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January 12

Theater & Resistance Symposium

 

Friday, Januaray 12
8:30am–12:30pm Elebash Recital Hall
1:00pm–2:30pm The Segal Theatre 
Free & open to the public

The Martin E. Segal Theatre CenterTheatre Without BordersThe H.E.AT. Collective and Tamizdat join forces to present a timely community conversation exploring the challenges and power of progressive activist theatre. At this cultural moment many in the arts are seeking ways to bring activism into their work; this symposium will be a platform for sharing ideas and resources. It will inform, empower, recharge, facilitate, and inspire.

A selection of resistant theatre projects from around the world will present their work as examples; leading activist artists will discuss their challenges and successes; practitioners will present on diversity, climate and sustainability, artist rights, artist mobility, and producing. An open discussion and working lunch will follow. The Symposium is for artists, activists, and administrators alike, and is designed to build communities across borders, genres, and disciplines. We will share best practices and learn from our colleagues in the U.S. and abroad.

Scheduled speakers and panelists include: Chen AlonIman AounChantal BilodeauEmilya CachaperoMatthew CoveyDavid J. DiamondLilly FellmanCatherine FillouxDerek Goldman, Sanjoy and Sima GangulySue HamiltonFrank HentschkerSouliman KhatibJulia Levine, Jessica LitwakJonathan MethDijana MilosevicIssa NyaphagaDeepa PurohitMartha RedboneAri RothKaty RubinNisha SajnaniSaviana StanescuJulie TrebaultNia Witherspoon, and Mia Yoo.

Please register at mestc@gc.cuny.edu
For more info contact conference@theatrewithoutborders.com

Schedule
8:30-9:00 REGISTRATION & COFFEE

9:00-9:20 INTRODUCTIONS

9:20-10:30 CASE STUDIES: “WHAT ARE WE DOING?”
Sue Hamilton & Jessica Litwak, (Artists Rise Up LA/NY)
Issa Nyaphaga (Radio Taboo, Cameroon)
Dijana Milosevic (Dah Theater, Serbia)
Soulamaina (Yes Theater, Palestine, West Bank)
Katy Rubin (Theatre of the Oppressed NYC, NY)
Sanjoy and Sima Ganguly, (Jana Sanskriti, India)
Lilly Fellman, (Arts Rights Justice, EU)
Soulaiman Khatib and Chen Alon (Combatants for Peace, Israel/Palestine)
Jonathan Meth, (The Fence, UK)
Iman Aoun, (Ashtar Theater, Palestine, Gaza)
Mia Yoo, (La Mama, NY)
Derek Goldman (Laboratory for Global Performance and Politics, DC)

10:30-11:30 ARTIST CONVERSATIONS, moderated by David J. Diamond
Catherine Filloux
Jessica Litwak
Saviana Stanescu
Martha Redbone
Nia Witherspoon
Deepa Purohit
Ty Jones

11:30-12:30
PRESENTATION: THEATRE & DIVERSITY
Emilya Cachapero, Theatre Communications Group
Nisha Sanjani, NYU Drama Therapy Department
PRESENTATION: ARTIST RIGHTS & MOBILITY
Matthew Covey, Tamizdat
Julie Trebault, PEN America
PRESENTATION: CLIMATE & SUSTAINABILITY
Julia Levine, Climate Change Theater Action
Chantal Bilodeau, Climate Change Theater Action
PRESENTATION: PRODUCING & ACTIVISM
Ari Roth, Mosaic Theater12:30-12:40 WHAT DO WE CAN WE DO?Frank Hentschker, Martin E. Segal Theatre Center12:30-2:30 WORKING/NETWORKING LUNCH

12:40-1:30 OPEN DISCUSSION, moderated by Jessica Litwak

Theatre Without Borders [TWB] is an informal, grass-roots, all-volunteer, virtual, global community that shares information and builds connections between individuals and institutions interested in international theatre and performance exchange. TWB was born out of a need to connect artists around the world. TWB advocates for theatre artists who see themselves as members of a global community, as well as citizens of their respective nations and cultures. TWB engages with artists at all levels of practice. TWB is not a funder, producer or presenter. We plant seeds and watch the plants grow and develop, thanks to our many partners.
www.theatrewithoutborders.com

The H.E.A.T. Collective presents workshops, events and productions that combine these four approaches to create dynamic theatrical explorations that advocate justice, healing and community building. The organization’s mission is to promote the artful expression of courageous generosity through socially engaged theatre actions. The H.E.A.T. Collective’s name is an acronym for Healing, Education, Activism and Theatre. www.theheatcollective.org

Founded in 1998 by an international group of musicians, Tamizdat is a nonprofit organization that facilitates international cultural exchange. Tamizdat’s mission is motivated by the conviction that the international exchange and mobility of culture is fundamental to the growth of global civil society. Tamizdat has been involved with a wide range of activities aimed at facilitating international cultural exchange… we have booked festival showcases in the U.S. and Europe, organized tours, sponsored events, and for years we ran a CD distribution coalition. Since 2000, Tamizdat’s primary program activities have sought to help the international performing arts community address problems presented by U.S. immigration policy and procedure. www.tamizdat.org

Start: Jan 12, 2018
End: Jan 12, 2018
Venue: Elebash Recital Hall
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February 23

Richard Gough: Global Dramaturgies

Photo courtesy of the artist.

Friday, February 23
Room #3416, GC CUNY, Third Floor
12:00pm Lecture

FREE + Open to public. First come, first served.

Join scholar, author, and editor Richard Gough as he explores and anticipates the future of global dramaturgy. Gough will discuss changes in international dramaturgical practice, why we should be interested in it, what new ways of research might look like, and what pitfalls might arise. Followed by a discussion with Peter Eckersall.

Performance Research resists disconnected, disembodied and disinterested forms of scholarship. Performance Research combines writings and works for the page in an interplay of analysis, anecdote, polemic, and criticism–interweaving the oblique with the conflicting, the pivotal with the resistant and the eclectic with the indispensable.

Richard Gough is Artistic Director of the Centre for Performance Research (CPR), Professor of Performance Research, Falmouth University, Fellow of IRC/IPC Freie Univeristat Berlin, and General Editor of Performance Research (The Journal of Performance Arts published bi-monthly by Routledge, Taylor & Francis) and Performance Books. He was founding President (1997-2001) of Performance Studies international (PSi) and he has curated and organized numerous conference and workshops over the last 40 years as well as directing and lecturing internationally.

Start: Feb 23, 2018
End: Feb 23, 2018
Venue: Room 3416
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March 1

Segal Center Film Festival on Theatre and Performance 2018

Segal Center Film Festival on Theatre and Performance 2018

Start: Mar 1, 2018
End: Mar 3, 2018
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March 12

The Written World with Martin Puchner

Saint John the Evangelist by Pompeo Batoni. Cover of The Written World: The Power of Stories to Shape People, History, Civilization.

 

 

Monday, March 12
Segal Theatre
6:00pm Readings + Discussion

FREE + Open to public. First come, first served.

Martin Puchner takes us on a remarkable journey around the world to reveal how over 4,000 years of story-telling and literature have shaped history and civilization. The Segal evening will feature readings from The Epic of Gilgamesh, The Odyssey, Diamond Sutra, Popol Vuh, One Thousand and One Nights, The Tale of Genji, Goethe’s Conversations with Johann Peter Eckermann, and Akhmatova’s Requiem with introductions by Martin Puchner. Eylül Fidan Akıncı, Stefano Boselli, Shane Breaux, Marvin Carlson, Tom Keever, Cory Tamler, Angie Tennant, and Alisa Zhulina will read the texts. Followed by a discussion with Martin Puchner, Frank Hentschker, and others.

Photo by Gretjen Helene

Martin Puchner is the Byron and Anita Wien Professor of Drama and of English and Comparative Literature at Harvard University. His prizewinning books cover subjects from philosophy to the arts, his bestelling six-volume Norton Anthology of World Literature, and his HarvardX MOOC (massive open online course) have brought four thousand years of literature to students across the globe. The Written World: The Power of Stories to Shape People, History, Civilization was published by Penguin Random House LLC in 2017.

 

Start: Mar 12, 2018
End: Mar 12, 2018
Venue: Segal Theatre
Category:
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March 23

The 2018 Edwin Booth Award: Young Jean Lee

Photo by Blaine Davis

****Due to winter storm forecast, the evening has been rescheduled to Friday, March 23****
Friday, March 23
Segal Theatre
6:30pm Award Ceremony

FREE + Open to public. First come, first served.

The Doctoral Theatre Students’ Association presents the 2018 Edwin Booth Award to New York writer, director, and filmmaker Young Jean Lee. The Edwin Booth Award is given annually by the Doctoral Theatre Students’ Association to honor a person, organization, or company for their outstanding contribution to the NYC theatre community, and to promote integration of professional and academic theatre.

Young Jean Lee has written and directed ten shows in New York. Her short films have been presented at The Locarno International Film Festival, Sundance Film Festival, and BAMcinemaFest. Young Jean Lee’s Theater Company has toured her work to over thirty cities around the world. Named as “the most adventurous downtown playwright of her generation” by The New York Times, Lee has received two OBIE Awards, a Prize in Literature from the American Academy of Arts and Letters, a PEN Literary Award, a Doris Duke Performing Artist Award, among numerous other fellowships. A presentation workshop of Songs of the Dragons Flying to Heaven was first shown at PRELUDE 2005.

The award ceremony features an interview with Young Jean Lee by Chloë Rae Edmonson; speeches and performance by Doctoral Students Jessica Adam, Kyueun Kim, Ash Marinaccio, Nina Angela Mercer, Hansol Oh, Alison Walls, and Jennie Youssef; as well as a special performance by Diana Oh and Matt Park.

Presented in collaboration with the DTSA Second Vice President Hansol Oh, with additional support from Sidney E. Cohn Chair Distinguished Professor Marvin Carlson, Vera Mowry Roberts Chair Distinguished Professor David Savran, Lucille Lortel Chair Professor Jean Graham-Jones, and the Martin E. Segal Theatre Center.

Past Honorees:

2017 – Taylor Mac
2016 – Reverend Billy and the Stop Shopping Choir
2015 – María Irene Fornés
2014 – Elevator Repair Service
2013 – Woodie King Jr.
2012 – Split Britches
2011 – Stephen Sondheim
2010 – Charles Mee
2009 – Judith Malina
2008 – Karen Finley
2007 – Mabou Mines
2006 – HERE Arts Center
2005 – Paula Vogel
2004 – The Classical Theatre of Harlem
2003 – The New York Theatre Workshop
2002 – Tony Kushner
2001 – Anne Bogart and The S.I.T.I. Company
2000 – Performance Space 122
1999 – Dixon Place
1998 – Hal Prince
1997 – Richard Foreman
1996 – The Brooklyn Academy of Music
1995 – Anne Hamburger and En Garde Arts
1994 – JoAnne Akalaitis
1993 – The Wooster Group
1992 – Arthur Miller
1991 – Al Hirschfeld
1990 – Robert Whitehead
1989 – Joseph Papp and the New York Shakespeare Festival
1988 – The Ridiculous Theatrical Company
1987 – Joseph Chaiken
1986 – Stanley Kauffmann
1985 – The Negro Ensemble Company
1984 – Ellen Stewart
1983 – The Royal Shakespeare Company

 

Start: Mar 23, 2018
End: Mar 23, 2018
Venue: Segal Theatre
Category:
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March 26

Jean-François Côté: The Revival of Aboriginal Theater Metamorphosis of the Americas

Cover image from “The Revival of Aboriginal Theater Metamorphosis of the Americas” by Jean-François Côté.

Monday, March 26
Segal Theatre
6:30pm Discussion

FREE + Open to public. First come, first served.

Join us for an evening exploring the work of Canadian sociologist Jean-François Côté, whose latest book focuses on indigenous theatre in Canada as a new form of expression within the transcultural transformation of the Americas. Indigenous theatre, Côté argues, has been experiencing a renaissance for over thirty years—drawing from its traditional forms, but equally inspired by modern avant-garde theatre artists. The dramatic works of Canadian artists Yves Sioui Durand & Catherine Joncas (Ondinnok Ensemble), Monique Mojica, and Drew Hayden Taylor are in line with theatrical experiments of Antonin Artaud, Gertrude Stein, and Bertolt Brecht. Using the stage as a contemporary reflection on the current situation of Native Americans, the revival of indigenous theatre transcends the theatrical experience.

A lecture will be followed by a discussion with Jean-François Côté, Muriel Miguel & Gloria Miguel (Spiderwoman Theater), and Frank Hentschker.

Photo courtesy of the artist.

Jean-François Côté is a professor of sociology at Université du Québec à Montréal. He specializes in sociology of culture, theory and epistemology. He has published 12 books (single-authored, edited, and coedited), among which are Poe, Stein, Warhol. Figures de la modernité esthétique (La Lettre Volée, 2003), Entretiens avec Wajdi Mouawad (Leméac, 2005), George Herbert Mead’s Concept of Society. A Critical Reconstruction (Routledge, 2015), and most recently La Renaissance du théâtre autochtone. Métamorphose des Amériques I (Presses de l’Université Laval, 2017). His current interests focus on theatre, law, and transculturation in the Americas. He was a Fulbright Scholar (2011-12) in the US and a guest professor at various universities in Mexico, Austria, and France.

Muriel Miguel is a director, choreographer, playwright, actor and educator. She has directed almost all of Spiderwoman’s shows since their debut in 1976, in which time, they have written and produced over twenty original works for the theatre. She has choreographed Throw Away Kids and She Knew She Was She for the Banff Centre for the Arts. She was the director of The Scrubbing Project with Turtle Gals Performance Ensemble in Toronto, More then Feathers and Beads with Murielle Borst Tarrant, and Evening in Paris with Raven Spirit Dance Company in Vancouver. She has worked with Native Earth Performing Arts in Toronto as an actor and dramaturg for their annual Weesageechak Begins to Dance Play Reading Festival. As an actor, she created the role of Philomena Moosetail in The Rez Sisters, written by Tomson Highway. This play was a seminal work in the development of a First Nations play repertory in Canada. She played Aunt Shadie in The Unnatural and Accidental Women by Marie Clements; Martha in Buz’Gem Blues by Drew Hayden Taylor and Spirit Woman in BONES: An Aboriginal Dance Opera. She most recently performed in the off-Broadway hit, The Lily’s Revenge at Here! Arts Center. She has created one woman shows Hot’ N’ Soft, Trail of the Otter and most recently Red Mother which was produced by Spiderwoman Theater at La MaMa E.T.C. in May 2010. As an educator, Muriel was an Assistant Professor of Drama at Bard College. She is a pioneer in the development of a culture–based methodology for the training of Indigenous theatre students and is an instructor of Indigenous Performance at the Centre for Indigenous Theatre (CIT) full time program in Toronto. She is also Program Director for CIT’s three week summer intensive which has run both at Trent University in Ontario and at the University of Lethbridge in Alberta. She was a Program Director for the Aboriginal Dance Program and an instructor of Indigenous performance at The Banff Centre for the Arts for seven years. She has developed four shows for The Minnesota Native American AIDS Task Force working with inner city native youth on HIV/AIDS issues. www.spiderwomantheater.org

Gloria Miguel is Kuna/ Rappahannock. She studied drama at Oberlin College and is a founding member of Spiderwoman Theater. She has worked extensively in film and television. With Spiderwoman Theater, she has toured throughout Europe, Australia, and New Zealand. She toured the United States in Grandma, a one-woman show, toured Canada as Pelaija Patchnose in the original Native Earth production of Tomson Highway’s The Rez Sisters and performed in Native Earth’s Son of Ayash in Toronto. She performed as Coyote/Ritalinc in Jessica, a Northern Lights Production in Edmonton, Canada and was nominated for a Sterling Award for best-supporting actress. She was a drama consultant for the Minnesota Native American AIDS Task Force to develop a play on AIDS. She was a drama teacher at the Eastern District YMCA in Brooklyn, NY and a visiting professor of drama at Brandon University in Canada. She attended and performed at the Mending the Sacred Hoop Domestic Violence Conference in Flagstaff, Arizona. She taught drama workshops at the Native American Writers and Artist Forum in Red Mesa, Grey Hills, and Rough Rock, Navajo Nation Reservation. She performed in Beijing, China at the 4th World Woman’s Conference. She and Lisa Mayo received a Rockefeller Grant and funding from the Jerome Foundation to create Nis Bundor: Daughters from the Stars. She taught Drama at Rough Rock Navajo High School in Arizona. She has created a one-woman show A Kuna Grows in Brooklyn. She has a DFA honorary degree from Miami University in Oxford, OH and is a lifetime member of the Lee Strasberg Institute. In March 2006, she appeared in the Spanish film Caotica Ana in Madrid, Spain. She has presented her new one-woman show Something Old, Something New, Something Borrowed, Something Blue at The Museum of the American Indian in Washington, DC; at Story-ing the Human Being: Two Generations of Native Women on Stage at the University of Toronto; with AMERINDA at NYTW Annex and Ohio Northern University’s 9th International Theatre Festival and at La MaMa E.T.C. as part of the Elder Project . She has most recently performed in Chocolate Woman Dreams the Milky Way in Vancouver and Toronto. www.spiderwomantheater.org

Spiderwoman Theater presents exceptional theatre performance and offers theater training and education rooted in an urban Indigenous performance practice. We entertain and challenge our audiences and create an environment where the Indigenous, women’s and arts communities can come together to examine and discuss their cultural, social and political concerns.

Start: Mar 26, 2018
End: Mar 26, 2018
Venue: Segal Theatre
Category:
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April 2

A Day with Meredith Monk

Meredith Monk directing Book of Days. Photo by Dominique Lasseur

Monday, April 2
Segal Theatre
5:30pm Discussion + 1:00pm Screenings

FREE + Open to public. First come, first served.

Join us for a day with iconic composer, singer, director/choreographer and filmmaker, Meredith Monk. Following afternoon screenings, the evening discussion features Meredith Monk, Performing Arts Journal editor Bonnie Marranca, and Frank Hentschker. Screenings will include 16 Millimeter Earrings (1966), Book of Days (1988), Ellis Island (1981), Turtle Dreams (1983), Paris (1982), and several of Monk’s short silent films (1966-1994).

Considered one of the most unique and influential artists of our time, Meredith Monk has been a pioneer of interdisciplinary work for over 50 years. Her award-winning films, Ellis Island and Book of Days, have screened world-wide and on PBS, and her music has been used by filmmakers Jean-Luc Godard, Terrence Malick, David Byrne and the Coen brothers, among others. Monk has made more than a dozen recordings on the ECM label, including the 2008 Grammy-nominated Impermanence. In conjunction with her 50th season of performing and creating work, she was named the 2014-15 Debs Composer’s Chair at Carnegie Hall. Recent honors include the 2017 Dorothy and Lillian Gish Prize and a 2015 National Medal of Arts from President Barack Obama. Celebrated internationally, Ms. Monk’s work has been presented at major venues throughout the world.

Bonnie Marranca is founding publisher and editor of the Obie-Award winning PAJ Publications/PAJ: A Journal of Performance and Art, which celebrated its 40th year in 2016. A recent recipient of the Association for Theatre in Higher Education Excellence in Editing Award for Sustained Achievement, she has written or edited seventeen books. She is the author of three volumes of criticism, Performance Histories, Ecologies of Theatre, and Theatrewritings, and editor several play anthologies, interview and essay collections, including Conversations with Meredith Monk,  New Europe: plays from the continent, Interculturalism and Performance, and Plays for the End of the Century. Her essays have been translated into twenty languages. A Guggenheim Fellow and Fulbright Senior Scholar, Bonnie Marranca is Professor of Theatre at The New School for Liberal Arts/Eugene Lang College.

Additional support by PAJ Publications/PAJ: A Journal of Performance and Art, Bonnie Marranca, editor.

Schedule:
1:00pm       16 Millimeter Earrings (1979, 25 minutes)
1:30pm       Book of Days   (1988, 85 minutes)
3:00pm     Ellis Island (1981, 28 minutes)
3:30pm     Turtle Dreams (Waltz) (1983, 27 minutes )
4:00pm     Paris (1982, 26 minutes)
4:30pm     Monk’s Short Silent Films (1966-1994, 40 minutes)
                    16 Millimeter Earrings (1966, 4 minutes)
                    Children (1967,  8 minutes)
                    Ball Bearing (1968, 6 ½ minutes)
                   Quarry (1975, 5 ½ minutes)
                   Ellis Island (1979, 6 ½ minutes)
                   Faces (1994, 5 minutes)
5:30pm     Discussion with Meredith Monk, Bonnie Marranca, and Frank Hentschker

 

About the films:

16 Millimeter Earrings (1979)
Conceived and Performed by Meredith Monk
Produced, Directed and Photographed by Robert Withers
A reconstruction of the original 1966 piece

16 Millimeter Earrings is considered one of Meredith Monk’s breakthrough works. Of the original production performed at the Judson Church in 1966, John Perrault of the Village Voice wrote, “movement, film, words, and sounds are so skillfully interwoven and inter-related that no description can substitute for actually seeing the kind of magic she has managed to produce.” This film interpretation by Robert Withers documents a 1979 reconstruction and is his cinematic view of the piece.

Book of Days (1988)
Conceived and Directed by Meredith Monk
Cinematography by Jerry Pantzer
Art Direction and Costume Design by Yoshio Yabara
Music by Meredith Monk
Produced by Catherine Tatge and Dominique Lasseur

Book of Days is a film about time, drawing parallels between the Middle Ages, a time of war, plague and fear of the Apocalypse, with our modern times of racial and religious conflict, the AIDS epidemic, and the fear of nuclear annihilation. The film aired on PBS, was shown at the New York Film Festival and was selected for the Whitney Biennial.

Ellis Island  (1981)
Conceived and Directed by Meredith Monk
Produced and Co-Directed by Bob Rosen
Cinematography by Jerry Pantzer
Music by Meredith Monk
Co-produced by Greenwich Film Associates and ZDF Germany

“An intensely memorable film evocation of America’s immigrants; set in the crumbling halls of contemporary Ellis Island…spare, sober, and exquisite, it recalls the formality and beauty of vintage photos.” (Village Voice) Ellis Island aired on PBS and was awarded the CINE Golden Eagle, special Jury Prize from the Atlanta and San Francisco Film and Video Festivals.

Turtle Dreams (Waltz) (1983)
Conceived by Meredith Monk
Performed by Meredith Monk & Vocal Ensemble
Directed by Ping Chong
Music by Meredith Monk
Co-Produced by WGBH-Boston

Turtle Dreams (Waltz) is a music piece with movement for 4 voices and 2 organs. This section of the work was originally performed live in 1981 as part of Monk’s Music Concert with Film.

Paris (1982)
Conceived and performed by Meredith Monk and Ping Chong
Music by Meredith Monk
Produced and Directed by Mark Lowry and Kathryn Escher
Made in cooperation with the Walker Art Center, Minneapolis and KTCA-TV

Paris  was first performed in 1972. In 1976 it became the first part of The Travelogue Series, a music-theater piece on journeys imaginary and real, to places with a unique and formative role in history and our consciousness. Paris is an evocation of place; the ambiance, inhabitants, and mood of a location.

Short Silent Films (1966-1994)
16 Millimeter Earrings (1966)
Directed by Meredith Monk
Camera by Kenneth Van Sickle

This short, silent version of 16 Millimeter Earrings was one of three films projected on different surfaces at specific times during performances of Monk’s breakthrough interdisciplinary work of the same name.

Children (1967)
Directed by Meredith Monk
Camera by Phill Niblock

Children was originally created for Monk’s Excerpt from a work in progress at the Village Theater. It was shot in New York City’s subways and in Monk’s old studio on St. Mark’s Place.

Ball Bearing  (1968)
Directed by Meredith Monk
Camera by Meredith Monk and George Landow

Ball Bearing was designed as an installation piece, to play continuously forward and backward for an unrestricted time period.

Quarry (1975)
Directed by Meredith Monk
Camera and Editing by David Gearey

Quarry was designed to be projected between the “Dictator’s Speech” and “Rally” sections of Monk’s opera of the same name.

Ellis Island (1979)
Directed by Meredith Monk
Associate Director Bob Rosen
Camera by Jerry Pantzer

This short, silent version of Ellis Island was designed to be projected during a section of Monk’s live work, Recent Ruins. It features members of Meredith Monk/The House, and was filmed on location on Ellis Island prior to its major renovation.

Faces (1994)
Directed by Meredith Monk
Camera by Nick Blair
Edited at Morty’s, New York City with Bruce Ashkinos

Part I of Faces was used in Monk’s Shrine Installation, situated in the lobby of theaters where her solo piece Volcano Songs was performed. Part II was projected as part of the performance. Both are part of an ongoing project called 24 Hours of Faces.

Start: Apr 2, 2018
End: Apr 2, 2018
Venue: Segal Theatre
Category:
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April 9

Etel Adnan: At a Certain Hour of the Night with Klaudia Ruschkowski & Bonnie Marranca

Etel Adnan in Paris, October 2016. Photo by Antonio Maria Storch

 

 

Monday, April 9
Segal Theatre
2:00pm Screenings + 6:30pm Reading and Discussion

FREE + Open to public. First come, first served.

Join us to celebrate the life and work of Lebanese-American poet, essayist, and visual artist Etel Adnan. Afternoon screenings will be followed by a reading of one of her plays, At a Certain Hour of the Night, directed by Zishan Ugurlu (Turkey), Associate Professor of Theatre at Eugene Lang College, The New School, New York; and a discussion with Klaudia Ruschkowski and Bonnie Marranca. Presented as part of the exchange between the CUNY Graduate Center and the American University of Beirut.

Additional support by PAJ Publications/PAJ: A Journal of Performance and Art, Bonnie Marranca, editor.

Screenings
2:00pm 
Words in Exile directed by Vouvoula Skoura | 2007, 52 minutes
For Etel Adnan, the world dawns in Beirut. The city is revisited throughout the film as her idiosyncratic universe is composed of closed and open spaces, the interplay of light and darkness, of conversations of consequence, of women, and of references to her many travels.

3:00pm
Serpentine Transformation Marathon

Organized and introduced by Hans-Ulrich Obrist | 2015, 21 minutes
For Etel Adnan Marin County, California became a center of life. Etel speaks about her experience painting in San Francisco in the 1960s and her relationship with Mount Tamalpais in Marin County.

3:25pm
The Weight of the World | 2016, 5 minutes
Curator Rebecca Lewin discusses Etel Adnan’s exhibition at the Serpentine Gallery. In her home in Paris, the artist speaks about her paintings and the color red.

3:30pm
In Conversation with Artist Etel Adnan | 2015, 16 minutes
Rachael Thomas (Senior Curator & Head of Exhibitions, IMMA) speaks with Etel in Paris about painting, performance, postmodernism, poetry, photography, movies, politics, and love.

3:50pm
Etel Adnan on Cross-Cultural Poetics | 2006, 20 minutes
Etel Adnan discusses and reads from her book In the Heart of the Heart of Another Country – a response to William Gass’s In the Heart of the Heart of the Country.

4:15pm
Motion | 90 minutes
Super 8 film material taken by Etel Adnan from the 60’s on.

Photo by Antonio Maria Storch

Etel Adnan is a poet, philosopher, and painter. The author of numerous essays and of plays, she writes across languages, cultures, and continents. Born in Beirut in 1925, she describes herself as an “alchemical product.” Her father was a Muslim from Syria born in Damascus and an officer of the Ottoman Empire. Her mother was a Greek from Smyrna, Turkey. At home, she lived with two religions, two languages, and two civilizations: the Islamic and the Greek. Her school in Beirut was French, with no reference to the Arab world outside. “Already as a child,” she says, “I had to construct my personality, to build myself up, in order to be something.” Her parents were living in a country not their own and Adnan discovered quickly that their life, as well as hers, was somehow “in between.” Her play At a Certain Hour of the Night was recently published in PAJ 117, PAJ: A Journal of Performance and Art (MIT Press). Etel was in a recent document at Kassel and shows at Serpentine Gallery, London and in Qatar. She also worked with Bob Wilson on the Paris Civil Wars section.

Photo by Antonio Maria Storch

Klaudia Ruschkowski was born in 1959 in Dortmund and lives in Volterra, Italy. She is an author, dramaturg, curator, publisher, and translator of English and Italian literature into German. From 1984 on, she has worked for various West and East German theatres as well as the Napoli Teatro Festival, Italia and the Biennale Musica di Venezia. In 1991, she co-founded and was the co-director of The European Culture Centre of Turingia, Erfurt until 1997. From 1999 to 2010, she organized programs and workshops for the International Heiner Müller Society, Berlin. In 2000, she founded, with Wolfgang Storch, Villa Le Guadalupe Spazio Per Le Arti in Volterra. Klaudia has worked in collaboration with Etel Adnan since 1999 as a translator and publisher of various poetry books, essays, interviews, and texts.

Bonnie Marranca is founding publisher and editor of the Obie-Award winning PAJ Publications/PAJ: A Journal of Performance and Art, which celebrated its 40th year in 2016. A recent recipient of the Association for Theatre in Higher Education Excellence in Editing Award for Sustained Achievement, she has written or edited seventeen books. She is the author of three volumes of criticism, Performance Histories, Ecologies of Theatre, and Theatrewritings, and edited several play anthologies, interview and essay collections, including Conversations with Meredith Monk,  New Europe: plays from the continent, Interculturalism and Performance, and Plays for the End of the Century. Her essays have been translated into twenty languages. A Guggenheim Fellow and Fulbright Senior Scholar, Bonnie Marranca is Professor of Theatre at The New School for Liberal Arts/Eugene Lang College.

Photo courtesy of the artist

Zishan (Zisan) Ugurlu has worked extensively both in New York and abroad as a theater artist since 1995. She is an actress and director-in-residence at La MaMa and Great Jones Repertory Company. She has performed in numerous productions with Great Jones Repertory Company, including Panorama directed by Italian company Motus as part of The Under The Radar Festival 2018. Panorama will be presented in Italy, Belgium, Spain, and South Korea. She is currently working on two directing projects: Music Room is about the prison system and will be performed by formerly incarcerated individuals and Fragments, Lists, and Lacuna written by Alexandra Chasin, featuring Judith Butler. She is a scientist/artist fellow at Ligo Project working with Dan McCloskey Lab. She is the founding artistic director of “Actors without Borders-ITONY.” She graduated from Columbia University with a MFA degree and holds a Ph.D. She is an Associate Professor at Lang College, The New School University. She is the recipient of the prestigious Fox Foundation Fellowship granted by Theater Communications Group.

Start: Apr 9, 2018
End: Apr 9, 2018
Venue: Segal Theatre
Category:
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April 16

PEN World Voices: International Play Festival 2018 (Magali Mougel, Mihaela Drăgan, & Stefano Massini)

The Martin E. Segal Theatre Center presents World Voices: International Play Festival 2018. As part of the 2018 PEN World Voices Festival of International Literature, The Segal Center will showcase play readings by ten of the world’s most respected dramatists, including Edouard Elvis Bvouma (Cameroon), Mihaela Drăgan (Romania), Elfriede Jelinek (Austria), Yonatan Levy (Israel), Stefano Massini (Italy), Magali Mougel (France), Ana Luz Ormazábal (Chile), Aristide Tarnagda (Burkina Faso), Wei Yu-Chia (Taiwan), and Liwaa Yazji (Syria). With writers hailing from four different continents, the International Play Festival generates a conversation on art, politics, dreams, war, and philosophy, meant to give American audiences a rich awareness of global dialogues. Readings will be followed by a discussion with the playwright.

April 16, 17 + 21 | Segal Theatre
All Day Readings + Discussions
FREE + Open to public. First come, first served.

Monday, April 16

4:00pm Suzy Storck (France)
Written by Magali Mougel.
Directed by Sara Rademacher. Translated by Chris Campbell.
Discussion moderated by Nicole Birmann Bloom.

6:00pm Del Duma / Tell Them About Me! (Romania)
Written by Mihaela Drăgan.
Directed by George Eli. Translated by Claudia Campeanu.
Discussion moderated by Diana Benea.

8:00pm Intractable Woman (Italy)
Written by Stefano Massini.
Directed by Lee Sunday Evans. Translated by Paula Wing.
Discussion moderated by Kate Loewald, Valeria Orani, and Elena Kostyuchenko.

Tuesday, April 17

4:00pm Goats (Syria)
Written by Liwaa Yazji.
Directed by Zishan Ugurlu. Translated by Katharine Halls.
Discussion moderated by Saphe Shamoun.

6:00pm Ways of Loving (Burkina Faso)
Written by Aristide Tarnagda.
Directed by Kareem Fahmy. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

8:00pm On The Royal Road: The Burgher King (Austria)
Written by Elfriede Jelinek.
Directed by Stefan Dzeparoski. Translated by Gitta Honegger.
Discussion moderated by Luisa Muhr.

Saturday, April 21

2:00pm  A Fable For Now (Taiwan)
Written by Wei Yu-Chia.
Directed by Mei Ann Teo. Translated by Jeremy Tiang.
Discussion moderated by Melissa Wansin Wong.

4:00pm  In War as in Games (Cameroon)
Written by Edouard Elvis Bvouma.
Directed by Gisela Cardenas. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

6:00pm  Agnetha Kurtz Roca Method (Chile)
Written & Translated by Ana Luz Ormazábal.
Co-directed by Amelia Bande and SeungHyun Hwang.
Discussion moderated by Fabian Escalona.

8:00pm  Saddam Hussein – A Mystery Play (Israel)
Written & Co-Translated by Yonatan Levy.
Directed & Co-Translated by Amir Farjoun.

The PEN World Voices: International Play Festival 2018 has been made possible by the support of Susan and Jack Rudin(†) and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

The PEN World Voices: International Play Festival was conceived, created, and curated by Frank Hentschker since 2007 in collaboration with PEN World Voices Festival. The 2018 Festival is produced by Yu Chien Liu, in collaboration with Frank Hentschker. Assistant Producer: Paloma Estévez.

Founded by Michael Roberts, Esther Allen, and Salman Rushdie in the aftermath of September 11, 2001, PEN World Voices is the only international literary festival in the world with a human rights focus. It attracts the world’s best-known writers and has garnered broad global acclaim as one of the world’s premier literary events. Since its founding, PEN World Voices has presented more than 1,500 writers and artists from 118 countries, speaking 56 languages. The 2018 festival will run from April 16-22, 2018. www.penworldvoices.org
Chip Rolley, Director, World Voices Festival, PEN America
Kim Chan, General Manager

 

Monday, April 16 | Segal Theatre

Visit here for more information about Day 2 and Day 3.

4:00pm Suzy Storck (France)
Written by Magali Mougel.
Directed by Sara Rademacher. Translated by Chris Campbell.

Another unbearably hot evening. Suzy Storck sits by the window. A glass of wine. A bottle. Three. Her husband has left. Maybe he’s coming home. Maybe he’s not. The radio buzzes. And still, the sun will just not set.

6:00pm Del Duma / Tell Them About Me! (Romania)
Written by Mihaela Drăgan.
Directed by George Eli. Translated by Claudia Campeanu.

Real stories about how four Roma women deal with life, social pressure, early marriage and dreams of escape. A serious solo-comedy performed by the Roma author.

8:00pm Intractable Woman (Italy)
Written by Stefano Massini.
Directed by TBA. Translated by Paula Wing.

A “theatrical memorandum” on Anna Politkovskaya, the Russian activist-journalist who exposed details of Russia’s war in Chechnya and fought government suppression, before her ruthless killing. In 2002, she was awarded the PEN Center USA Freedom to Write Award. In association with The Play Company, New York and Umanism NY (Valeria Orani, Director) as part of the Italian Playwrights Project. With additional support from Italian Cultural institute (Giorgio Van Straten, Director).

About the playwrights:

Photo courtesy of the artist

Magali Mougel (France), a finalist to the Grand Prix de littérature dramatique, has been writing prolifically for the theatre since 2014 and has been staged throughout France. She taught at the Université de Strasbourg, the Institut littéraire de Bern, and at ENSATT, Lyon. She is an associate playwright at the Scènes du Jura and joined the artistic collective at the Théâtre de Sartouville Yvelines CDN.

 

 

Photo by Nihad Nino Pusija

Mihaela Drăgan (Romania) is an actress and playwright who lives and works in Bucharest and Berlin. In 2014, she founded Giuvlipen Theatre Company together with other Roma actresses. In 2015 she appeared in the feature film Aferim directed by Radu Jude, which won the Silver Bear for directing at the Berlin International Film Festival. She is currently working in Berlin at the Maxim Gorki Theater.

 

 

Photo by Attilio Marasco

Stefano Massini (Italy) is a Pier Vittorio Tondelli Award winning playwright, director, and the artistic consultant at the Piccolo Teatro di Milano. Inspired by the 2008 economic banking crisis, Massini wrote the The Lehman Trilogy. Translated into 14 languages, the trilogy will be staged in July 2018 at the National Theater in London by Sam Mendes.

 

 

Start: Apr 16, 2018
End: Apr 16, 2018
Venue: Segal Theater
Category:
, , ,

April 17

PEN World Voices: International Play Festival 2018 (Liwaa Yazji, Aristide Tarnagda, & Elfriede Jelinek)

The Martin E. Segal Theatre Center presents World Voices: International Play Festival 2018. As part of the 2018 PEN World Voices Festival of International Literature, The Segal Center will showcase play readings by ten of the world’s most respected dramatists, including Edouard Elvis Bvouma (Cameroon), Mihaela Drăgan (Romania), Elfriede Jelinek (Austria), Yonatan Levy (Israel), Stefano Massini (Italy), Magali Mougel (France), Ana Luz Ormazábal (Chile), Aristide Tarnagda (Burkina Faso), Wei Yu-Chia (Taiwan), and Liwaa Yazji (Syria). With writers hailing from four different continents, the International Play Festival generates a conversation on art, politics, dreams, war, and philosophy, meant to give American audiences a rich awareness of global dialogues. Readings will be followed by a discussion with the playwright.

April 16, 17 + 21 | Segal Theatre
All Day Readings + Discussions
FREE + Open to public. First come, first served.

Monday, April 16

4:00pm Suzy Storck (France)
Written by Magali Mougel.
Directed by Sara Rademacher. Translated by Chris Campbell.
Discussion moderated by Nicole Birmann Bloom.

6:00pm Del Duma / Tell Them About Me! (Romania)
Written by Mihaela Drăgan.
Directed by George Eli. Translated by Claudia Campeanu.
Discussion moderated by Diana Benea.

8:00pm Intractable Woman (Italy)
Written by Stefano Massini.
Directed by Lee Sunday Evans. Translated by Paula Wing.
Discussion moderated by Kate Loewald, Valeria Orani, and Elena Kostyuchenko.

Tuesday, April 17

4:00pm Goats (Syria)
Written by Liwaa Yazji.
Directed by Zishan Ugurlu. Translated by Katharine Halls.
Discussion moderated by Saphe Shamoun.

6:00pm Ways of Loving (Burkina Faso)
Written by Aristide Tarnagda.
Directed by Kareem Fahmy. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

8:00pm On The Royal Road: The Burgher King (Austria)
Written by Elfriede Jelinek.
Directed by Stefan Dzeparoski. Translated by Gitta Honegger.
Discussion moderated by Luisa Muhr.

Saturday, April 21

2:00pm  A Fable For Now (Taiwan)
Written by Wei Yu-Chia.
Directed by Mei Ann Teo. Translated by Jeremy Tiang.
Discussion moderated by Melissa Wansin Wong.

4:00pm  In War as in Games (Cameroon)
Written by Edouard Elvis Bvouma.
Directed by Gisela Cardenas. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

6:00pm  Agnetha Kurtz Roca Method (Chile)
Written & Translated by Ana Luz Ormazábal.
Co-directed by Amelia Bande and SeungHyun Hwang.
Discussion moderated by Fabian Escalona.

8:00pm  Saddam Hussein – A Mystery Play (Israel)
Written & Co-Translated by Yonatan Levy.
Directed & Co-Translated by Amir Farjoun.

The PEN World Voices: International Play Festival 2018 has been made possible by the support of Susan and Jack Rudin(†) and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

The PEN World Voices: International Play Festival was conceived, created, and curated by Frank Hentschker since 2007 in collaboration with PEN World Voices Festival. The 2018 Festival is produced by Yu Chien Liu, in collaboration with Frank Hentschker. Assistant Producer: Paloma Estévez.

Founded by Michael Roberts, Esther Allen, and Salman Rushdie in the aftermath of September 11, 2001, PEN World Voices is the only international literary festival in the world with a human rights focus. It attracts the world’s best-known writers and has garnered broad global acclaim as one of the world’s premier literary events. Since its founding, PEN World Voices has presented more than 1,500 writers and artists from 118 countries, speaking 56 languages. The 2018 festival will run from April 16-22, 2018. www.penworldvoices.org
Chip Rolley, Director, World Voices Festival, PEN America
Kim Chan, General Manager

 

Tuesday, April 17 | Segal Theatre

Visit here for more information about Day 1 and Day 3.

4:00pm Goats (Syria)
Written by Liwaa Yazji.
Directed by Zishan Urgulu. Translated by Katharine Halls.

As the coffins pile up in a small town in Syria, a party leader decides to offer a goat for each martyred son. A father learns the hard way about the surreal reality of politics, war, martyrdom, and life. Presented with additional support from South-South Forum at Dartmouth College, Eman S. Morsi.

6:00pm Ways of Loving (Burkina Faso)
Written by Aristide Tarnagda.
Directed by Kareem Fahmy. Translated by Heather Jeanne Denyer.

Accused of murder, a woman dreams of the sun, the hills, and the wind while facing trial. She has no right hand with which to promise to tell the truth, the whole truth and nothing but the truth.

8:00pm On The Royal Road: The Burgher King (Austria)
Written by Elfriede Jelinek.
Directed by Stefan Dzeparoski. Translated by Gitta Honegger.

A blind female seer with bleeding eyes, Miss Piggy, channels a confused Tiresias as she tries to get a handle on the bizarre behavior of Donald Trump’s persona.

About the playwrights:

Photo by Florian Riemann

Liwaa Yazji (Syria) is a playwright, poet, filmmaker, and screenwriter, educated in both English Literature and Theater Studies in Syria. Her play Goats premiered in The Royal Court, London, in 2017. Her play Q&Q was selected for the International Women Playwright Conference 2018. She is currently a co-writer on HEIM, a German TV series. Her first documentary Haunted premiered in 2014 at FID Marseilles.

 

 

Photo by Lansman EmileCie

Aristide Tarnagda (Burkina Faso) studied at Jean-Pierre Guingané’s Théâtre de la Fraternité. In 2013, he directed his own play And if I was going to kill them all Ma’am? on a mainstage at the Avignon Theatre Festival, while another of his plays, Red Earth was included in the Off-Festival. He is the Artistic Director of the Récréâtrales Festival, one of the largest Pan-African performance festivals, based in Ouagadougou, Burkina Faso.

 

 

Photo courtesy of the artist

Elfriede Jelinek (Austria) was born in 1946. She grew up in Vienna
and now lives in Vienna and Munich. She has received numerous
awards for her literary works, which include not only novels but also
plays, poetry, essays, translations, radio plays, screenplays, and
opera librettos. Her awards include the Georg Büchner Prize and the
Franz Kafka Prize for Literature. In 2004, she was awarded with the Nobel Prize for Literature.

 

Start: Apr 17, 2018
End: Apr 17, 2018
Venue: Segal Theatre
Category:
, , ,

April 21

PEN World Voices: International Play Festival 2018 (Wei Yu-Chia, Edouard Elvis Bvouma, Ana Luz Ormazábal, & Yonatan Levy)

The Martin E. Segal Theatre Center presents World Voices: International Play Festival 2018. As part of the 2018 PEN World Voices Festival of International Literature, The Segal Center will showcase play readings by ten of the world’s most respected dramatists, including Edouard Elvis Bvouma (Cameroon), Mihaela Drăgan (Romania), Elfriede Jelinek (Austria), Yonatan Levy (Israel), Stefano Massini (Italy), Magali Mougel (France), Ana Luz Ormazábal (Chile), Aristide Tarnagda (Burkina Faso), Wei Yu-Chia (Taiwan), and Liwaa Yazji (Syria). With writers hailing from four different continents, the International Play Festival generates a conversation on art, politics, dreams, war, and philosophy, meant to give American audiences a rich awareness of global dialogues. Readings will be followed by a discussion with the playwright.

April 16, 17 + 21 | Segal Theatre
All Day Readings + Discussions
FREE + Open to public. First come, first served.

Monday, April 16

4:00pm Suzy Storck (France)
Written by Magali Mougel.
Directed by Sara Rademacher. Translated by Chris Campbell.
Discussion moderated by Nicole Birmann Bloom.

6:00pm Del Duma / Tell Them About Me! (Romania)
Written by Mihaela Drăgan.
Directed by George Eli. Translated by Claudia Campeanu.
Discussion moderated by Diana Benea.

8:00pm Intractable Woman (Italy)
Written by Stefano Massini.
Directed by Lee Sunday Evans. Translated by Paula Wing.
Discussion with Kate Loewald, Valeria Orani, and Elena Kostyuchenko.

Tuesday, April 17

4:00pm Goats (Syria)
Written by Liwaa Yazji.
Directed by Zishan Ugurlu. Translated by Katharine Halls.
Discussion moderated by Saphe Shamoun.

6:00pm Ways of Loving (Burkina Faso)
Written by Aristide Tarnagda.
Directed by Kareem Fahmy. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

8:00pm On The Royal Road: The Burgher King (Austria)
Written by Elfriede Jelinek.
Directed by Stefan Dzeparoski. Translated by Gitta Honegger.
Discussion moderated by Luisa Muhr.

Saturday, April 21

2:00pm  A Fable For Now (Taiwan)
Written by Wei Yu-Chia.
Directed by Mei Ann Teo. Translated by Jeremy Tiang.
Discussion moderated by Melissa Wansin Wong.

4:00pm  In War as in Games (Cameroon)
Written by Edouard Elvis Bvouma.
Directed by Gisela Cardenas. Translated by Heather Jeanne Denyer.
Discussion moderated by Heather Jeanne Denyer.

6:00pm  Agnetha Kurtz Roca Method (Chile)
Written & Translated by Ana Luz Ormazábal.
Co-directed by Amelia Bande and SeungHyun Hwang.
Discussion moderated by Fabian Escalona.

8:00pm  Saddam Hussein – A Mystery Play (Israel)
Written & Co-Translated by Yonatan Levy.
Directed & Co-Translated by Amir Farjoun.

The PEN World Voices: International Play Festival 2018 has been made possible by the support of Susan and Jack Rudin(†) and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

The PEN World Voices: International Play Festival was conceived, created, and curated by Frank Hentschker since 2007 in collaboration with PEN World Voices Festival. The 2018 Festival is produced by Yu Chien Liu, in collaboration with Frank Hentschker. Assistant Producer: Paloma Estévez.

Founded by Michael Roberts, Esther Allen, and Salman Rushdie in the aftermath of September 11, 2001, PEN World Voices is the only international literary festival in the world with a human rights focus. It attracts the world’s best-known writers and has garnered broad global acclaim as one of the world’s premier literary events. Since its founding, PEN World Voices has presented more than 1,500 writers and artists from 118 countries, speaking 56 languages. The 2018 festival will run from April 16-22, 2018. www.penworldvoices.org
Chip Rolley, Director, World Voices Festival, PEN America
Kim Chan, General Manager

 

Saturday, April 21 | Segal Theatre

Visit here for more information about Day 1 and Day 2.

2:00pm A Fable For Now (Taiwan)
Written by Wei Yu-Chia.
Directed by Mei Ann Teo. Translated by Jeremy Tiang.

Tales of war, the environment, and personal regret collide as mankind hurtles towards a surreal apocalypse in the company of a belligerent duck, bears of at least three different varieties, and a truly extraordinary chicken.

4:00pm In War as in Games (Cameroon)
Written by Edouard Elvis Bvouma.
Directed by Gisela Cardenas. Translated by Heather Jeanne Denyer.

After learning that the war is over, a lonely child soldier with a Kalashnikov tells a young girl the story of his life. For him, it is nothing more than a video game with animated characters.

6:00pm Agnetha Kurtz Roca Method (Chile)
Written & Translated by Ana Luz Ormazábal.
Directed by Amelia Bande.

A fictional Chilean philosopher and performance artist returns to her country after 30 years of self-exile. A conference play about language, identity, community, and immigration–both from and to Chile.

8:00pm Saddam Hussein – A Mystery Play (Israel)
Written & Co-Translated by Yonatan Levy.
Directed & Co-Translated by Amir Farjoun.

On the brink of military defeat, Saddam and his doppelgangers retreat to the bunker—and embark upon a spiritual quest. Blending politics, metaphysics, poetry and nonsense, the play follows the tyrant’s initiation into the esoteric secret of oil.

 

About the playwrights:

Photo courtesy of the artist

Wei Yu-Chia (Taiwan) studied playwriting at the Taiwan University’s Drama Department. She won the 2014 Taiwanese Literature Award for Playwriting with A Fable for Now. Other plays include Mama/Popstar (nominated for the 2015 Taipei Literature Award for Playwriting) and A Child from Nankoku (nominated for the 2017 New Taipei Award for Playwriting).

 

 

Photo courtesy of the artist

Edouard Elvis Bvouma (Cameroon) is a playwright, actor, director,
novelist, and short story writer from Cameroon. His plays have been
staged throughout Africa and Europe, including the mainstage of
Avignon’s Theatre Festival. Bvouma has received multiple awards, including the Grands Prix Afrique du Théâtre Francophone. His plays are published by Lansman Editeurs.

 

 

Photo courtesy of the artist

Ana Luz Ormazábal (Chile) is the award-winning artistic director of the ANTIMÉTODO Collective. Integrating practices of creation and research, she has developed work for the collective as a writer, dramaturg, and director. Ana teaches at Universidad Católica’s Theatre Department and is scheduled to begin work on her AL PACINO project at Robert Wilson’s Watermill Center.

 

 

Photo courtesy of the artist

Yonatan Levy (Israel) is a playwright, poet, Waldorf educator, and
director. His work Saddam Hussein – A Mystery Play was featured in
the Theater der Welt Festival and the Schaubühne Berlin. His new opera, The Sleeping Thousand (Music by Adam Maor), will premiere at the Luxembourg Grand Theatre in 2019. Levy also co-founded the Shakked Waldorf High School and the Sheik Abreik Festival for Civilian Culture, both in Kiryat Tivon, Israel.

Start: Apr 21, 2018
End: Apr 21, 2018
Venue: Segal Theatre
Category:
, , ,

April 23

Two Days with Hans-Thies Lehmann Day #1

Photo courtesy of the artist

April 23 & April 24
Segal Theatre
Discussions + All Day Screenings

FREE + Open to public. First come, first served.

Join us for two evenings with German theatre researcher and author Hans-Thies Lehmann. His highly influential publication, Postdramatic Theatre (Routledge, 2006), established the modern visage of avant-garde theatre by cataloguing and defining the tendencies and stylistic traits of experimental works since the end of the 1960s. Scholars and colleagues Marvin Carlson, Elinor Fuchs, Brandon Woolf, John Jesurun, Uwe Mengel, Molly Davies, Peter Eckersall, Jonathan Kalb, Carol Martin, Melissa Wansin Wong, and Frank Hentschker will join Lehmann in discussion throughout the sessions.

 

Monday, April 23

Daytime screenings of excerpts from works by:

Robert Wilson
The Wooster Group
John Jesurun
Jan Lauwers
Romeo Castellucci
She She Pop
René Pollesch

10:00am Robert Wilson – The Civil Wars (1984)
11:00am The Wooster Group – Brace Up! (1991/2003)
                  To You, The Birdie! ( Phèdre) (2002)
12:00pm John Jesurun – Shatterhand Massacree – Riderless Horse (1985)
Black Maria (1987)
1:00pm Jan Lauwers & Needcompany: The Deer House (2008)
2:00pm Romeo Castellucci – Orestea (2015)
 Giulio Cesare Spared Parts (1997)
3:00pm She She Pop (with ihre Väter) – TESTAMENT (2010)
4:00pm René Pollesch – Stadt als Beute (City as Prey) (2005)
5:00pm Tadeusz Kantor – Dead Class (1975)

Evening Discussion:
6:30pm Postdramatic Theatre and the 21 Century
Hans-Thies Lehmann

7:00pm New Forms of Theatre – Conversation I
Uwe Mengel, John Jesurun, Molly Davies & Hans-Thies Lehmann

7:20pm Performance in the Age of Performance – Conversation II
Bertie Ferdman, André Lepecki & Hans-Thies Lehmann

7:40pm Dramaturgy and Asian Theatres – Conversation III
Peter Eckersall, Melissa Wansin Wong & Hans-Thies Lehmann

 

Tuesday, April 24

Daytime screenings of excerpts from works by:

Tadeusz Kantor
Théatre du Soleil/Ariane Mnouchkine
Klaus Michael Grüber
Einar Schleef
Angelus Novus
Jan Fabre
andcompany&Co

11:00am Ariane Mnouchkine/Théatre du Soleil – 1789 (1970)
Henri IV (1982)
12:00pm Klaus Michael Grüber – Die Bakchen (The Bacchae) (1974)
1:00pm Einar Schleef – Faust (1990)
Ein Sportstuck (by Elfriede Jelinek, 1998)
2:00pm Jan Fabre/Troubleyn – The Power of Theatrical Madness (1986, revived 2012)
Mount Olympus (2016)
3:00pm andcompany & Co. – Colonial Digital: The Empire Feeds Back! (2018)
4:00pm Rimini Protokoll – Wallenstein (2005)
Prometheus in Athens (2010)
5:00pm Gob Squad – Western Society (2013)

Evening Discussion:
6:30pm On Tragedy
Hans-Thies Lehmann

7:00pm On Writing – Conversation I
Elinor Fuchs, Jonathan Kalb & Hans-Thies Lehmann

7:20pm Theater of the Real – Conversation II
Marvin Carlson, Carol Martin & Hans-Thies Lehmann

7:40pm German Theatre and the Giessen Institut – Conversation III
Brandon Woolf, Frank Hentschker & Hans-Thies Lehmann

Special thanks to Richard Schechner and Yale University’s Department of Germanic Languages and Literatures (Katrin Trüstedt and Christian Kirchmeier).

Hans-Thies Lehmann is a professor emeritus for Theatre, Film, and Media Studies at the Johann Wolfgang Goethe-Universität Frankfurt am Main from 1988 until he was given emeritus status. His publications include Bertolt Brecht’s Hauspostille–Text und kollektives Lesen (1978, with Helmut Lethen); Theater und Mythos. Die Konstitution des Subjekts im Diskurs der antiken Tragödie (1991); Postdramatisches Theater (1999, now a standard work and translated into 26 languages); Heiner Müller Handbuch (ed. with Patrick Primavesi, 2003); and Tragödie und dramatisches Theater (Routledge, 2013). Hans-Thies Lehmann first studied general and comparative literary studies in Berlin and studied for his doctorate with Peter Szondi until his death. After gaining his doctorate, he was a visiting professor at the Universiteit van Amsterdam from 1979 to 1982. From 1983 to 1988, he was a university assistant at the Institute for Applied Theatre Studies in Gießen, where he substantially contributed to establishing and shaping the course of study with colleague Andzej Wirth. As a university professor for theatre studies at the J. W. Goethe-Universität Frankfurt/Main he made a remarkable contribution in devising theatre, film, and music studies courses, as well as establishing a course on dramaturgy in the framework of the Hessische Theaterakademie. In addition to guest professorships in Paris (France), Kaunas (Lithuania), Kraków (Poland), and Virginia (USA), Lehmann also works as a dramaturg for Jossi Wieler, Peter Palitzsch, Christof Nel, Theodoros Terzopoulos, Jan Fabre, and produces his own stage projects. He is on the board of the Gesellschaft für Theaterwissenschaft and a member of the Deutsche Akademie der Künste in Berlin. Hans-Thies Lehmann lives in Berlin with theatre critic Helen Varopoulou.

 

Start: Apr 23, 2018
End: Apr 23, 2018
Venue: Segal Theatre
Category:
, , ,
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