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March 3

FTP: Aurélia Thiérrée – Untitled

4:15pm – 4:30pm
Aurélia Thiérrée – Untitled (US, work-in-progress)
5 minutes | Segal Theatre
www.aureliathierree.com

Cinematography by Paul Thomas

*followed by a a brief discussion with Aurélia Thiérrée.

Aurélia Thierrée started performing in shows with Le Cirque Imaginaire when she was a child. She has worked in cabaret in Berlin, toured with The Tiger Lillies in their show Tiger Lillies Circus, and appeared in films, working with directors Milos Forman and Jacques Baratier amongst others. She collaborated on two shows: Aurelia’s Oratorio and Murmurs, or Murmures des murs, that still tour internationally. She is currently working on a third show.

Start: Mar 3, 2017
End: Mar 3, 2017
Venue: Segal Theatre
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March 3

FTP: Jason Zeldes – Romeo is Bleeding

Photo by Michael Klein

4:30pm – 6:30pm
Jason Zeldes – Romeo is Bleeding  (US, 2015)
95 minutes | Segal Theatre
English
www.romeoisbleedingfilm.com

A fatal turf war between neighborhoods haunts the city of Richmond, CA. Donté Clark transcends the violence in his hometown by writing poetry about his experiences. Using his voice to inspire those around him, he and the like-minded youth of the city mount an urban adaptation of Shakespeare’s Romeo and Juliet, with the hope of starting a real dialogue about violence in the city. Will Richmond force Donté to compromise his idealistic ambitions? Or will Donté end Richmond’s cycle of trauma?

 

Photo by Michael Klein

Jason Zeldes is a documentary director and editor, best known for editing the 2013 Academy Award® winning film, Twenty Feet From Stardom. The film earned Zeldes an ACE Award for Best Edited Documentary Feature, and led to other exciting collaborations, including work with the Oceanic Preservation Society on Racing Extinction which premiered at Sundance 2015. Prior to his editing career, Jason worked as an assistant to acclaimed filmmakers such as Doug Blush, Kirby Dick, and Patrick Creadon. Romeo is Bleeding is Jason’s directorial debut.

Start: Mar 3, 2017
End: Mar 3, 2017
Venue: Segal Theatre
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March 3

FTP: Michelle Memran – The Rest I Make Up

Photo courtesy of Roberto Guerra

6:00pm – 7:00pm
Michelle MemranThe Rest I Make Up (US, Work-in-progress)
Excerpt – 20 minutes | Elebash Recital Hall
English
www.therestimakeup.com

An intimate, joyful, haunting portrait of the iconic Cuban-American dramatist María Irene Fornés that shows art and friendship enduring in the face of forgetting. This excerpt, taken from the rough cut, introduces you to Fornés and her visionary creative process.

María Irene Fornés (born May 14, 1930) is a Cuban-American avant-garde playwright and director who was a leading figure of the Off-Off-Broadway movement in the 1960s. She lives in New York City.

*Followed by a brief discussion with Michelle Memran.

Photo courtesy of Lucy Barbera

Michelle Memran is a reporter, illustrator, and filmmaker living in Brooklyn. She first began this film collaboration with María Irene Fornés more than 13 years ago, and she is pleased to say that the end is near!

 

Start: Mar 3, 2017
End: Mar 3, 2017
Venue: Elebash Recital Hall
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March 3

FTP: Nature Theater of Oklahoma – Life and Times, Episode 7

Photo courtesy of the artists

6:30pm – 9:00pm
Nature Theater of OklahomaLife and Times, Episode 7 (US, 2015)
135 minutes | Segal Theatre
English
www.oktheater.org

With hot burning passion and increasingly limited means, Nature Theater of Oklahoma attempts to take on Hollywood, the French New Wave, and the entire history of cinema as we know it.  Episode 7 of their serial epic, Life and Times, takes the verbatim first person narrated life story of one of their company members, Kristin Worrall, puts the original text into third person singular, and grafts it brilliantly onto the American film classic, Citizen Kane.

Photo courtesy of the artists

Nature Theater of Oklahoma is an award-winning New York art and performance group under the direction of Pavol Liska and Kelly Copper.  With each new project, they attempt to set an impossible challenge for themselves, the audience, and their collaborators–working from inside the codes and confines of established genres and exploding them.  No two projects are formally the same, but the work is always full of humor, earnestness, rigor, and the audience plays an essential role–whether as spectators or–just as often–as participants in the work. Using readymade material, found space, gifted properties, cosmic accident, extreme formal manipulation and plain hard work–Nature Theater of Oklahoma makes art to affect a shift in the perception of everyday reality that extends beyond the site of performance and into the world in which we live.

Start: Mar 3, 2017
End: Mar 3, 2017
Venue: Segal Theatre
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March 3

FTP: Arran Shearing – Forgotten Man

Photo courtesy of the artist

7:00pm – 8:30pm
Arran Shearing – Forgotten Man (UK/Canada, 2017)
84 minutes | Elebash Recital Hall
English
http://arranshearing.tumblr.com

A young actor in an East London theatre company for the homeless romances a wealthy out-of-towner in the bustling streets of contemporary London.

With Jerry Hall, Anna Maguire, Tyler Dawson, and others.

*Followed by a brief discussion with Arran Shearing.

Photo courtesy of the artist

Arran Shearing is a Writer/Director working between Canada and the UK. Forgotten Man is his first feature film. Arran had previously directed award winning music videos for independent and major labels alike, for artists including Felix Da Houscat, K-OS, Mac Demarco, and The Other Tribe (Sony Music). He has directed stage visuals and trailers for several theatre productions including Everything Else Happened (Edinburgh Fringe Festival) and If What I hear is True (The Yard). He is currently developing his second feature film. Arran previously attended the Norman Jewison Canadian Film Centre and acted as technical consultant to the BFI.

Start: Mar 3, 2017
End: Mar 3, 2017
Venue: Elebash Recital Hall
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March 3

FTP: The Martin E. Segal Theatre Center – Prelude Festival

9:00pm – 9:30pm
Prelude Festival (US, work-in-progress)
Edited by Mike LoCicero, Videography by Shaowen Liang, Wanhu Jin, Wei Lee, and Nicolas Luna
30 minutes | Segal Theatre
English
thesegalcenter.org

Dedicated to artists at the forefront of contemporary New York City theatre and performance, PRELUDE features an array of artists working in theatrical and interdisciplinary performance. The festival gives audiences and artists a survey of the current New York moment via in-process performances, conversations, presentations, and workshops.

This documentary, shot over the three days of the 2016 PRELUDE festival, gathers artists, academics, and theatremakers from the five boroughs to reflect on the legacy and future of work-in-progress.

 

The Martin E. Segal Theatre Center at The Graduate Center, CUNY occupies the space between public arts presenter, academic publisher, and research institute. The Segal Center bridges the academic and professional performing arts communities, fostering dialogue between playwrights, directors, designers, choreographers, filmmakers, critics, and academics from around the world. The Segal Center presents a variety of completely free public programs, including staged readings, festivals celebrating New York and international performance, and screenings of performance works on film, as well as artists in conversation, academic lecture series, televised seminars, symposia, and arts in education programs. The Segal also publishes three free, open-access academic journals, numerous individual volumes, and maintains a longstanding visiting-scholars-from-abroad program.

Start: Mar 3, 2017
End: Mar 3, 2017
Venue: Segal Theatre
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March 6

FTP: The Living Theatre – Know Your Rites Tour

Photo © TLT Archive

All Day On Loop
The Living Theatre, Directed by Jessica Daughtery – Know Your Rites Tour (US, 2016)
40 minutes | | Segal Theatre Lobby
English
www.livingtheatre.org

The Living Theatre toured across America in the summer of 2016. Stopping in over twenty cities in various venues, the company also developed pieces in the streets, in corporate headquarters, and in public spaces. Here is a loop of some of those pieces.

 

The Living Theatre To call into question who we are to each other in the social environment of the theatre, to undo the knots that lead to misery, to spread ourselves across the public’s table like platters at a banquet, to set ourselves in motion like a vortex that pulls the spectator into action, to fire the body’s secret engines, to pass through the prism and come out a rainbow, to insist that what happens in the jails matters, to cry “Not in my name!” at the hour of execution, to move from the theater to the street and from the street to the theater. This is what The Living Theatre does today. It is what it has always done.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 6

FTP: Lee Breuer & Eric Marciano – Book of Clarence

Photo by Eric Marciano

11:00am – 12:45pm
Lee Breuer & Eric Marciano – Book of Clarence (US, 2016)
100 minutes | Segal Theatre
English
www.bookofclarence.com

This feature length documentary essay follows the life of legendary blind gospel singer and founding member of the Grammy award winning Blind Boys of Alabama, Clarence Fountain. We learn of Clarence’s life, music and health through his dreamlike and hallucinatory memories while he receives kidney dialysis. These memories are woven together with past performances of The Blind Boys of Alabama and current performances with a small band featuring long-time collaborator and guitar player Sam Butler Jr. The film also features Clarence’s last performance with The Blind Boys of Alabama at the 2015 Jazz and Heritage Festival. The kidney dialysis dream sequences feature the kinetic abstract light paintings by the artist Bill Ham of 1960s San Francisco psychedelic light show era.

Photo by Tom LeGoff

Lee Breuer is a playwright, director, filmmaker, poet, & lyricist. He is considered to be one of the most innovative directors on the world stage. Breuer is an artistic director of Mabou Mines Theater Company, which he founded in 1970 with JoAnne Akalaitis, Philip Glass, Ruth Maleczech, and David Warrilow. Lee is a MacArthur Fellow, and a Chevalier of the Order of Arts and Letters.

 

 

Photo courtesy of the artist

Eric Marciano is a New York based filmmaker, media designer and storyteller. He attended the School of Visual Arts in New York, where he earned a BFA in filmmaking in 1984. In 1984 he formed American Montage to engage in editing, motion picture production and storytelling to its fullest. In 2016, the Museum of Modern Art acquired all of Mr. Marciano’s early film works for their permanent collection.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 6

FTP: Zachary Oberzan – Flooding With Love For The Kid

Photo courtesy of the artist

1:00pm – 3:00pm
Zachary OberzanFlooding with Love for The Kid (US, 2007)
107 minutes | Segal Theatre
English
www.zacharyoberzan.com

Meticulously adapted from David Morrell’s novel First Blood, which introduced us to a young man named Rambo and his one-man war against a small town, Flooding With Love for the Kid is itself a one-man cinematic war. Shot entirely for $96 in a 220 sq.ft. apartment in Manhattan, it was adapted, directed, filmed, acted, and edited by one man, destroying all previous notions of low-budget filmmaking with a determination lifted from Rambo’s own infuriated rampage.

Photo courtesy of the artist

Zachary Oberzan was a founding member of the NYC theater collective Nature Theater of Oklahoma, collaborating and performing in numerous productions, including the Obie-winning No Dice, and the one-man show Rambo Solo. His first solo film/theatre hybrid, Your brother. Remember?, premiered in May 2010 at Kunstenfestivaldesarts in Brussels, and has, to date, been performed in over forty cities worldwide. A stand-alone film version of Your brother. Remember? had its cinematic premiere in NYC in 2012. Recent hybrids include Tell Me Love Is Real, and The Great Pretender. Oberzan has also performed with The Wooster Group and Richard Foreman.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 6

FTP: Mariano Franco and Marie Belzil with Robert Lepage – The Image Mill Revealed

Photo by Francis Vachon

3:00pm – 4:00pm
Mariano Franco and Marie Belzil with Robert Lepage – The Image Mill Revealed (Quebec, 2009)
60 minutes | Segal Theatre
French with English subtitles
www.lacaserne.net

This documentary describes the final 3 months leading up to the opening of Moulin à Images, an impressionistic performance-event celebrating Quebec City’s 400th anniversary. Director Robert Lepage works with a member of the Ex Machina team, leading a group of talented and creative young people who were invited to build this monumental panorama.

This film by Mariano Franco and Marie Belzil demonstrates the scope of the Lepage project, highlighting the contribution of every artist. The Image Mill Revealed is an adventure in art for the viewing audience.

Photo by Jocelyn Michel/Consulat

The film’s co-directors are Mariano Franco and Marie Belzil–the latter is also a member of the Lepage’s Ex Machina team (Quebec).
Versatile in every form of theatre craft, Robert Lepage is equally talented as a director, playwright, actor and film director. His creative and original approach to theatre has won him international acclaim and shaken the dogma of classical stage direction to its foundations, especially through his use of new technologies.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 6

FTP: Sean Edward Lewis – Storefront

Photo by Galya Kovalyova

4:00pm – 4:20pm
Sean Edward Lewis – Storefront (US, 2017)
15 minutes | Segal Theatre
English
lilacco.wordpress.com

A 1980s Brooklyn murder case is re-imagined as a lo-fi snuff comedy.

Photo by Galya Kovalyova

Sean Edward Lewis (born 1968, Yucaipa, California) is a writer, actor, director, and founder of Brooklyn, NY based LILAC CO. His work has been shown in abandoned storefronts, church basements, the Polish National Home, Dixon Place, The Tank, Saint Vitus, Zebulan, D.I.Y. spots throughout New York City and Los Angeles, Joe’s Pub, The Roy Hart Institute (Malérargues,Fr), Pantheatre Myth and Theatre Festival (2014 Paris, France) The Collapsable Hole, The Segal Center’s PRELUDE Festival (2016), The Public Theater’s Under the Radar Festival (2014).

 

Start: Mar 6, 2017
End: Mar 6, 2017
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March 6

FTP: Temporary Distortion – This Empty Room

Photo courtesy of Kenneth Collins

4:20pm – 4:45pm
Temporary Distortion – This Empty Room (US, 2017)
10 minutes | Segal Theatre
English
www.temporarydistortion.com

This Empty Room is a site-specific short film. It is a portrait of where you are right now.

While contemporary culture trains us in practices of distraction, fragmentation, and multitasking, this film asks you to make space for a single-focused awareness of the present moment and your current surroundings.

There are as many possible versions of this film as there are rooms to view them.

*Followed by a brief discussion with Kenneth Collins.

Photo by Shannon Collins

Temporary Distortion explores the potential tensions and overlaps found between practices in visual art, theater, cinema, and music. The group works across and between disciplines to create performances, installations, films, albums, and works for the stage that have been shown in over twenty cities in Australia, Austria, Canada, the Czech Republic, France, Greece, Hungary, Japan, Russia, South Korea, and the United States.

Temporary Distortion’s recent work has focused on long-duration, installation-based performances featuring live music, where spectators are encouraged to come and go throughout all-night events.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 6

FTP: A Two Dogs Company/ Kris Verdonck – Presyncope

Photo courtesy of A Two Dogs Company

4:45pm – 5:00pm
A Two Dogs Company/ Kris Verdonck – Presyncope (Belgium, 2010)
15 minutes | Segal Theatre
English
www.atwodogscompany.org

In Presyncope, a camera slowly and steadily slides down the façade of a tall office block. It is pointed towards the ground, approaching it slowly. We hear the calm voice of someone describing her thoughts and impressions during the fall. This inner monologue contains scraps of memories from the lifetime that preceded the fall.

Presyncope is a state consisting of lightheadedness, muscular weakness,
and feeling faint.

 

Photo by Danny Williams

As a theatre maker and visual artist, Kris Verdonck (Belgium, 1974) can look back over a wide variety of projects positioned in the transit zone between visual arts and theatre, between installation and performance, between dance and architecture. Most recently, Verdonck created the 3D video-installation ISOS with the support of the EMPAC Rensselaer Polytechnic Institute. ISOS is based on the world and characters from the apocalyptic science-fiction novels of J.G. Ballard and was presented at the International Film Festival Rotterdam. Last year, a symposium on Verdonck’s artistic practice was organized in the Martin E. Segal Theatre Center.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 6

FTP: Brian Rogers/ The Chocolate Factory Theater – Screamers

Photo courtesy of Brian Rogers

5:00pm – 6:00pm
Brian Rogers/ The Chocolate Factory Theater – Screamers (US, work-in-progress)
30 minutes excerpt | Segal Theatre
English
www.chocolatefactorytheater.org

Screamers (working title) is Brian Rogers’ first feature film.

It is one half of a larger project which will premiere at PS122 later this year.

*Followed by a brief discussion with Brian Rogers.

 

Photo courtesy of Brian Rogers

Brian Rogers is a director, video artist, co-founder and artistic director of The Chocolate Factory Theater, which supports the creation of theater, dance, music and multimedia performances at its 5,000 sq ft facility in LIC, Queens. Since 1997, Brian has conceived and/or directed numerous large scale performances at The Chocolate Factory and elsewhere including Hot Box (September 2012, co-presented with FIAF’s Crossing The Line Festival / January 2013, PS122’s COIL Festival / February 2013, EMPAC Center), the Bessie-nominated Selective Memory (2010/11), redevelop (death valley) (2009), 2 Husbands (2007), Gun Play (2006), Audit (2004), and Fundamental (2002). His newest project, Screamers, will premiere at PS122 in 2017.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 6

FTP: Andrew Schneider – Acting Stranger

Photo courtesy of the artist

6:00pm – 6:30pm
Andrew Schneider – Acting Stranger (US, 2014) 
20 minutes | Segal Theatre
English
www.actingstranger.com

I write very short scenes. No exposition, no inciting incident, no denouement. We act them together, you and I, having never rehearsed, discussed, or met. These scenes are videotaped as documentation and made available through a website. The film is a document, a by-product of the ongoing process exploring intimacy between strangers.
*Followed by a brief discussion with Andrew Schneider

 

Photo by Maria Baranova

Andrew Schneider creates and performs solo performance works, large-scale dance works, builds interactive electronic art works and installations, and was a Wooster Group company member (video/performer) from 2007-2014. Andrew’s original performance work in NYC includes YOUARENOWHERE (2015 OBIE award, 2016 Drama Desk nom.); FIELD (2014); TIDAL (2013); WOW+FLUTTER (2010) at The Chocolate Factory Theater among others. His interactive work has been featured in such publications as Art Forum and Wired, among others and at the Center Pompidou in Paris.
More at andrewjs.com

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 6

FTP: Lee Breuer & Eric Marciano – La Divina Caricatura

Photo Courtesy of the artist

6:30pm – 7:30pm
Lee Breuer & Eric Marciano – La Divina Caricatura (US, 2017)
20 minutes excerpt | Segal Theatre
English
www.leebreuer.dog

La Divina Caricatura, is part of the artist Lee Breuer’s canon of personal works called, I Don’t Want to Change Your Mind, I Want To Change Your Music. Much like Whitman’s Leaves of Grass this a life-long body of work that he has been continuously adding to. It includes music, plays, poetry, and screenplays. La Divina Caricatura’s proposed screenplay is an adaptation of a musical theater piece that featured Bunraku puppets, musical performances by three bands and live actors. The original theater piece was performed at LaMaMa Theater in December 2013. The work is an exploration of a love relationship between a man, John and his dog Rose. These lovers go through cathartic and transcendental experiences on a Dantesque pilgrimage.

*Followed by a brief discussion with Lee Breuer and Eric Marciano.

 

Photo by Tom LeGoff

Lee Breuer is a playwright, director, filmmaker, poet, & lyricist. He is considered to be one of the most innovative directors on the world stage. Breuer is an artistic director of Mabou Mines Theater Company, which he founded in 1970 with JoAnne Akalaitis, Philip Glass, Ruth Maleczech, and David Warrilow. Lee is a MacArthur Fellow, and a Chevalier of the Order of Arts and Letters.

 

 

Photo courtesy of the artist

Eric Marciano is a New York based filmmaker, media designer and storyteller. He attended the School of Visual Arts in New York, where he earned a BFA in filmmaking in 1984. In 1984 he formed American Montage to engage in editing, motion picture production and storytelling to its fullest. In 2016, the Museum of Modern Art acquired all of Mr. Marciano’s early film works for their permanent collection.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
Category:
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March 6

FTP: Claire Moodey with Steve Zehentner and Penny Arcade – Richard Foreman Biography

Photo by Eric Wallach

7:30pm – 8:30pm
Claire Moodey – Richard Foreman Biography (US, 2013)
English | 30 minutes | Segal Theatre
in collaboration with Steve Zehentner and Penny Arcade
www.pennyarcade.tv

The Richard Foreman Biography is a part of The Lower East Side Biography Project, created in 1999 by performance artist Penny Arcade and video producer Steve Zehentner as an ongoing biography series and oral history archive.

About Richard Foreman: He is the founder and artistic director of the non-profit Ontological-Hysteric Theater (1968-present). He has written, directed and designed over fifty of his own plays both in New York City and abroad. Five of his plays have received OBIE awards as best play of the year—and he has received, next to many national and international awards, five other OBIE’S for directing and for “sustained achievement.”

*Followed by a brief discussion withSteve Zehentner and Penny Arcade

 

Penny Arcade. Photo by Steven Menendez

The LES Bio Project’s biographies and archive will help to ensure that future generations have access to the mad souls of invention and rebellion that built the Lower East Side’s international reputation as an incubator for authenticity and iconoclasm in art, culture and politics. The project seeks to stem the tide of cultural amnesia by bridging the cultural gap between long time residents and newcomers to the rapidly gentrifying neighborhood of New York’s Lower East Side. The project’s biographies cablecast in New York City every Monday at 11pm EST on Time Warner Channel 34, RCN 82, FIOS 33, and stream live on Manhattan Neighborhood Network Channel One.

Start: Mar 6, 2017
End: Mar 6, 2017
Venue: Segal Theatre
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March 13

Poetry as Revolt: Spoken word reflections after the Age of Obama – Co-presented with the Nuyorican Poets Cafe

From top left, clockwise: Pamela Sneed, Saroya Marsh, Advocate of Wordz, Jaime Lee Lewis, Jennifer Falu, Shanelle Gabriel

Monday, March 13
Segal Theatre

6:30pm Readings + Discussion

FREE + Open to public. First come, first served.

NYC-based spoken word artists address the drastic changes that have recently impacted our political landscape. Confirmed poets include Advocate of Wordz, Jennifer Falu, Shanelle Gabriel, Jaime Lee Lewis, Saroya Marsh, and Pamela Sneed.

Over the last 40 years, the Nuyorican Poets Cafe has served as a home for groundbreaking works of poetry, music, theatre and visual arts. The Cafe champions the use of poetry, jazz, theater, hip-hop, and spoken word as means of social empowerment for minority and underprivileged artists. Allen Ginsberg called the Cafe “the most integrated place on the planet.” Curated by Daniel Gallant in collaboration with Frank Hentschker.
www.nuyorican.org

Erik “Advocate Of Wordz” Maldonado is an award winning performing poet, published author, and teaching artist who has been honing his craft for fifteen years. He is a recipient of the 2014 BRIO Award, and has worked out of legendary performance venues such as Lincoln Center and the Nuyorican Poets Cafe. His work has been featured and/or covered by many major publications including PBS, LA Times, Fox News, Univision and CNN. Wordz has toured many notable establishments such as Princeton University, Roseland Ballroom (Broadway), and Georgetown University to name a few. His book “Advocate Of Wordz; a book of poems and other creative nonsense that is imperative to your existence” can be found on Amazon and is also available at all his live performances.

Jennifer Falu recently won first place in NBC-TV’s Amiri Baraka Poetry Slam and was ranked third internationally in the 2014 Women of the World Poetry Slam. She has been a member of the 2006, 2009 and 2012 Nuyorican Poets Cafe Slam Teams, won the national Women of the World Poetry Slam in 2006, and ranked 3rd in the WOWPS in both 2009 and 2012.  As a performer, Falu has shared the stage with Jennifer Holliday, Carl Thomas and Patti LaBelle. She recently made her film debut in Mania Days, alongside Katie Holmes.

Shanelle Gabriel is a singer, poet, and powerful advocate for lupus. Born and raised in Brooklyn, NY, Shanelle is widely known for both opening and featuring on HBO’s Def Poetry Jam alongside Jill Scott and DMX, and has shared the stage with artists such as Eric Benet, Talib Kweli, Nas, and more. Shanelle was spotlighted on the Rachael Ray Show, HuffPost Live, in a promo for the NFL Draft, in Women’s Health Magazine, and narrated Jennifer Hudson’s “I Got This” audiobook biography. She is presently the Program Director at Urban Word NYC, facilitates the North Brooklyn Lupus Support Group, and continues to perform throughout the US and abroad. For more information, visit www.shanellegabriel.com

Roya Marsh is the poet/author of the chapbooks Not All of Me Shall Die, Pieces, Vol. I & II and 26. She works as a preschool teacher and youth mentor, but has always had a passion for writing.   Roya was a finalist in the 2013 Poetry Idol, 2013 Inspired Word Slam Master Jam Champion, 2014 Nuyorican Grand Slam Champion and captain of the first all- female slam team in the tri-state area, representing Nuyorican Poets Cafe. She has recently been ranked second in the world at the Woman of the World Poetry Slam. She has been featured in the Village Voice, Huffington Post, Blavity, Button Poetry, Def Jam’s All Def Digital and at many venues and colleges around the country.

Pamela Sneed is a New York based poet, writer and actress. She has been featured in the New York Times MagazineThe New YorkerTime OutBombVIBE, and on the cover of New York Magazine. In 2015, she appeared in Art ForumBlack Book and The Huffington Post. She hosted Queer Art Film at the IFC in New York City. She is author of Imagine Being More Afraid of Freedom than Slavery, published by Henry Holt in April 1998, KONG & other works, published by Vintage Entity Press (2009) and a chapbook Lincoln (2014). In 2015, she published the Chaplet Gift with Belladonna. She has performed for sold out houses at Lincoln Center, PS122, Ex-Teresa in Mexico City, The ICA London, The CCA in Glasgow Scotland, The Green Room in Manchester England, BAM Cafe, Joes Pub, The Public Theater, Central Park Summer Stage, Bronx Summer Stage,Columbia University’s Tribute to James Baldwin, The Whitney Museum, BRIC and recently curated and performed in All Black/An Invitation at Danspace; Platforms. In 2016, she was also a presenter for Zoe Leonard’s event, “I  Want a President” at the Highline. She appears in Nikki Giovanni’s, The One Hundred Best African American Poems. She has taught at Sarah Lawrence as a guest faculty member and is an online Professor at Chicago’s School of the Art Institute teaching the courses Human Rights and Writing Art. She was a mentor/consultant for the Poet-Linc program at Lincoln Center and directed a final show at Lincoln Center Atrium in 2016. She has recently presented at a symposium at NYU on Humor, Politics and the AIDS crisis. In summer 2016, she received a residency at Denniston Hill and was an SAIC Visiting Artist in the MFA low residency program. She is completing a collection of short stories Anna Mae/For Me, Tina Turner and All Black Women Survivors, and has a forthcoming chapbook Sweet Dreams with Belladonna, February 2017.

Daniel Gallant is the Executive Director of the Nuyorican Poets Cafe, the author of the short story collection Determined to Prove, and the recipient of a 2016 Eisenhower Fellowship. He is also a poet, playwright, theatrical producer, actor and teacher. His writing has appeared in eight anthologies from Vintage Books, Applause/Hal Leonard and Theater Communications Group. Daniel previously served as the Director of Theater and Talk Programming at the 92nd Street Y’s Makor and Tribeca centers. As an Eisenhower Fellow, he has explored how cultural organizations in Spain and Japan use innovative program and funding models to expand arts engagement. Daniel also advises cultural organizations in the United States about how to use game theory and social media to broaden their impact. He has been featured in the New York Times, the Los Angeles Times, Crain’s New York, the Daily News, New York Post, Time Out New York, New York Magazine and Voice of America; and on MTV, CNN NBC, NY1, CBS, NPR, Univision, the BBC and other networks. According to the Wall Street Journal, “Mr. Gallant has exploited expanding social-media tools to grow the cafe from a small, volunteer-led venue best known for weekly poetry events to a thriving arts center with partnerships across the city.”

Start: Mar 13, 2017
End: Mar 13, 2017
Venue: Segal Theatre
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March 22

Create NYC: A Symposium and Town Hall

Photo by Julien Jourdes

Wednesday, March 22
Proshansky Auditorium
All day symposium and town hall

FREE + Open to public. First come, first served.

The Segal Center is partnering with New York arts and culture organizations to host a day of outreach, engagement, and strategy towards the creation of a new cultural plan for New York.

Who is this for? Artists, administrators, activists, community members…..Everyone who is committed to strengthening the NYC-based Arts and cultural landscape. We want to hear your voice.

The symposium will address issues of equity, access, affordability, and social and economic impact of the arts in our communities.

 

SYMPOSIUM SCHEDULE:

10:00am – 12:00pm Breakout Sessions:

  • Anti-Racism Training
  • Space and Real Estate
  • Collective Manifesto

2:00pm – 5:30pm 5 Minute Proposals and Presentations Open Call

6:30pm – 8:30pm Manifestos and Open Mic Town Hall

 

The all-day symposium features morning breakout sessions around themes and ideas generated from a series of breakfasts and meetings between cultural workers and organizations over many months leading up to this event.

The afternoon program features short presentations of direct proposals to the planning consultants, followed by an evening with short manifestos from NY arts organizations and a Town Hall discussion. In partnership with The Field, New Yorkers for Culture & Arts, Center for Arts Education, Smithsonian Museum of the American Indian, and Gibney Dance, the initiative grew out of the Cultural Agenda Fund’s efforts to supplement the official planning process conducted by the city and is supported by the New York Community Trust. This Create NYC event was organized by the Martin E. Segal Theatre Center, Brad Burgess and Frank Hentschker in close collaboration with The Field, New Yorkers for Culture & Arts, Center for Arts Education, Smithsonian Museum of the American Indian, and Gibney Dance.

Visit www.CreateNYC.org to learn more about the NYC Cultural plan and the work of the Hester Street Collaborative.

 

Invited are:
The Actors Fund
Amerinda
A.R.T. / New York
ArtsPool
Asian American Arts Alliance
BAAD
Catalyst
FAB
The Indie Theater Fund
Staten Island Arts Council
TCG: Theatre Communications Group
LITNY
NET
The New Black Fest
NYIT
Peoplmovr
Martin E. Segal Theatre Center
all CIGs, CEGs,
and more TBC.

                      

                      

 

 

Start: Mar 22, 2017
End: Mar 22, 2017
Venue: Proshansky Auditorium
Category:
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March 27

Elfriede Jelinek’s On the Royal Road: The Burgher King – World Premiere Reading Translated by Gitta Honegger l Directed by Stefan Dzeparoski

Translated by Gitta Honegger

Monday, March 27
Segal Theatre

6:30pm Reading + Conversation

FREE + Open to public. First come, first served.

“This unique performance text by 2004 Nobel laureate Elfriede Jelinek offers a provocative European perspective on Donald Trump’s persona. The main speaker, a blind female seer suggests Miss Piggy channeling a confused Tiresias as she tries to get a handle on the bizarre behavior of the leader elect to draw from it some sort of oracle for the future. This seer with bleeding eyes sends Trump through a shattered looking glass where Jelinek examines him through the distorted mirrors of the heroes of Western culture: From Oedipus to Abraham, Isaac and Jesus, to Martin Heidegger, who attempted to lead the Führer.”
                                                                                                                            – Gitta Honegger

The world premiere of Elfriede Jelinek’s On the Royal Road: The Burgher King will be staged in October 2017 at the Deutsches Schauspielhaus Hamburg, Germany. The rights to the world premiere reading at the Segal Center in New York have been generously granted by Rowohlt Theater Verlag; Nils Tabert, Head of Rowohlt Theater Verlag publishing house in close collaboration with Jelinek’s translator, Gitta Honegger.

 

Photo courtesy of the artist

The Austrian writer Elfriede Jelinek received the 2004 Nobel Prize for Literature and many other prestigious literary and theatre awards. She is best known in the US from Michel Haneke’s film The Piano Teacher based on her novel Die Klavierspielerin.  Since the Nobel award she has written only one novel, but many plays addressing urgent issues of our times. Her themes include the politics of memory and guilt (Rechnitz); the 2008 global financial crisis, (Die Kontrakte des Kaufmanns); the rapidly escalating European refugee crisis (Die Schutzbefohlenen); the 2015 Charlie Hebdo massacre in Paris (Wut), and now Donald Trump (Auf dem Königsweg). Her latest performance text was preceded by a brief essay, [German title] “The One and Only. His Ownness” which she wrote one day after the presidential election. Jelinek is one of the most produced living authors/playwrights in the German language world. Her plays are presented by all the major theatre companies often staged by leading innovative directors. These productions have been invited to countless prestigious international festivals and received numerous awards. Her plays have also been produced across Europe, in Japan, India, Australia and China. In the US the only fully professional staging was the 2013 New York Woman’s Project Theatre’s production of Jackie, directed by Tea Alagic. It was nominated for 2 Lucille Lortel awards, for outstanding solo show and outstanding sound design.

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Gitta Honegger
is the authorized translator of Elfriede Jelinek.  Recent translations of Jelinek’s performance texts: Rechnitz (The Avenging Angel) and the Merchant’s Contracts. A Comedy of Economics; Charges (The Supplicants) (all Seagull Books/U. of Chicago Press), Fury (Rowohlt Theatre scripts); Shadow. Eurydice Says (Performing Arts Journal), On the Royal Road: The Burgher King (forthcoming, Yale/Theater Magazine); Fury/Rage, an adaptation by the Hamburg Thalia Theatre, that interweaves parts of her text with scenes from Simon Stephens’ Rage, a response to Jelinek’s text.Currently Honegger is completing her translation of Jelinek’s opus magnum, the 666 page novel The Children of the Dead for Yale University Press. She also translated plays by Thomas Bernhard, Elias Canetti, Marie Luise Fleisser and others.  Book publications: Thomas Bernhard, The Making of an Austrian, (Yale University Press), which she also translated into German (Propyläen Verlag).  Dr. Honegger is Professor of Theatre at Arizona State University. For ten years she was a professor of dramaturgy and dramatic criticism at the Yale School of Drama and resident dramaturg at the Yale Repertory Theatre, where she also directed.

Photo courtesy of the artist

Stage and film director, Stefan Džeparoski, is a Serbian-born, New York-based, renowned international director and creator known for his visually arresting and iconic live productions. The hallmark of his interdisciplinary stage practices is the creative use of projected media. His work has been seen on stages in Europe, Canada and US. Most recently Stefan directed Off-Broadway productions of Wide Awake Hearts by Brendan Gall (BirdLand Theatre at 59E59 Theaters), and The Birds by Conor McPherson (BirdLand Theatre at 59E59 Theaters). He is a Resident Director at BirdLand Theatre where he also directed Fortune and Menʼs Eyes by John Herbert, and Gruesome Playground Injuries by Rajiv Joseph. His other selected directing credits include After The Fall by Arthur Miller, The Creation of the World and Other Business by Arthur Miller, Roberto Zucco by Bernard Marie Koltes, Whoʼs Afraid of Virginia Wolf by Edward Albee and Quartet by Heiner Müller. His multimedia project Delete was featured at Prague Quadrennial in 2015. Stefan is an award-winning director and educator holding MFA in Theatre Directing, and MA in Theater Studies.

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Masha Dakić, has more than ten years of professional theatre experience as an actress in Europe. Originally based in Serbia, she has worked with some of the major directors from the region. She also performed in Stockholm (Sweden) and Derry (UK). As a lead voice-over artist she has been a part of relevant franchised work such as Ice Age; Smurfs; Phineas and Ferb; Wreck-It Ralph, etc. She, co-produced and wrote the screenplay for a short film Run-up(2012), securing its distribution in Japan. With Tuna Fish Studio and the first regional Web Series #SamoKazem (#JustSaying, powered by BBC Media Action) that won the Satellite Award in Los Angeles; Special Honoree for prestigious Webby Awards, she took on a role of the Head of Casting, being also the creative part of the Production team. Shortlisted for Sundance Screenwriter’s Lab, (2015), Official Finalist “World Series of Screenwriting” (2015) with her first feature film screenplay, and one of the lead writers for Serbian Sitcom Nemoj da Zvocas (TV Prva, 2016), Masha is a diverse artist who takes special pride in her collaborations with the director Anja Susa and is excited to be, now a long-term Alumni of the Martin E. Segal Theatre Center’s Reading Series.

Start: Mar 27, 2017
End: Mar 27, 2017
Venue: Segal Theatre
Category:
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