer in our landscape of flat by Cara Scarmack (Bushwick Starr Reading Series); The Object Lesson VR Short (NYTW) and Lincoln in the Bardo VR Short (The New York Times), both with Graham Sack; Afterward by McFeely Sam Goodman (Signature Theater / Columbia); A Star Has Burnt My Eye by Howard Fishman (The Brick). With Elevator Repair Service, she assistant directed Gatz, The Select, Arguendo, Shuffle, and Fondly, Collette Richland. She’s worked with Half Straddle, MoMA, Vox Theater, and Superhero Clubhouse, of which she is a Core Member. She is the Co-Artistic Producer of Target Margin Theater, a member of the 2016-17 New Georges Jam and Civilians R&D Group, and co-teaches a class on Contemporary Theater at Dartmouth College. Upcoming: A Woman Among Women by Julia May Jonas as part of the New Georges Jam at Dixon Place, May 17.

Christian Parker is a director, dramaturg, and Chair of the graduate Theatre program at Columbia University. He was the Associate Artistic Director of the Atlantic Theater Company from 2001-2014, and served as the Literary Manager of Manhattan Theatre Club for several seasons. He is a founding member of the new itinerant theatre company, New Neighborhood, where he is developing a new show with the theatrical band The Petersons. Notable directing projects include plays by Tina Howe, Leslie Ayvazian, Jeff Whitty, Ken Weitzman, David Auburn, Cusi Cram, Rolin Jones, and Laura Eason. He is the resident director of the Kenyon Playwrights Conference, and has developed work with the O’Neill, Sundance Theatre Labs, New Harmony and Perry-Mansfield, among others. He is a Tony nominator. BA, Middlebury College. MFA, Columbia.

Learn more about The PEN World Voices: International Play Festival.

Start: May 1, 2017
End: May 1, 2017
Venue: Segal Theatre
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May 1, 2017

PEN World Voices: International Play Festival 2017: Mîrza Metîn – Hungry Dogs

Photo courtesy of the Artist

Monday, May 1
Segal Theatre
8:00pm

FREE + Open to public. First come, first served.

Hungry Dogs
Written by Mîrza Metîn (Turkey) & translated by Lucy Wood
Directed by Dan Safer
Discussion moderated by Eylül Akinci

Twin brothers Beşer and Beşir, who lost their parents in war, migrated as teenagers to Istanbul. After many years of separation they meet again, when Beşer enters Beşir’s house with a stolen safety box.

Mîrza Metîn is a playwright, director and an actor. He started his theatre training at Teatra Jiyana Nû in Istanbul. From 2003-2008 he worked at Seyr-î Mesel Theatre as an actor, teacher and studied dance and music at ITU State Conservatory’s Folk Dance department. Mîrza Metîn received numerous awards for his 10 plays, which he wrote in Turkish and Kurdish. Many of his works were created and performed with Şermola Performans, a theatre company, he cofounded in Istanbul together with Berfin Zenderlioğlu in 2008. At the moment Metîn is studying at Istanbul University Theatre Criticism and Dramaturgy, where he—among other topics—researches, revives and teaches Kurdish story teller traditions like Dengbêj and Çîrokbêj.

Dan Safer is Artistic Director of Witness Relocation (www.witnessrelocation.org) and has directed or choreographed all of their shows, ranging from fully scripted plays (including world premieres by Chuck Mee and English premieres by Toshiki Okada) to original dance/theater pieces to many things in between. Based in New York City, Witness Relocation is recognized as one of the “ensembles who now lead the city’s progressive theater scene” (Village Voice), and are the recipients of three New York Innovative Theater Awards. They perform frequently in dance and theater venues in NYC and internationally. Safer’s most recent show, The Loon, a collaboration with Robert M. Johanson (Nature Theater of Oklahoma) was recently a New York Times Critics Pick.

Eylül Fidan Akinci is currently a doctoral student in the Theatre Program at the Graduate Center of the City University of New York. She completed her MA in Critical and Cultural Studies at Boğaziçi University in 2013. Her research interests include dramaturgy, contemporary dance, physical theatre, posthumanism, necropolitics, and transfeminism. She founded one of the first online video archives for dance called “Contemporary Dance Video Database,” which is now part of Ubuweb. She discusses dance and performance related topics in her monthly podcast “The Last Minute Show,” presented in the Emisiones Cacatúa series on TV-Tron. She also works as an independent dramaturg.

Learn more about The PEN World Voices: International Play Festival.

Start: May 1, 2017
End: May 1, 2017
Venue: Segal Theatre
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May 2, 2017

PEN World Voices: International Play Festival 2017

The Martin E. Segal Theatre Center presents World Voices: International Play Festival 2017. As part of the 2017 PEN World Voices Festival of International Literature, The Segal Center will showcase play readings by nine of the world’s most respected dramatists. With the writers hailing from five different continents, the International Play Festival generates a conversation on art, politics, dreams, war, and philosophy, meant to give American audiences a rich awareness of the greater global dialogue. All readings will be followed by discussion with the playwright.

FREE + Open to public. First come, first served.


Monday, May 1 | Segal Theatre

4:00pm Shit
Written by Patricia Cornelius (Australia)
Directed by Katie Pearl
Discussion moderated by Peter Eckersall

6:00pm Take out the Rubbish, Sasha
Written by Natal’ya Vorozhbit (Ukraine) & translated by Sasha Dugdale
Directed by Sarah Hughes
Discussion moderated by Christian Parker

8:00pm Hungry Dogs
Written by Mîrza Metîn (Turkey) & translated by Lucy Wood
Directed by Dan Safer
Discussion moderated by Eylül Akinci


Tuesday, May 2 | Segal Theatre

4:00pm TranScenes: Four Short Plays from Brazil
Curated by Marcia Zanelatto (Brazil) & translated by Emily Walsh
Directed by Katherine Brook
Works by Marcia Zanelatto (Curator), Jô Bilac, Daniela Pereira de Carvalho, and Joaquim Vicente
Discussion moderated by Janet Werther

6:00pm Ticha-Ticha
Written by Hakim Bah (Guinea) & translated by Heather Denyer
Directed by Ethan McSweeney
Discussion moderated by Brooke Christensen

8:00pm Meteorites
Written by Sasha Marianna Salzmann (Germany) & translated by Jenny Piening
Directed by Mallory Catlett
Discussion moderated by Antje Oegel


Sunday, May 7 | Nuyorican Poets Cafe
(236 E 3rd Street, Second Avenue/F Train)

4:00pm Desert of Light
Written by Rama Haydar (Syria)
Translated by Rama Haydar & Rebekah Maggor
Directed by Rebekah Maggor
Discussion moderated by Frank Hentschker, Marvin Carlson

6:00pm Parallel Time
Written by Bashar Murkus (Palestine) & translated by Rebekah Maggor
Directed by Rebekah Maggor
Discussion moderated by Frank Hentschker, Marvin Carlson

8:00pm Sister Mok-Rahn
Written by Eunsung Kim (South Korea) & translated by Dayoung Jeong
Directed by Seonjae Kim
Discussion moderated by Mia Chung

The PEN World Voices: International Play Festival 2017 has been made possible by the support of Susan and Jack Rudin(†) and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

The PEN World Voices: International Play Festival was conceived, created, and curated by Frank Hentschker since 2007 in collaboration with PEN World Voices Festival. The 2017 Festival produced by Brooke Christensen (New York) in collaboration with Frank Hentschker and Antje Oegel. Co-curated by Antje Oegel. Assistant Curator: Soriya K. Chum.

The 2017 PEN World Voices Festival of International Literature: Gender and Power takes place from May 1 through May 7, 2017. This year’s festival gathers more than 100 writers and artists brought in from all over the world together with the United States’ leading literary and cultural luminaries to address the most pressing issues of the day – freedom of expression, international conflict, immigration and displacement, genocide, mass incarceration, race, policing, and women’s quality.

Founded by Michael Roberts, Esther Allen, and Salman Rushdie in the aftermath of September 11, 2001, PEN World Voices is the only international literary festival in the world with a human rights focus. It attracts the world’s best-known writers and has garnered broad global acclaim as one of the world’s premier literary events. Since its founding 12 years ago, PEN World Voices has presented more than 1,500 writers and artists from 110 countries, speaking 56 languages. www.penworldvoices.org

For the first time this year, the 2017 PEN World Voices Festival’s programming will reflect the vision of a diverse team of curators to explore the breadth of gender and power in all its dimensions. Chaired by Rob Spillman, founding editor of Tin House, the curatorial team includes Susan Bernofsky, Jennifer Finney Boylan, Kim Chan, Ram Devineni, Mona Eltahawy, Marlon James, Saeed Jones, Meg Lemke, Valeria Luiselli, Paul Morris, Chinelo Okparanta, Steph Opitz, Clarisse Rosaz Shariyf and Andy Tepper.
Suzanne Nossel, Executive Director of PEN America.

 

Start: May 2, 2017
End: May 7, 2017
Venue: Segal Theatre + Nuyorican Poets Cafe
Category:
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May 2, 2017

PEN World Voices: International Play Festival 2017: TranScenes: Four Short Plays from Brazil

Jô Bilac’s Venus Flytrap. Photo by Juliana Chalita

Tuesday, May 2
Segal Theatre
4:00pm

FREE + Open to public. First come, first served.

TranScenes: Four Short Plays from Brazil
Curated by Marcia Zanelatto (Brazil) & translated by Emily Walsh
Works by Marcia Zanelatto (Curator), Jô Bilac, Daniela Pereira de Carvalho, and JoaquimVicente.
Directed by Katherine Brook
Discussion moderated by Janet Werther

Short plays about gender identity in Brazil: a judicial fight, a dinner with a murderer, the death of the mother and a flower leads a rally.

Marcia Zanelatto lives and works in Rio de Janeiro, Brazil. She writes for theatre, television and cinema and teaches script writing. Her work often engages with ideas of racism, public security, and sexual and gender identity. She has received several awards, including the Brazil at Scene Award 2009 (Prêmio Brasil em Cena) for the play Time of Solitude (Tempo de Solidão), the Sexuality, Violence and Justice in the Favelas Award from the Ford Foundation with the play They ain´t Got No (Eles não usam tênis naique); and the 2014 Theatre Producers Association of Rio de Janeiro Award (Prêmio APTR) for Best Author, with the play Frumpness (Desalinho). In 2016, the Royal Exchange Theater, Manchester, UK, commissioned a new work for the Birth Festival, which resulted in her play The Birth Machine. Her work has been translated into English, Spanish, French and Swedish.

Jô Bilac was born in Rio de Janeiro and spent his childhood in Madrid. He co-founded the Cia de Teatro Independente (Independent Theatre Company) in 2007 with Vinicius Arneiro, Carolina Pismel, Paulo Verlings, and Julia Marini. The first two plays Cachorro! (Dog!) and Rebu (Turmoil) were performed with his company all over Brazil. Jô Bilac wrote Limpe todo Sangue Antes que Manche o Carpete (Clean All Blood Before it Stains the Carpet), Savana Glacial (Icy Savannah; Shell Award for Best Play, 2010), Popcorn and Gato Branco (White Cat). His 2013 play, Conselho de Classe (Class Council), won the Cesgranrio Award, APTR Award and the Shell Award for best play. Bilac was the artistic director of Teatro Glaucio Gil with actor Marcio Libar and was part of the dramadiario site (dailydrama web site) with six other playwrights from Rio de Janeiro.

In 2006 Daniela Pereira de Carvalho received, for her play There are no Safe Levels for the Consumption of These Substances, the Eletrobras-APTR Award for best author and was also nominated for the Shell Award for Best Text. She was also nominated for the 2006 EletrobrasAPTR Award for her piece Renato Russo: the musical. Another work, For a Less Ordinary Life, was also nominated for the Shell São Paulo Award for Best Text and for the Contigo Theater Award for Best Text in 2007.

Joaquim Vicente is a writer, director and independent producer. His career started in the film industry as an assistant producer before he moved to theatre. Of the seventeen plays he has directed, he also produced twelve of those works. On TV, he has worked as a writer for a French sex show, and for the Sunday live show Domingão do Faustão, among others. In 2012, he started his own production company, Teatro da Gente, and since then, he has also ventured into audiovisual arts. Other works by Vincente include: A Grande Viagem do Doutor Tchekhov (The Dr. Tchekcov’s Adventures) in 2004; Eu, Augusto dos Anjos (I am Augusto dos Anjos), which received the Prêmio Miryam Muniz in 2006; and Tragédias (Tragedies) in 2016.

Katherine Brook is a director of new experimental plays and performance and makes original work collaboratively with her theatre company, Katherine Brook / TELE-VIOLET. Her work has been presented at various venues in New York City and beyond, including The Public Theater’s Under the Radar Festival, The Provincetown Tennessee Williams Theatre Festival, Incubator Arts Project, Prelude NYC, and more. Recent credits include How to Get Into Buildings (New Georges), She Is King (with Laryssa Husiak, at Incubator Arts Project, and Boom Arts in Portland, Oregon), and Pink Melon Joy (Brave New World Rep and Cloud City in Brooklyn). Brook has also been a creative producer at The Foundry Theatre and New York City Players. She received her MFA from Carnegie Mellon University and her BFA from New York University’s Tisch School of the Arts, where she has since worked as a guest director.

Janet Werther (MFA Sarah Lawrence College; PhD in progress, The Graduate Center) is a scholar, practitioner, and arts educator. As an artist, Janet performs with the Ballez Company in NYC and occasionally produces solo works. Her research synthesizes dance, musical theatre, queer performance historiography, and cultural studies and her dissertation focuses on places of performance as sites of intergenerational queer exchange. Her writing is published in Studies in Musical Theatre and PAJ: A Journal of Performance and Art. She teaches at Baruch and Marymount Manhattan colleges. Janet also teaches dance to youth at the Brooklyn Arts Exchange (BAX).

Learn more about The PEN World Voices: International Play Festival.

Start: May 2, 2017
End: May 2, 2017
Venue: Segal Theatre
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May 2, 2017

PEN World Voices: International Play Festival 2017: Hakim Bah – Ticha-Ticha

Monday, May 2
Segal Theatre
6:00pm

FREE + Open to public. First come, first served.

Ticha-Ticha
Written by Hakim Bah (Guinea) & translated by Heather Denyer
Directed by Ethan McSweeney
Discussion moderated by Brooke Christensen

Ticha-Ticha awaits the return of Michael, the love of her life, who is, however, drawn to her daughter, Penda. This intense and poetic play deals with love, lust, female genital mutilation, and murder.

Photo Courtesy of Alexandre Gouzou

Born in Mamou, Guinea in 1987, Hakim Bah is both a playwright and a director. His plays have been staged in Africa, Belgium, and France. He is the recipient of numerous awards, including the Radio France International’s prestigious prize for best play. His plays have been published by Lansman and in Théâtre Ouvert’s Tapuscript collection. Hakim is also the artistic director of the “Universe of Words” festival in Guinea and the Paupières Mobiles theatre company in France.

 

 

Ethan McSweeny is a Brooklyn-based director whose interpretations of new plays, musicals, operas, and revivals has taken him all over the world — most recently to Dublin, Ireland with Florian Zeller’s The Father (Gate Theatre) and to his hometown of Washington, DC with a revival of his 2014 production of The Tempest (Shakespeare Theatre Company) and to Macau, China where his production of A Midsummer Night’s Dream opened the 2016 Macau Arts Festival.  Ethan has premiered works by John Logan (Never the Sinner), Kate Fodor (100 Saints You Should Know, Rx, Fifty Ways), Jason Grote (1001), Lee Blessing (A Body of Water), Regina Taylor (The Trinity River Plays), Noah Haidle (Mr. Marmalade) Rupert Holmes (A Time to Kill), Mark Victor Olsen (Cornelia), Steven Drukman (In This Corner), Anthony Clarvoe (Ctrl+Alt+Delete), and Thomas Bradshaw (Fulfillment). From 2004-2011, he was the co-artistic director of the Chautauqua Theatre Company.

Brooke Christensen is a Ph.D. candidate of Theatre and Performance at the Graduate Centre, CUNY. Her primary research interest is theatre and performance theory considering the intersection of art objects and actors bodies working as co-performers on stage and in visual culture. She was one of the co-founders of the Chicago artist collective Lucid Street Theatre, and she worked with the Rude Mechanical Theatre Company, a commedia dell’arte troupe in Eastbourne, England. She is honored to once again be serving as the PEN World Voices International Play Festival producer.

Learn more about The PEN World Voices: International Play Festival.

Start: May 2, 2017
End: May 2, 2017
Venue: Segal Theatre
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May 2, 2017

PEN World Voices: International Play Festival 2017: Sasha Marianna Salzmann – Meteorites

Photo by Esra Rotthoff

Tuesday, May 2
Segal Theatre
8:00pm

FREE + Open to public. First come, first served.

Meteorites
Written by Sasha Marianna Salzmann (Germany) & translated by Jenny Piening
Directed by Mallory Catlett
Discussion moderated by Antje Oegel

Germany is in the World Cup final; Berlin is dreaming again of a summer fairy tale to forget the world torn by wars. Inspired by Ovid’s Metamorphoses, Salzmann sends her protagonists on a seemingly endless search for a new self, which denies traditional concepts of identity.

Courtesy of Stefan Loeber

Sasha Marianna Salzmann is a playwright, essayist, curator, dramaturg and writer in residence at the Maxim Gorki Theater, Berlin. She is the co-founder of the magazine freitext and was the artistic director of STUDIO Я, which was named “best experimental work of the year” by DIE WELT newspaper in 2014. She also co-founded NIDS – New Institute for Drama, where she teaches and gives workshops on political writing. Her award-winning work has been translated and produced in over 20 countries. In 2016-17 she was voted “The playwright of the year” by the theatre magazine Deutsche Bühne. Salzmann´s first novel, Außer sich, will be published in September 2017.

Mallory Catlett is an Obie award-winning creator and director of performance across disciplines from Opera and Music Theater to Installation. She is the Artistic Director of Restless, a company designed to excavate the literary and theatrical cannon in creation of contemporary performance. The current project, M/F Future, is a pair of performances based on the novels of William Burroughs and Doris Lessing. In NYC her work has premiered at 3LD, HERE, Ontological-Hysteric, PS122, Abrons, Chocolate Factory, Roulette & the Collapsable Hole; featured at the Ice Factory, COIL, Prelude, Prototype and BAM’s Next Wave; and been developed at MTA, Barishnykov Arts, McDowell, Performing Garage, Abrons, HERE, Mabou Mines, LMCC and Yaddo; and toured internationally to Canada, France, UK, Ireland & Australia. She is a 2015 Foundation for the Contemporary Arts Grantee, a 2016 Creative Capital Awardee and an Assistant Professor of Theater Arts at Stonybrook University.

Learn more about The PEN World Voices: International Play Festival.

 

Start: May 2, 2017
End: May 2, 2017
Venue: Segal Theatre
Category:
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May 7, 2017

PEN World Voices: International Play Festival 2017: Rama Haydar – Desert of Light

Photo courtesy of the Artist

Sunday, May 7
Nuyorican Poets Cafe
(236 E 3rd Street, Second Avenue/F Train)
4:00pm

FREE + Open to public. First come, first served.

Desert of Light
Written by Rama Haydar (Syria)
Translated by Rama Haydar & Rebekah Maggor
Directed by Rebekah Maggor
Discussion moderated by Frank Hentschker, Marvin Carlson

As the brutal siege rages outside, two Palestinian refugees debate the best plan of escape. Set outside Damascus in the Yarmouk refugee camp, this black tragicomedy reveals the catastrophic absurdity of the Syrian civil war.

Rama Haydar is a Palestinian writer from Syria. She has written scripts for theatre, film, television, and radio. She studied English literature at the University of Damascus in Syria as well as theatre studies and criticism at the Damascus High Institute of Dramatic Arts. Her play Exile, (grant recipient, A. M. Qattan Foundation) focuses on the Palestinian refugees in Yarmouk, the main Palestinian camp in Damascus. Her short film Leaving Home, is a narrative documentary of her experience leaving Syria and relocating to Lebanon. She has also written over sixty episodes for the popular Lebanese television series Life School. Haydar resides in Spain where she has written several pieces for the site-specific micro theatre troupe HEXAGONO.

Rebekah Maggor is an artist and scholar whose work focuses on political theatre and theatre of protest. She translates, directs, devises, and researches theatre that questions entrenched power structures and pushes the boundaries of our contemporary political conversation. She co-edited, co-translated and wrote the introduction to Tahrir Tales: Plays from the Egyptian Revolution (Seagull Books) and she is currently co-editing, with Marvin Carlson and Mas’ud Hamdan, an anthology of new Palestinian drama, Theatre Between Home and Exile: New Palestinian Voices. Maggor has directed performances of her translations at the Huntington Theatre Company, the Segal Theatre Center, the ReOrient Festival, and at Harvard, Vanderbilt, and Cornell.  She has received grants from the Fulbright Scholar Program, the NEA, the Doris Duke Foundation, TCG Global Connections, the Radcliffe Institute, the Einaudi Center, and others. She is assistant professor in the Department of Performing and Media Arts at Cornell University.

Marvin Carlson is the Sidney E. Cohn Professor of Theatre, Comparative Literature and Middle Eastern Studies at the Graduate Center. He has received an honorary doctorate from the University of Athens, the ATHE Career Achievement Award, the ASTR Distinguished Scholarship Award, the George Jean Nathan Award for Dramatic Criticism, and the Calloway Prize. He is the founding editor of the journals European Stages and Arab Stages; and the author of over two hundred and fifty scholarly articles in the areas of theatre history, theatre theory and dramatic literature. He is the director of the Marvin Carlson Theatre Center at the Shanghai Theatre Academy. Among his books are The Theatre of the French Revolution (1966), Goethe and the Weimar Theatre (1978), Theories of the Theatre (1984), Places of Performance (1989), Performance: A Critical Introduction (1996), The Haunted Stage (2001), Speaking in Tongues (2006), Theatre is More Beautiful than War (2009), The Theatres of Morocco, Algeria, and Tunisia (with Khalid Amine, 2012) and Hamlet’s Shattered Mirror (2016). His work has been translated into fifteen languages.

Frank Hentschker holds a Ph.D. in theatre from the legendary Institute for Applied Theatre Studies in Giessen, Germany. He came to the Graduate Center in 2001 as program director for the Martin E. Segal Theatre Center and was appointed to the central doctoral faculty in theatre in 2009. He taught Theatre History at the School of the Arts at Columbia University. Among the vital events and series he founded at the Segal Center are the World Theatre Performance series, the annual fall PRELUDE festival, and the PEN World Voices Playwrights Series. Before coming to the Graduate Center, Hentschker founded and directed DISCURS, the largest European student theatre festival existing today; he acted as Hamlet in Heiner Müller’s Hamletmaschine, directed by the playwright, performed in the Robert Wilson’s play The Forest (music by David Byrne) and worked as an assistant for Robert Wilson for many years.

Learn more about The PEN World Voices: International Play Festival.

Start: May 7, 2017
End: May 7, 2017
Venue: Nuyorican Poets Cafe
Category:
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May 7, 2017

PEN World Voices: International Play Festival 2017: Bashar Murkus – Parallel Time

Photo courtesy of the Artist

Sunday, May 7
Nuyorican Poets Cafe
(236 E 3rd Street, Second Avenue/F Train)
6:00pm

FREE + Open to public. First come, first served.

Parallel Time
Written by Bashar Murkus (Palestine) & translated by Rebekah Maggor
Directed by Rebekah Maggor
Discussion moderated by Frank Hentschker, Marvin Carlson

Parallel Time, a disturbingly humorous prison play, evokes the daily struggle of life behind bars for a group of Palestinian inmates. It follows their collective fight to overcome the despair of long-term incarceration.

Bashar Murkus is a Palestinian playwright and director and founding ensemble member of the Khashabi Theatre in Haifa. Through collective research he develops new plays that both reflect and engage with the regional Palestinian community. His work has been seen in Palestine, France, Belgium, Tunisia, Lebanon, and Morocco. As writer/director, his plays include Parallel Time, The Belli Belli Bel, Whips, Sitt Bel Uffeh and The Year of Snow. Recent productions as director include: Bye Bye Gillo by Taha Adnan, The Conference of the Birds by Farid ud-Din Attar, and A New Middle East by Motaz Abu Saleh. Murkus studied theatre at the University of Haifa, where he now teaches acting and directing.

Rebekah Maggor is an artist and scholar whose work focuses on political theatre and theatre of protest. She translates, directs, devises, and researches theatre that questions entrenched power structures and pushes the boundaries of our contemporary political conversation. She co-edited, co-translated and wrote the introduction to Tahrir Tales: Plays from the Egyptian Revolution (Seagull Books) and she is currently co-editing, with Marvin Carlson and Mas’ud Hamdan, an anthology of new Palestinian drama, Theatre Between Home and Exile: New Palestinian Voices. Maggor has directed performances of her translations at the Huntington Theatre Company, the Segal Theatre Center, the ReOrient Festival, and at Harvard, Vanderbilt, and Cornell.  She has received grants from the Fulbright Scholar Program, the NEA, the Doris Duke Foundation, TCG Global Connections, the Radcliffe Institute, the Einaudi Center, and others. She is assistant professor in the Department of Performing and Media Arts at Cornell University.

Marvin Carlson is the Sidney E. Cohn Professor of Theatre, Comparative Literature and Middle Eastern Studies at the Graduate Center. He has received an honorary doctorate from the University of Athens, the ATHE Career Achievement Award, the ASTR Distinguished Scholarship Award, the George Jean Nathan Award for Dramatic Criticism, and the Calloway Prize. He is the founding editor of the journals European Stages and Arab Stages; and the author of over two hundred and fifty scholarly articles in the areas of theatre history, theatre theory and dramatic literature. He is the director of the Marvin Carlson Theatre Center at the Shanghai Theatre Academy. Among his books are The Theatre of the French Revolution (1966), Goethe and the Weimar Theatre (1978), Theories of the Theatre (1984), Places of Performance (1989), Performance: A Critical Introduction (1996), The Haunted Stage (2001), Speaking in Tongues (2006), Theatre is More Beautiful than War (2009), The Theatres of Morocco, Algeria, and Tunisia (with Khalid Amine, 2012) and Hamlet’s Shattered Mirror (2016). His work has been translated into fifteen languages.

Frank Hentschker holds a Ph.D. in theatre from the legendary Institute for Applied Theatre Studies in Giessen, Germany. He came to the Graduate Center in 2001 as program director for the Martin E. Segal Theatre Center and was appointed to the central doctoral faculty in theatre in 2009. He taught Theatre History at the School of the Arts at Columbia University. Among the vital events and series he founded at the Segal Center are the World Theatre Performance series, the annual fall PRELUDE festival, and the PEN World Voices Playwrights Series. Before coming to the Graduate Center, Hentschker founded and directed DISCURS, the largest European student theatre festival existing today; he acted as Hamlet in Heiner Müller’s Hamletmaschine, directed by the playwright, performed in the Robert Wilson’s play The Forest (music by David Byrne) and worked as an assistant for Robert Wilson for many years.

Learn more about The PEN World Voices: International Play Festival.

Start: May 7, 2017
End: May 7, 2017
Venue: Nuyorican Poets Cafe
Category:
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May 7, 2017

PEN World Voices: International Play Festival 2017: Eunsung Kim – Sister Mok-Rahn

Photo © Doosan Art Center

Sunday, May 7
Nuyorican Poets Cafe 
(236 E 3rd Street, Second Avenue/F Train)
8:00pm

FREE + Open to public. First come, first served.

Sister Mok-Rahn
Written by Eunsung Kim (South Korea) & translated by Dayoung Jeong
Directed by Seonjae Kim
Discussion moderated by Mia Chung

Desperate to reunite with her parents, a North Korean defector decides to return to her nation’s capital, Pyongyang. All she needs is 50 million won. Thus she is forced to navigate South Korean capitalism.

Eunsung Kim is a South Korean playwright and the Director of Dalnara Dongbakkot Company. He was born in Bosung in 1977 and lives in Seoul. He received his BFA in Directing at the Korea National University of Arts. His debut play, Shidong Rahsah, was awarded with the Korea Times Award for Best Play in 2006. Kim is the recipient of multiple awards including Daesan Creative Writing Funds, Dong-A Theater Award for Best Play, Doosan Artist Award, and Cha Bumseok Play Award. His major works include Sunshine Warriors, Sister Mok-rahn, Mother Yonbian, Hamik, Uncle Soonwoo, Lunar Soap Opera, Tideland (Bbul), and Bbang Bbang Bbang.

Seonjae Kim is a director based in New York City, originally from Seoul, South Korea. Riot Antigone, her Riot Grrrl musical adaptation of Sophocles’ tragedy, premiered at La MaMa Experimental Theatre Club in February 2017. Other credits: The Essential Ella Maythorne (Dixon Place) You’re Amazing!!!, That Noise (Williamstown Theatre Festival) A Midsummer Night’s Dream (Rabid Bat Theatricals) Cloud 9, A Perfect Wedding, Kafka on the Shore (Northwestern), Moksori (Chicago Fringe). Kim has worked with renowned directors such as Bill Rauch, Stafford Arima and most recently Pam MacKinnon on the new Broadway musical Amélie. Alumna of Directors’ Lab West, SITI Company Summer Workshop, Powerhouse Training Program, Williamstown Directing Corps, La MaMa Umbria Directors’ Symposium, Playwrights’ Retreat and Next Generation Residency. 2016 Van Lier Fellowship for Directing from the Asian American Arts Alliance & 2016 Mike Ockrent Fellowship from the Stage Directors and Choreographers Foundation. Upcoming: Associate Director, KPOP (Ars Nova/Ma-Yi/Woodshed Collective)

Mia Chung is the author of You For Me For You, Catch As Catch Can, and This Exquisite Corpse. You For Me For You had a UK premiere at The Royal Court Theatre, a world premiere at Woolly Mammoth Theatre, and multiple productions around the country; the play is published by Bloomsbury Methuen Drama. In addition to the 2016 Stavis Playwright Award, Mia has received much support: BAPF, Berkeley Rep, Blue Mountain Center, The Civilians, Hedgebrook, Huntington Theatre, Icicle Creek, Inkwell, LAByrinth, Ma-Yi Writers Lab, NEA, NYTW, Playwrights Realm, RISCA, South Coast Rep, Southern Rep, Stella Adler Studio, and TCG. She is a New Dramatist and a Jerome Fellow.

Learn more about The PEN World Voices: International Play Festival.

Start: May 7, 2017
End: May 7, 2017
Venue: Nuyorican Poets Cafe
Category:
, ,

May 11, 2017

Approaching Dance: Transdisciplinary Methodologies and Modalities of the Moving Body in Performance The Doctoral Theatre Students’ Association 2017 Conference

Image © The Bureau for the Future of Choreography 21

Thursday, May 11
Segal Theatre

All day conference

FREE + Open to public. First come, first served.

Approaching Dance
Transdisciplinary Methodologies and Modalities of the Moving Body in Performance
The Doctoral Students Association 2017 Conference

Join us for an interdisciplinary conference organized by the Doctoral Theatre Students’ Association (DTSA) interrogating dance scholarship and methodologies. This day-long conference aims to discuss and exchange methodological approaches to dance and to build a network for emerging scholars inside and outside of dance studies. The day will culminate in a public round table discussion with Thomas DeFrantz (Duke), Nadine George-Graves (UCSD), VK Preston (Toronto), Katherine Profeta (Queens College, CUNY), and Paul Scolieri (Barnard), moderated by Erika T. Lin (The Graduate Center, CUNY).

Followed by a performance intervention by The Bureau for the Future of Choreography.

RSVP is required https://goo.gl/forms/FcA4rVPVDIoCZ4vo1

For more information, schedule, and RSVP form for roundtable and performance,
please visit:
http://approachingdance.com

This conference is presented by the Doctoral Theatre Students’ Association (DTSA, GC CUNY), The Martin E. Segal Theatre Center, and The Ph.D. Program in Theatre. With additional support from Marvin Carlson, Sidney E. Cohn Chair in Theatre Studies; David Savran, Vera Mowry Roberts Chair in American Theatre; and the Doctoral Students’ Council.

     

Start: May 11, 2017
End: May 11, 2017
Venue: Segal Theatre
Category:
, ,

October 4, 2017

PRELUDE 2017

Save the Dates! October 4, 5, and 6.

Start: Oct 4, 2017
End: Oct 6, 2017
Venue: Segal Theatre
Cost: Free
Category:
, ,

October 23, 2017

2017 Gilder/Coigney International Theatre Award: Adelheid Roosen. Co-presented with the League of Professional Theatre Women

2017 League of Professional Theatre Women’s Gilder/Coigney International Theatre Award: Adelheid Roosen

Start: Oct 23, 2017
End: Oct 23, 2017
Category:
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November 28, 2017

CUNY Stages: CUNY Performing Arts Centers Conference

Tuesday, November 28
Segal Theatre
Conference

FREE + Open to public. First come, first served.

The mission of CUNY Stages is to organize the resources, talents, and shared goals of the 16 represented performing arts centers throughout the City University of New York (CUNY) system. In so doing, CUNY Stages will facilitate multi-disciplinary artistic collaborations amongst its members that will foster participation and creativity through the integration of the performing arts into campus life and the surrounding communities. CUNY Stages is committed to encouraging and supporting artistic excellence at the local and international level, promoting audience and artist diversity, and providing affordable access to the arts by sharing information and leveraging financial support. CUNY Stages also aims to facilitate an ongoing dialogue between arts practitioners and contemporary scholars who regularly engage with their work.

The CUNY Performance Art Presenter consists of 24 stages on 14 campuses in the Bronx, Brooklyn, Harlem, Manhattan, Queens, and Staten Island. Founded in 1847, CUNY is the largest urban public university in the United States with 23 institutions. Supporting together with SUNY a population of 19,8 million in New York State, CUNY serves more than 270,000 degree-credit students and continuing and professional education students. The university has one of the most diverse student bodies in the United States, with students hailing from 208 countries, but mostly from New York City. The black, white, and Hispanic undergraduate populations each comprise more than a quarter of the student body, and Asian undergraduates make up 18 percent.
Fifty-eight percent are female, and 28 percent are 25 or older

CUNY Stages is an initiative of the Martin E. Segal Theatre Center,
The Graduate Center, CUNY.

Participating campus performing arts centers:

Baruch Performing Arts Center (Baruch College)
Tribeca Performing Arts Center (Borough of Manhattan Community College)
Brooklyn Center for the Performing Arts (Brooklyn College)

Harlem Stage/Aaron Davis Hall (City College)
College of Staten Island Center for the Performing Arts

The Martin E. Segal Theatre Center (The Graduate Center)

Hostos Center for the Arts & Culture (Hostos Community College)
The Kaye Playhouse and the Performing Arts Depts. (Hunter College)

Gerald W. Lynch Theatre (John Jay College )
Leon M. Goldstein Performing Arts Center (Kingsborough Community College)
LaGuardia Performing Arts Center (LaGuardia Community College)

Lehman Center for the Performing Arts (Lehman College)
Medgar Evers College
Selma & Max Kupferberg Center for the Visual & Performing Arts (Queens College)

Queensborough Performing Arts Center (Queensborough Community College)
York College Performing Arts Center

Date: November 28, 2017
Category:
, ,

January 12

Theater & Resistance Symposium

 

Friday, Januaray 12
8:30am–12:30pm Elebash Recital Hall
1:00pm–2:30pm The Segal Theatre 
Free & open to the public

The Martin E. Segal Theatre CenterTheatre Without BordersThe H.E.AT. Collective and Tamizdat join forces to present a timely community conversation exploring the challenges and power of progressive activist theatre. At this cultural moment many in the arts are seeking ways to bring activism into their work; this symposium will be a platform for sharing ideas and resources. It will inform, empower, recharge, facilitate, and inspire.

A selection of resistant theatre projects from around the world will present their work as examples; leading activist artists will discuss their challenges and successes; practitioners will present on diversity, climate and sustainability, artist rights, artist mobility, and producing. An open discussion and working lunch will follow. The Symposium is for artists, activists, and administrators alike, and is designed to build communities across borders, genres, and disciplines. We will share best practices and learn from our colleagues in the U.S. and abroad.

Scheduled speakers and panelists include: Chen AlonIman AounChantal BilodeauEmilya CachaperoMatthew CoveyDavid J. DiamondLilly FellmanCatherine FillouxDerek Goldman, Sanjoy and Sima GangulySue HamiltonFrank HentschkerSouliman KhatibJulia Levine, Jessica LitwakJonathan MethDijana MilosevicIssa NyaphagaDeepa PurohitMartha RedboneAri RothKaty RubinNisha SajnaniSaviana StanescuJulie TrebaultNia Witherspoon, and Mia Yoo.

Please register at mestc@gc.cuny.edu
For more info contact conference@theatrewithoutborders.com

Schedule
8:30-9:00 REGISTRATION & COFFEE

9:00-9:20 INTRODUCTIONS

9:20-10:30 CASE STUDIES: “WHAT ARE WE DOING?”
Sue Hamilton & Jessica Litwak, (Artists Rise Up LA/NY)
Issa Nyaphaga (Radio Taboo, Cameroon)
Dijana Milosevic (Dah Theater, Serbia)
Soulamaina (Yes Theater, Palestine, West Bank)
Katy Rubin (Theatre of the Oppressed NYC, NY)
Sanjoy and Sima Ganguly, (Jana Sanskriti, India)
Lilly Fellman, (Arts Rights Justice, EU)
Soulaiman Khatib and Chen Alon (Combatants for Peace, Israel/Palestine)
Jonathan Meth, (The Fence, UK)
Iman Aoun, (Ashtar Theater, Palestine, Gaza)
Mia Yoo, (La Mama, NY)
Derek Goldman (Laboratory for Global Performance and Politics, DC)

10:30-11:30 ARTIST CONVERSATIONS, moderated by David J. Diamond
Catherine Filloux
Jessica Litwak
Saviana Stanescu
Martha Redbone
Nia Witherspoon
Deepa Purohit
Ty Jones

11:30-12:30
PRESENTATION: THEATRE & DIVERSITY
Emilya Cachapero, Theatre Communications Group
Nisha Sanjani, NYU Drama Therapy Department
PRESENTATION: ARTIST RIGHTS & MOBILITY
Matthew Covey, Tamizdat
Julie Trebault, PEN America
PRESENTATION: CLIMATE & SUSTAINABILITY
Julia Levine, Climate Change Theater Action
Chantal Bilodeau, Climate Change Theater Action
PRESENTATION: PRODUCING & ACTIVISM
Ari Roth, Mosaic Theater12:30-12:40 WHAT DO WE CAN WE DO?Frank Hentschker, Martin E. Segal Theatre Center12:30-2:30 WORKING/NETWORKING LUNCH

12:40-1:30 OPEN DISCUSSION, moderated by Jessica Litwak

Theatre Without Borders [TWB] is an informal, grass-roots, all-volunteer, virtual, global community that shares information and builds connections between individuals and institutions interested in international theatre and performance exchange. TWB was born out of a need to connect artists around the world. TWB advocates for theatre artists who see themselves as members of a global community, as well as citizens of their respective nations and cultures. TWB engages with artists at all levels of practice. TWB is not a funder, producer or presenter. We plant seeds and watch the plants grow and develop, thanks to our many partners.
www.theatrewithoutborders.com

The H.E.A.T. Collective presents workshops, events and productions that combine these four approaches to create dynamic theatrical explorations that advocate justice, healing and community building. The organization’s mission is to promote the artful expression of courageous generosity through socially engaged theatre actions. The H.E.A.T. Collective’s name is an acronym for Healing, Education, Activism and Theatre. www.theheatcollective.org

Founded in 1998 by an international group of musicians, Tamizdat is a nonprofit organization that facilitates international cultural exchange. Tamizdat’s mission is motivated by the conviction that the international exchange and mobility of culture is fundamental to the growth of global civil society. Tamizdat has been involved with a wide range of activities aimed at facilitating international cultural exchange… we have booked festival showcases in the U.S. and Europe, organized tours, sponsored events, and for years we ran a CD distribution coalition. Since 2000, Tamizdat’s primary program activities have sought to help the international performing arts community address problems presented by U.S. immigration policy and procedure. www.tamizdat.org

Start: Jan 12, 2018
End: Jan 12, 2018
Venue: Elebash Recital Hall
Category:
,

April 16

PEN World Voices: International Play Festival 2018 (Magali Mougel, Mihaela Drăgan, & Stefano Massini)

 

The Martin E. Segal Theatre Center presents World Voices: International Play Festival 2018. As part of the 2018 PEN World Voices Festival of International Literature, The Segal Center will showcase play readings by ten of the world’s most respected dramatists, including Edouard Elvis Bvouma (Cameroon), Mihaela Drăgan (Romania), Elfriede Jelinek (Austria), Yonatan Levy (Israel), Stefano Massini (Italy), Magali Mougel (France), Ana Luz Ormazábal (Chile), Aristide Tarnagda (Burkina Faso), Wei Yu-Chia (Taiwan), and Liwaa Yazji (Syria). With writers hailing from four different continents, the International Play Festival generates a conversation on art, politics, dreams, war, and philosophy, meant to give American audiences a rich awareness of global dialogues. Readings will be followed by a discussion with the playwright.

April 16, 17 + 21 | Segal Theatre
All Day Readings + Discussions
FREE + Open to public. First come, first served.

Monday, April 16

4:00pm Suzy Storck (France)
Written by Magali Mougel.
Directed by Sara Rademacher. Translated by Chris Campbell.
Discussion moderated by Nicole Birmann Bloom.

6:00pm Del Duma / Tell Them About Me! (Romania)
Written by Mihaela Drăgan.
Directed by George Eli. Translated by Claudia Campeanu.
Discussion moderated by Diana Benea.

8:00pm Intractable Woman (Italy)
Written by Stefano Massini.
Directed by Lee Sunday Evans. Translated by Paula Wing.
Discussion moderated by Kate Loewald, Valeria Orani, and Elena Kostyuchenko.

Tuesday, April 17

4:00pm Goats (Syria)
Written by Liwaa Yazji.
Directed by Zishan Ugurlu. Translated by Katharine Halls.
Discussion moderated by Saphe Shamoun.

6:00pm Ways of Loving (Burkina Faso)
Written by Aristide Tarnagda.
Directed by Kareem Fahmy. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

8:00pm On The Royal Road: The Burgher King (Austria)
Written by Elfriede Jelinek.
Directed by Stefan Dzeparoski. Translated by Gitta Honegger.
Discussion moderated by Luisa Muhr.

Saturday, April 21

2:00pm  A Fable For Now (Taiwan)
Written by Wei Yu-Chia.
Directed by Mei Ann Teo. Translated by Jeremy Tiang.
Discussion moderated by Melissa Wansin Wong.

4:00pm  In War as in Games (Cameroon)
Written by Edouard Elvis Bvouma.
Directed by Gisela Cardenas. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

6:00pm  Agnetha Kurtz Roca Method (Chile)
Written & Translated by Ana Luz Ormazábal.
Co-directed by Amelia Bande and SeungHyun Hwang.
Discussion moderated by Fabian Escalona.

8:00pm  Saddam Hussein – A Mystery Play (Israel)
Written & Co-Translated by Yonatan Levy.
Directed & Co-Translated by Amir Farjoun.

The PEN World Voices: International Play Festival 2018 has been made possible by the support of Susan and Jack Rudin(†) and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

The PEN World Voices: International Play Festival was conceived, created, and curated by Frank Hentschker since 2007 in collaboration with PEN World Voices Festival. The 2018 Festival is produced by Yu Chien Liu, in collaboration with Frank Hentschker. Assistant Producer: Paloma Estévez.

Founded by Michael Roberts, Esther Allen, and Salman Rushdie in the aftermath of September 11, 2001, PEN World Voices is the only international literary festival in the world with a human rights focus. It attracts the world’s best-known writers and has garnered broad global acclaim as one of the world’s premier literary events. Since its founding, PEN World Voices has presented more than 1,500 writers and artists from 118 countries, speaking 56 languages. The 2018 festival will run from April 16-22, 2018. www.penworldvoices.org
Chip Rolley, Director, World Voices Festival, PEN America
Kim Chan, General Manager

 

Monday, April 16 | Segal Theatre

Visit here for more information about Day 2 and Day 3.

4:00pm Suzy Storck (France)
Written by Magali Mougel.
Directed by Sara Rademacher. Translated by Chris Campbell.

Another unbearably hot evening. Suzy Storck sits by the window. A glass of wine. A bottle. Three. Her husband has left. Maybe he’s coming home. Maybe he’s not. The radio buzzes. And still, the sun will just not set.

6:00pm Del Duma / Tell Them About Me! (Romania)
Written by Mihaela Drăgan.
Directed by George Eli. Translated by Claudia Campeanu.

Real stories about how four Roma women deal with life, social pressure, early marriage and dreams of escape. A serious solo-comedy performed by the Roma author.

8:00pm Intractable Woman (Italy)
Written by Stefano Massini.
Directed by TBA. Translated by Paula Wing.

A “theatrical memorandum” on Anna Politkovskaya, the Russian activist-journalist who exposed details of Russia’s war in Chechnya and fought government suppression, before her ruthless killing. In 2002, she was awarded the PEN Center USA Freedom to Write Award. In association with The Play Company, New York and Umanism NY (Valeria Orani, Director) as part of the Italian Playwrights Project. With additional support from Italian Cultural institute (Giorgio Van Straten, Director).

About the playwrights:

Photo courtesy of the artist

Magali Mougel (France), a finalist to the Grand Prix de littérature dramatique, has been writing prolifically for the theatre since 2014 and has been staged throughout France. She taught at the Université de Strasbourg, the Institut littéraire de Bern, and at ENSATT, Lyon. She is an associate playwright at the Scènes du Jura and joined the artistic collective at the Théâtre de Sartouville Yvelines CDN.

 

 

Photo by Nihad Nino Pusija

Mihaela Drăgan (Romania) is an actress and playwright who lives and works in Bucharest and Berlin. In 2014, she founded Giuvlipen Theatre Company together with other Roma actresses. In 2015 she appeared in the feature film Aferim directed by Radu Jude, which won the Silver Bear for directing at the Berlin International Film Festival. She is currently working in Berlin at the Maxim Gorki Theater.

 

 

Photo by Attilio Marasco

Stefano Massini (Italy) is a Pier Vittorio Tondelli Award winning playwright, director, and the artistic consultant at the Piccolo Teatro di Milano. Inspired by the 2008 economic banking crisis, Massini wrote the The Lehman Trilogy. Translated into 14 languages, the trilogy will be staged in July 2018 at the National Theater in London by Sam Mendes.

 

 

Start: Apr 16, 2018
End: Apr 16, 2018
Venue: Segal Theater
Category:
, ,

April 17

PEN World Voices: International Play Festival 2018 (Liwaa Yazji, Aristide Tarnagda, & Elfriede Jelinek)

 

The Martin E. Segal Theatre Center presents World Voices: International Play Festival 2018. As part of the 2018 PEN World Voices Festival of International Literature, The Segal Center will showcase play readings by ten of the world’s most respected dramatists, including Edouard Elvis Bvouma (Cameroon), Mihaela Drăgan (Romania), Elfriede Jelinek (Austria), Yonatan Levy (Israel), Stefano Massini (Italy), Magali Mougel (France), Ana Luz Ormazábal (Chile), Aristide Tarnagda (Burkina Faso), Wei Yu-Chia (Taiwan), and Liwaa Yazji (Syria). With writers hailing from four different continents, the International Play Festival generates a conversation on art, politics, dreams, war, and philosophy, meant to give American audiences a rich awareness of global dialogues. Readings will be followed by a discussion with the playwright.

April 16, 17 + 21 | Segal Theatre
All Day Readings + Discussions
FREE + Open to public. First come, first served.

Monday, April 16

4:00pm Suzy Storck (France)
Written by Magali Mougel.
Directed by Sara Rademacher. Translated by Chris Campbell.
Discussion moderated by Nicole Birmann Bloom.

6:00pm Del Duma / Tell Them About Me! (Romania)
Written by Mihaela Drăgan.
Directed by George Eli. Translated by Claudia Campeanu.
Discussion moderated by Diana Benea.

8:00pm Intractable Woman (Italy)
Written by Stefano Massini.
Directed by Lee Sunday Evans. Translated by Paula Wing.
Discussion moderated by Kate Loewald, Valeria Orani, and Elena Kostyuchenko.

Tuesday, April 17

4:00pm Goats (Syria)
Written by Liwaa Yazji.
Directed by Zishan Ugurlu. Translated by Katharine Halls.
Discussion moderated by Saphe Shamoun.

6:00pm Ways of Loving (Burkina Faso)
Written by Aristide Tarnagda.
Directed by Kareem Fahmy. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

8:00pm On The Royal Road: The Burgher King (Austria)
Written by Elfriede Jelinek.
Directed by Stefan Dzeparoski. Translated by Gitta Honegger.
Discussion moderated by Luisa Muhr.

Saturday, April 21

2:00pm  A Fable For Now (Taiwan)
Written by Wei Yu-Chia.
Directed by Mei Ann Teo. Translated by Jeremy Tiang.
Discussion moderated by Melissa Wansin Wong.

4:00pm  In War as in Games (Cameroon)
Written by Edouard Elvis Bvouma.
Directed by Gisela Cardenas. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

6:00pm  Agnetha Kurtz Roca Method (Chile)
Written & Translated by Ana Luz Ormazábal.
Co-directed by Amelia Bande and SeungHyun Hwang.
Discussion moderated by Fabian Escalona.

8:00pm  Saddam Hussein – A Mystery Play (Israel)
Written & Co-Translated by Yonatan Levy.
Directed & Co-Translated by Amir Farjoun.

The PEN World Voices: International Play Festival 2018 has been made possible by the support of Susan and Jack Rudin(†) and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

The PEN World Voices: International Play Festival was conceived, created, and curated by Frank Hentschker since 2007 in collaboration with PEN World Voices Festival. The 2018 Festival is produced by Yu Chien Liu, in collaboration with Frank Hentschker. Assistant Producer: Paloma Estévez.

Founded by Michael Roberts, Esther Allen, and Salman Rushdie in the aftermath of September 11, 2001, PEN World Voices is the only international literary festival in the world with a human rights focus. It attracts the world’s best-known writers and has garnered broad global acclaim as one of the world’s premier literary events. Since its founding, PEN World Voices has presented more than 1,500 writers and artists from 118 countries, speaking 56 languages. The 2018 festival will run from April 16-22, 2018. www.penworldvoices.org
Chip Rolley, Director, World Voices Festival, PEN America
Kim Chan, General Manager

 

Tuesday, April 17 | Segal Theatre

Visit here for more information about Day 1 and Day 3.

4:00pm Goats (Syria)
Written by Liwaa Yazji.
Directed by Zishan Urgulu. Translated by Katharine Halls.

As the coffins pile up in a small town in Syria, a party leader decides to offer a goat for each martyred son. A father learns the hard way about the surreal reality of politics, war, martyrdom, and life. Presented with additional support from South-South Forum at Dartmouth College, Eman S. Morsi.

6:00pm Ways of Loving (Burkina Faso)
Written by Aristide Tarnagda.
Directed by Kareem Fahmy. Translated by Heather Jeanne Denyer.

Accused of murder, a woman dreams of the sun, the hills, and the wind while facing trial. She has no right hand with which to promise to tell the truth, the whole truth and nothing but the truth.

8:00pm On The Royal Road: The Burgher King (Austria)
Written by Elfriede Jelinek.
Directed by Stefan Dzeparoski. Translated by Gitta Honegger.

A blind female seer with bleeding eyes, Miss Piggy, channels a confused Tiresias as she tries to get a handle on the bizarre behavior of Donald Trump’s persona.

About the playwrights:

Photo by Florian Riemann

Liwaa Yazji (Syria) is a playwright, poet, filmmaker, and screenwriter, educated in both English Literature and Theater Studies in Syria. Her play Goats premiered in The Royal Court, London, in 2017. Her play Q&Q was selected for the International Women Playwright Conference 2018. She is currently a co-writer on HEIM, a German TV series. Her first documentary Haunted premiered in 2014 at FID Marseilles.

 

 

Photo by Lansman EmileCie

Aristide Tarnagda (Burkina Faso) studied at Jean-Pierre Guingané’s Théâtre de la Fraternité. In 2013, he directed his own play And if I was going to kill them all Ma’am? on a mainstage at the Avignon Theatre Festival, while another of his plays, Red Earth was included in the Off-Festival. He is the Artistic Director of the Récréâtrales Festival, one of the largest Pan-African performance festivals, based in Ouagadougou, Burkina Faso.

 

 

Photo courtesy of the artist

Elfriede Jelinek (Austria) was born in 1946. She grew up in Vienna
and now lives in Vienna and Munich. She has received numerous
awards for her literary works, which include not only novels but also
plays, poetry, essays, translations, radio plays, screenplays, and
opera librettos. Her awards include the Georg Büchner Prize and the
Franz Kafka Prize for Literature. In 2004, she was awarded with the Nobel Prize for Literature.

 

Start: Apr 17, 2018
End: Apr 17, 2018
Venue: Segal Theatre
Category:
, ,

April 21

PEN World Voices: International Play Festival 2018 (Wei Yu-Chia, Edouard Elvis Bvouma, Ana Luz Ormazábal, & Yonatan Levy)

 

The Martin E. Segal Theatre Center presents World Voices: International Play Festival 2018. As part of the 2018 PEN World Voices Festival of International Literature, The Segal Center will showcase play readings by ten of the world’s most respected dramatists, including Edouard Elvis Bvouma (Cameroon), Mihaela Drăgan (Romania), Elfriede Jelinek (Austria), Yonatan Levy (Israel), Stefano Massini (Italy), Magali Mougel (France), Ana Luz Ormazábal (Chile), Aristide Tarnagda (Burkina Faso), Wei Yu-Chia (Taiwan), and Liwaa Yazji (Syria). With writers hailing from four different continents, the International Play Festival generates a conversation on art, politics, dreams, war, and philosophy, meant to give American audiences a rich awareness of global dialogues. Readings will be followed by a discussion with the playwright.

April 16, 17 + 21 | Segal Theatre
All Day Readings + Discussions
FREE + Open to public. First come, first served.

Monday, April 16

4:00pm Suzy Storck (France)
Written by Magali Mougel.
Directed by Sara Rademacher. Translated by Chris Campbell.
Discussion moderated by Nicole Birmann Bloom.

6:00pm Del Duma / Tell Them About Me! (Romania)
Written by Mihaela Drăgan.
Directed by George Eli. Translated by Claudia Campeanu.
Discussion moderated by Diana Benea.

8:00pm Intractable Woman (Italy)
Written by Stefano Massini.
Directed by Lee Sunday Evans. Translated by Paula Wing.
Discussion with Kate Loewald, Valeria Orani, and Elena Kostyuchenko.

Tuesday, April 17

4:00pm Goats (Syria)
Written by Liwaa Yazji.
Directed by Zishan Ugurlu. Translated by Katharine Halls.
Discussion moderated by Saphe Shamoun.

6:00pm Ways of Loving (Burkina Faso)
Written by Aristide Tarnagda.
Directed by Kareem Fahmy. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

8:00pm On The Royal Road: The Burgher King (Austria)
Written by Elfriede Jelinek.
Directed by Stefan Dzeparoski. Translated by Gitta Honegger.
Discussion moderated by Luisa Muhr.

Saturday, April 21

2:00pm  A Fable For Now (Taiwan)
Written by Wei Yu-Chia.
Directed by Mei Ann Teo. Translated by Jeremy Tiang.
Discussion moderated by Melissa Wansin Wong.

4:00pm  In War as in Games (Cameroon)
Written by Edouard Elvis Bvouma.
Directed by Gisela Cardenas. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

6:00pm  Agnetha Kurtz Roca Method (Chile)
Written & Translated by Ana Luz Ormazábal.
Co-directed by Amelia Bande and SeungHyun Hwang.
Discussion moderated by Fabian Escalona.

8:00pm  Saddam Hussein – A Mystery Play (Israel)
Written & Co-Translated by Yonatan Levy.
Directed & Co-Translated by Amir Farjoun.

The PEN World Voices: International Play Festival 2018 has been made possible by the support of Susan and Jack Rudin(†) and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

The PEN World Voices: International Play Festival was conceived, created, and curated by Frank Hentschker since 2007 in collaboration with PEN World Voices Festival. The 2018 Festival is produced by Yu Chien Liu, in collaboration with Frank Hentschker. Assistant Producer: Paloma Estévez.

Founded by Michael Roberts, Esther Allen, and Salman Rushdie in the aftermath of September 11, 2001, PEN World Voices is the only international literary festival in the world with a human rights focus. It attracts the world’s best-known writers and has garnered broad global acclaim as one of the world’s premier literary events. Since its founding, PEN World Voices has presented more than 1,500 writers and artists from 118 countries, speaking 56 languages. The 2018 festival will run from April 16-22, 2018. www.penworldvoices.org
Chip Rolley, Director, World Voices Festival, PEN America
Kim Chan, General Manager

 

Saturday, April 21 | Segal Theatre

Visit here for more information about Day 1 and Day 2.

2:00pm A Fable For Now (Taiwan)
Written by Wei Yu-Chia.
Directed by Mei Ann Teo. Translated by Jeremy Tiang.

Tales of war, the environment, and personal regret collide as mankind hurtles towards a surreal apocalypse in the company of a belligerent duck, bears of at least three different varieties, and a truly extraordinary chicken.

4:00pm In War as in Games (Cameroon)
Written by Edouard Elvis Bvouma.
Directed by Gisela Cardenas. Translated by Heather Jeanne Denyer.

After learning that the war is over, a lonely child soldier with a Kalashnikov tells a young girl the story of his life. For him, it is nothing more than a video game with animated characters.

6:00pm Agnetha Kurtz Roca Method (Chile)
Written & Translated by Ana Luz Ormazábal.
Directed by Amelia Bande.

A fictional Chilean philosopher and performance artist returns to her country after 30 years of self-exile. A conference play about language, identity, community, and immigration–both from and to Chile.

8:00pm Saddam Hussein – A Mystery Play (Israel)
Written & Co-Translated by Yonatan Levy.
Directed & Co-Translated by Amir Farjoun.

On the brink of military defeat, Saddam and his doppelgangers retreat to the bunker—and embark upon a spiritual quest. Blending politics, metaphysics, poetry and nonsense, the play follows the tyrant’s initiation into the esoteric secret of oil.

 

About the playwrights:

Photo courtesy of the artist

Wei Yu-Chia (Taiwan) studied playwriting at the Taiwan University’s Drama Department. She won the 2014 Taiwanese Literature Award for Playwriting with A Fable for Now. Other plays include Mama/Popstar (nominated for the 2015 Taipei Literature Award for Playwriting) and A Child from Nankoku (nominated for the 2017 New Taipei Award for Playwriting).

 

 

Photo courtesy of the artist

Edouard Elvis Bvouma (Cameroon) is a playwright, actor, director,
novelist, and short story writer from Cameroon. His plays have been
staged throughout Africa and Europe, including the mainstage of
Avignon’s Theatre Festival. Bvouma has received multiple awards, including the Grands Prix Afrique du Théâtre Francophone. His plays are published by Lansman Editeurs.

 

 

Photo courtesy of the artist

Ana Luz Ormazábal (Chile) is the award-winning artistic director of the ANTIMÉTODO Collective. Integrating practices of creation and research, she has developed work for the collective as a writer, dramaturg, and director. Ana teaches at Universidad Católica’s Theatre Department and is scheduled to begin work on her AL PACINO project at Robert Wilson’s Watermill Center.

 

 

Photo courtesy of the artist

Yonatan Levy (Israel) is a playwright, poet, Waldorf educator, and
director. His work Saddam Hussein – A Mystery Play was featured in
the Theater der Welt Festival and the Schaubühne Berlin. His new opera, The Sleeping Thousand (Music by Adam Maor), will premiere at the Luxembourg Grand Theatre in 2019. Levy also co-founded the Shakked Waldorf High School and the Sheik Abreik Festival for Civilian Culture, both in Kiryat Tivon, Israel.

Start: Apr 21, 2018
End: Apr 21, 2018
Venue: Segal Theatre
Category:
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May 10

Objects of Study: Methods and Materiality in Theatre and Performance Studies

Thursday, May 10th
Segal Theatre
7:30pm Performance, 5:00pm Roundtable + All Day Conference

FREE + Open to public. Please RSVP.

The multiple potential meanings of “object” within theatre and performance studies point to questions about the relationship between knowledge and materiality. With this conference, we issue a challenge to the common understanding of scholarly work as focused on an “object of study.” We seek to destabilize the terms “object” and “study” to explore how the ways in which we conceive of objects and materiality might influence the framework of our discipline. Are we, as scholars, engaging in acts of objectification? How do the objects also act upon us?

This student conference is organized by the Doctoral Theatre Students’ Association and will host working groups of emerging scholars during the day, followed by a roundtable with Katherine Behar (Baruch College, CUNY), Maaike Bleeker (Utrecht University, Netherlands), Rebecca Schneider (Brown University), Soyoung Yoon (The New School), and a performance by Larissa Velez Jackson (LVJ Performance Co.).

For more information, please visit the webpage: cuny.is/objects

This event will take place thanks to the generous support of Sidney E. Cohn Chair Distinguished Professor Marvin Carlson, Vera Mowry Roberts Chair Distinguished Professor David Savran, Lucille Lortel Chair Professor Jean Graham-Jones, the Ph.D. Program in Theatre, Martin E. Segal Theatre Center, The Center for the Humanities, and The Doctoral Students’ Council.

DTSA Conference Committee: Eylül Fidan Akıncı, Amir Farjoun, Sarah Lucie, Christine Snyder, and Cory Tamler.

Date: May 10
Venue: Segal Theatre
Category:
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