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February 25, 2016

Rimini Protokoll – World Climate Change Conference

Photo by Benno Tobler

Photo by Benno Tobler

 

2:30pm – 4:00pm
Rimini Protokoll – World Climate Change Conference (Germany)
55 minutes | Elebash Recital Hall (180 seats)
German with English subtitles
www.rimini-protokoll.de/website/en

Berlin’s groundbreaking experimental theatre ensemble Rimini Protokoll, made up of Helgard Haug, Stefan Kaegi, and Daniel Wetzel, work in many realms: theatre, sound and radio plays, film, and installation. In 2014, for the theatre Schauspielhaus (Hamburg), the ensemble created a mammoth-scale “drama of diplomacy“ — a simulation of the 2015 Paris UN Conference on Climate Change. Rimini asked audience members to divide into 196 national delegations and to reenact proceedings of international climate diplomacy. Documentary filmmakers Sandra Trosel & Lilli Thalgott documented the process.

hd-skizze

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ABOUT RIMINI PROTOKOLL
Helgard Haug, Stefan Kaegi, and Daniel Wetzel studied at the Institut für Angewandte Theaterwissenschaft in Giessen and work together (in various combinations) under the name of Rimini Protokoll. They are recognized as being among the leaders and creators of the theatre movement known as “Reality Trend” (Theater der Zeit), which has exerted a powerful influence on the alternative theatre scene. Each project begins with a concrete situation in a specific place and is then developed through an intense exploratory process. They have attracted international attention with their dramatic works, which take place in that colorful zone between reality and fiction. Since 2000, Rimini Protokoll has brought its “theatre of experts” to the stage and into city spaces, interpreted by non-professional actors who are called “experts” for that very reason. Since 2004, Helgard Haug, Stefan Kaegi, and Daniel Wetzel have been based at Hebbel am Ufer (HAU), Berlin. Among others, the three have created Shooting Bourbaki (Haug/ Kaegi/Wetzel), which won the NRW-Impulse Prize in 2003 (the same year the Theater magazine yearbook called them the most promising young directors of the year); Deadline (Haug/Kaegi/Wetzel), presented in the Berlin Theatre Encounters in 2004; Schwarzenbergplatz (Haug/ Kaegi/ Wetzel), nominated in Austria for the Nestroy Prize for Theatre; and Wallenstein (Haug/Wetzel), performed in the Theatre Encounters in 2006. Their extremely topical piece Mnemopark (Kaegi) won the Jury Prize at the Politik im freienTheater (Politics in Free Theatre) Festival, while Karl Marx: Das Kapital. Erster Band (Haug/Wetzel) won the Mülheimer Dramatiker Prize in 2007. In November 2007, Haug, Kaegi and Wetzel were awarded the German DER FAUST prize for theatre and in April 2008 they won the European Theatre Prize in Thessaloniki in the category New Realities. Call Cutta in a Box won a Honorary Mention by the Prix Ars Electronica 09 (International Competition for Cyber Arts) in the category Interactive Art. In 2011, they were awarded the Silver Lion of the 41st Venice Biennale, established to honor new theatrical realities.

Start: Feb 25, 2016
End: Feb 25, 2016
Venue: Elebash Recital Hall
Category:
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February 25, 2016

Krzysztof Garbaczewski – A Memoir

Photo courtesy of the artist

Photo courtesy of the artist

4:00pm – 5:00pm
Krzysztof Garbaczewski – A Memoir (Poland)
50 minutes | Elebash Recital Hall (180 seats)
Polish with English subtitles
teatrwirtualny.org

Albertyna, Marcel, a couple, Charlus, Morel, Lea and others are living their dream together in a 19th century mansion. By following your imagination as closely as possible and motivating your neural networks and memories, you produce a story of your own choice. It is an experiment in understanding the biography of the other. Based on the novel, The Captive, by Marcel Proust, a masterpiece that asks if a human being could be discovered as a utopian project–a definition of his own life and memories and a sensual model of behavior in circumstances that are given only for a particular time period. A Memoir is a story that has been lost.

Film showing courtesy of the Theatre Institute in Warsaw and of Culture.pl (The Adam Mickiewicz Institute)

Photo courtesy of the artist

Photo courtesy of the artist

Krzysztof Garbaczewski is a theatre and film director and set designer known for his elaborate sets and innovative adaptations, crossing the boundaries between theatre, film, dance, visual arts, and music.

 

Start: Feb 25, 2016
End: Feb 25, 2016
Venue: Elebash Recital Hall
Category:
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February 25, 2016

MOVEMENT: People Get Ready/Ty Flowers | César Vayssié & Boris Charmatz | Carlos Soto

4:30PM – MOVEMENT

Screen Shot 2016-02-03 at 12.30.39 PM

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4:30pm – 4:40pm
People Get Ready/Ty Flowers–
Physiques (US, 2014)
3 minutes 35 seconds| Segal Theatre (70 seats)
English
www.tanmanfilms.com

Physiques is an experimental video collaboration between video artist Ty Flowers and performance/music collective People Get Ready. People Get Ready’s Steven Reker choreographed a dance to the song, written by the goup, at 2.5x the normal speed. The video was shot at 2.5x the normal frame rate and, when played back, the dance stays in sync with the music, while all other background elements are surreally out of place.

Ty_Flowers_DirectorHeadshot small

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Ty Flowers is a multi-disciplinary media artist whose work primarily focuses on the moving screen. He grew up in Fort Lauderdale, Florida and attended the University of Florida in Gainesville. He moved to New York in 2008. He has shot and edited Television programs for The History Channel, Science, Natgeo, Discovery, A&E, Bio, and the Travel Channel. His work has been exhibited at or been featured in Spin Magazine, Pitchfork, Stereogum, NPR, Noisey, and New York Live Arts. This is his first feature film.

People Get Ready is an American four-piece indie band based out of Brooklyn, New York. The band consists of Steven Reker, Luke Fassano (formerly of Yeasayer) James Rickman, and Jen Goma. They are known primarily for their live performances, which showcase a blend of rock show and performance art.

 

Photo by César Vayssié

Photo by César Vayssié

4:40pm – 5:00pm
César Vayssié & Boris Charmatz
– Levée (France/Germany, 2014)
14 minutes 22 seconds | Segal Theatre (70 seats)
Silent

A labyrinthine performance, constructed on the basis of an extensive canon of derivative gestures, Levée des conflits is impossible to recreate in its totality: it is a snapshot of 25 simultaneous gestures that the eye cannot take in with a single glance. Rather than try to capture something of this perceptual experience, César Vayssié opted for an unclassifiable film, something between an abstract bird’s eye view, a documentary, and a genre film. Filmed on August 23, 2013 in Halde Haniel, Bottrop, Germany (with the kind permission of Ruhrtriennale International Festival of the Arts and of RAG Aktiengesellschaft), on the “Halde Haniel” mining site — an immense plateau shaped like a spiral — Vayssié’s film propels the dance into an indeterminate zone, somewhere
between science fiction and anthropology.

Produced by Musée de la danse/Sandra Neuveut, Martina Hochmuth, Amélie-Anne Chapelain. Co-produced by Same Art Producers/Dimitri Chamblas and Amélie Couillaud.

César Vayssié. Photo courtesy of the artist

César Vayssié. Photo courtesy of the artist

César Vayssié is an artist who produces films, pictures, and performances. He pursues an untypical path which invests several fields of art, searching for artistic phenomenons often through a choreographic material. In 2000, he produces the movie Les Disparates and has since then regularly worked with Boris Charmatz (héâtre-élévision, Bocal,Three collective gestures). He often collaborates with Phiillipe Quesne (Big-Bang, l’Effet de Serge, Bivouac …). In 2016, he co-signs with Francois Chaignaud the installation The Sweetest Choice. Through UFE film & performance, César Vayssié pursues an untypical path which invests the field of performing art. www.cesarvayssie.com

Boris Charmatz. Photo courtesy of the artist

Boris Charmatz. Photo courtesy of the artist

Dancer and choreographer, Boris Charmatz has created Aatt enen tionon and enfant. He also works as a performer with Médéric Collignon, Anne Teresa De Keersmaeker, and Tino Sehgal. Director of the National Choreographic Center in Rennes and Brittany since 2009, Charmatz has transformed it into a new kind of Museum of Dance. He co-authored Undertraining/On A Contemporary Dance with Isabelle Launay, and Emails 2009–2010 with Jérôme Bel and is the author of “Je suis une école.” www.borischarmatz.org

 

CarlosSoto-CloseYourEyes-still

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5:00pm – 5:30pm
Carlos Soto
close your eyes up  tight; you will not sleep tonight (US, 2013)
17 minutes | Segal Theatre (70 seats)
epicnothing.org

The piece utilizes a 1965 Mustang as a mobile mount for a camera that catalogues nighttime streets in the countryside surrounding Willem de Kooning’s Long Island studio. Accompanied by the blues-infused drawl of an electric guitar, the visuals transition slowly from shots of treetops passing overhead to lyrical images from within the car. Utilizing keen frame-rate manipulation and prolonged dissolves, the viewer is pulled in the direction of the car’s motion.

*Followed by a brief discussion with the artist.

CarlosSoto

Photo by Lovis Ostenrik

Carlos Soto (b. 1980) is a director and designer based in New York City. His GIRLMACHINE, premiered at Performa 09; Pig Pig Pig (2010) premiered at the Moscow Museum of Modern Art. In 2011, he presented at Works & Process at the Guggenheim Museum. He is a long-time collaborator of Robert Wilson, with whom he has worked since 1997. Soto performs in Andrew Ondrejcak’s You Us We All. Most recently, Soto was artist-in-residence at the Watermill Center, where he began development of a new theatre work, Everything Alright, to premiere in New York City during the 2017-18 season.

Start: Feb 25, 2016
End: Feb 25, 2016
Venue: Segal Theatre
Category:
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February 25, 2016

Keeril Makan/Jay Scheib – Persona

persona_scheib_makan_2

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5:00pm – 7:00pm
Keeril Makan/Jay Scheib – Persona
(US, 2015)
81 minutes | Elebash Recital Hall (180 seats)
English
www.jayscheib.com | www.keerilmakan.com

Persona is a provocative and artistically complex opera-theatre depiction of human frailty, cruelty, and identity. The libretto has been adapted from Ingmar Bergman’s original screenplay for the 1966 classic film, which has been described as a penetrating, dreamlike work of profound psychological depth dealing, with ontological subjectivity
and the gaze of cinema itself. The film is based on Makan and Scheib’s 2015, Beth Morrison Projects produced, production of
Persona at National Sawdust in Brooklyn.

*Followed by a brief discussion with the artists.

 

(L) Jay Scheib (R) Keeril Makan. Photo courtesy of the artists

(L) Jay Scheib (R) Keeril Makan. Photo courtesy of the artists

Keeril Makan (Composer) is recipient of a Guggenheim Fellowship and the Luciano Berio Rome Prize from the American Academy in Rome. Makan has also received awards from the American Academy of Arts and Letters, the Howard Foundation, ASCAP and others. His work has been commissioned by the Bang on a Can All-Stars, American Composers Orchestra, Harvard Musical Association, and Carnegie Hall, among others. Makan is Associate Professor of Music at MIT.

 

Jay Scheib (Librettist/Director) is a director and designer of plays, operas, ballets, and hybrid live art performance events. Recipient of a Guggenheim Fellowship and an Obie Award for Direction. Recent works include the Luigi Nono/Monteverdi evening, Odyssee, and his live cinema performance after Chekhov’s Platonov, or the Disinherited. Most recently he staged Giorgos Kouroupou’s two operas Pylades and Jocasta for the Athens Festival in Greece, also with conductor George Petrou. Scheib is Professor for Music and Theater Arts at MIT.

Start: Feb 25, 2016
End: Feb 25, 2016
Venue: Elebash Recital Hall
Category:
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February 25, 2016

GENDER & IDENTITY: Eleanor Fogg and Vivianna Chiotini/johnsmith | I AM A BOYS CHOIR | Sylvan Oswald & Maria Cataldo

what it feels like for a girl image

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5:30pm – 5:40pm
Eleanor Fogg and Vivianna Chiotini/johnsmith
– what it feels like for a girl (UK, 2015)
5 minutes 27 seconds | Segal Theatre (70 seats)

johnsmith is a whatever being. Channeling Patrick Bateman and Madonna, john gets something off their chest in this razor sharp and revealing cabaret performance.

johnsmith image

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When johnsmith was born, an atom was fired at two slits. The scientists were surprised to see that the singular atom/john behaved like a fluid wave, and appeared to flow through both slits at the same time. They wanted to look closer, so they fired the atom/john again and watched. Under the pressure of an audience, the atom/john started behaving like a particle again and chose one slit to go through. The scientists keep repeating the experiment, and every time the atom/ john is watched it makes a different choice. Each performance john makes chrysalises, one persona from many possibilities.

 

demonstratingstill

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5:40pm – 6:15pm
I Am A Boys Choir
– demonstrating the imaginary body (US, 2015)
27 minutes 51 seconds| Segal Theatre (70 seats)
English
www.iamaboyschoir.com

demonstrating the imaginary body is a work that exists somewhere between a gender studies lecture and an ice skating competition. Powered by the queer imagination, I AM A BOYS CHOIR investigates the body myth of the female athlete and the process of earning institutional validation by conforming to specific identity markers in regards to class and gender. There is also a lot of Tonya Harding.

boyschoirPORTRAIT1

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I AM A BOYS CHOIR is a queer identified interdisciplinary performance collective founded in 2013 by designer Adam Rigg, choreographer Chris DeVita, and playwright Kate Attwell. Works have been seen at The Public Theater, REDCAT, La MaMa ETC, The Invisible Dog, Movement Research @ Judson Church, Dixon Place, The Wassaic Project, Mount Tremper Arts, JACK, and BAM.

 

 

 

Outtakes Still-Ep2

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6:15pm – 6:20pm
Sylvan Oswald & Maria Cataldo
– Outtakes (US, 2015)
15 minutes | Segal Theatre (70 seats)
English
outtakestv.com

Outtakes is a lo-fi web series based on the genre of the transition video. People in the process of transitioning their gender create these raw journal entries on cell phones and webcams to share experiences and information, and to feel less isolated by reaching out and building community online. Outtakes blurs the lines between what is real and what is imagined. The show is about what it means when a very private journey has to happen in public.

Oswald and Cataldo

(L) Sylvan Oswald (R) Maria Cataldo. Photo courtesy of the artists

Sylvan Oswald creates plays, texts, publications, and video. Plays include A Kind of Weather, Profanity, Nightlands, Sun Ra, Pony, and Vendetta Chrome. Sylvan is an assistant professor of playwriting at UCLA, an affiliated artist at Clubbed Thumb, a recipient of a Dorothy B. Strelsin Playwriting Fellowship from Soho Rep, and a resident playwright at New Dramatists.

Co-Director Maria Cataldo is a New York City-based filmmaker best known for her work directing and producing MTV’s Clio Award Winning Rebel Music, a six part documentary serious about protest music emerging from conflict areas around the world.

 

Start: Feb 25, 2016
End: Feb 25, 2016
Venue: Segal Theatre
Category:
,

February 25, 2016

Adam Soch – Reza Abdoh: Theatre Visionary

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7:00pm – 9:30pm
Adam Soch – Reza Abdoh: Theatre Visionary (US, 2015)
112 minutes | Elebash Recital Hall (180 seats)
English
www.RezaAbdohDocumentaryFilm.com

The impact of wunderkind theatre director Reza Abdoh’s explosive work is finally brought to light twenty years after his death from AIDS, with live performance footage and interviews with those closest to him. Reza Abdoh; Theatre Visionary, directed by Adam Soch (Abdoh’s long-time collaborator and video archivist) is an intimate portrait of the world and work of Abdoh and his company, Dar a Luz. It features excerpts from Abdoh’s most important productions alongside interviews with Abdoh himself, his collaborators, critics, friends and family. These elements combine to illuminate his legacy; his groundbreaking work and his visionary, theatrical genius.

*Panel discussion to follow with Abdoh company members, Sabrina Artel, Anita Durst, Peter Jacobs, Tom Pearl and the film’s co-producer, Sandy Cleary

 

Producer Adam Soch of the Film

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Adam Soch (Director) fled Eastern Europe in 1980 to seek creative freedom in the US. He is a Los Angeles based filmmaker lauded by the media for the “stunning, remarkable, and compelling” images that are a hallmark of his films and theatrical productions, as well as for his editing style. Soch was Abdoh’s long time friend, collaborator, and archivist and has created the Reza Abdoh DVD Collection consisting of 21 titles on 29 DVDs. The collection can now be found in major universities and libraries throughout the United States. He is the founder of CULTURESonFILM.org, a nonprofit organization whose goal is to use film to illuminate global cultures in an apolitical and unbiased fashion.

Start: Feb 25, 2016
End: Feb 25, 2016
Category:
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February 25, 2016

Jörg Jeshel & Brigitte Kramer – Passion – Last Stop Kinshasa

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7:00pm – 8:30pm
Jörg Jeshel & Brigitte Kramer – Passion – Last Stop Kinshasa (Germany, 2009)
90 minutes | Segal Theatre (70 seats)
French with English subtitles
www.lesballetscdela.be

Alain Platel’s les ballets C de la B was founded in 1984. The company keeps to its principle of enabling artists from various disciplines and backgrounds to take part in a dynamic creative process.

les ballets C de la B was on tour for one year with the piece, pitié!, from director Alain Platel and musician Fabrizio Cassol. The tour took them to major capital cities including Berlin, Paris, and Tokyo. After more than 100 performances, pitié! concluded in Kinshasa, the capital of the Democratic Republic of The Congo. Following several years of unrest and political instability, the country is aspiring to new cultural horizons.

For filmmakers Jörg Jeshel and Brigitte Kramer, this was the starting point for the documentary Passion – Last Stop Kinshasa. The film is a documentary that focuses not only on the breathtaking show, but on the reactions in Congo as well.

Co-producers: Arte/ZDF

 

Jörg Jeshel & Brigitte Kramer

(L)Brigitte Kramer (R) Jörg Jeshel. Photo courtesy of the artists

Jörg Jeshel (b. 1943, Berlin), cinematographer for features, TV films, series, documentaries and music videos. He has worked with Andres Veiel, Markus Imhoof, Sasha Waltz and others. In 1992 he won the German Cinematography Award for Who’s Afraid of Red, Yellow and Blue and two Grimme awards – for Kopfleuchten (2000) and for Schwarzwaldhaus 1902 (2003).

Brigitte Kramer (b. 1954, Constance) has worked as a dramaturg at the Schauspielhaus Theatre (Frankfurt), TV-producer at ZDF (1980-1995) and film-curator at documenta X with Catherine David (1997). She is an independent documentary filmmaker. Her collaborators have included Ulrike Ottinger, Sasha Waltz, Bette Gordon, Beth. B., and others. Kramer and Jeshel have made many dance- and musicfilms together. They co-run a production company in Berlin called nachtaktivfilm.

 

 

Start: Feb 25, 2016
End: Feb 25, 2016
Venue: Segal Theatre
Category:
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February 26, 2016

Frederick Wiseman – La Comédie-Française ou L’amour joué

Comedie 2

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11:00am – 3:00pm
Frederick Wiseman – La Comédie-Française ou L’amour joué (France/US, 1996)
223 minutes | Elebash Recital Hall (180 seats)
French with English subtitles
www.zipporah.com

La Comédie-Française is the oldest continuous repertory company in the world, founded in Paris in the late 17th century. This is the first time a documentary film-maker has been allowed to look at all the aspects of the work of this great theatrical company. Sequences in the film include sections of plays, casting, set and costume design, administrative meetings and rehearsals, and performances of four classic French plays, Don Juan by Molière, La Thebaide by Racine, La Double Inconstance by Marivaux and Occupe-toi d’Amelie by Feydeau.

Fred Wiseman by Gretje Ferguson

Photo by Gretje Ferguson

Frederick Wiseman has made 40 documentaries and 2 fiction films. Among his documentaries are Titicut Follies, Welfare, Public Housing, Near Death, La Comédie Française Ou L’amour Joué, La Danse—Le Ballet De L’opéra De Paris, At Berkeley, and most recently In Jackson Heights. His documentaries are dramatic, narrative films that seek to portray the joy, sadness, comedy, and tragedy of ordinary experience. He has won numerous awards including four Emmys, a MacArthur Prize Fellowship, a Guggenheim Fellowship, and a Commandeur de L’Ordre des Arts et des Lettres. His films have played in theatres and been broadcast on television in many countries. He is also a theatre director and has directed The Last Letter, based on a chapter of Vasily Grossman’s novel Life And Fate, and Samuel Beckett’s Happy Days at the Comédie Française. He is an Honorary Member of the American Academy of Arts and Letters and a Fellow of the American Academy of Arts and Sciences.

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Elebash Recital Hall
Category:
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February 26, 2016

Kazuhiro Soda – Theatre 1 [Oriza Hirata]

Engeki1_hirata_kage

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12:00pm – 3:00pm
Kazuhiro Soda – Theatre 1 [Oriza Hirata] (Japan/US, 2012)
172 minutes | Segal Theatre (70 seats)
Japanese with English subtitles
www.laboratoryx.us/theatre/HOME.html

Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan’s leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?

This film is the first of a two-part (5 hour, 42 minute) observational documentary.

P1020946_2

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Kazuhiro Soda is a Japanese documentary filmmaker and producer based in New York, USA. He has lived in New York since 1993. He is known for his observational style and method of documentary filmmaking. Some of his works include Mental (2008), Peace (2010), Campaign 2 (2013) and Oyster Factory (2015). www.kazuhirosoda.com

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Segal Theatre
Category:
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February 26, 2016

MUSIC VIDEOS: Dorota Masłowska | Half Straddle/Tina Satter

3:00PM – MUSIC VIDEOS

 

Haj$

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3:00pm – 3:10pm
Dorota Masłowska –
Mister D. x Anja Rubik – Chleb + Mister D. – Haj$ (Poland, 2014)
Music videos created by Krzysztof Skonieczny / głębokiOFF
4 minutes 37 seconds + 3 minutes 13 seconds | Segal Theatre (70 seats)
Polish with English subtitles

Mister D. is the stage name for Dorota Masłowska. She has recently released her debut album Społeczeństwo Jest Niemiłe (The Society Is Not Very Nice) which has immediately become a major talking point in the Polish media.

Chleb (Bread) is an abstract music video inspired by 1990s TV aesthetics and video games, featuring world-renowned super model Anna Rubik. A kaleidoscope of psychedelic scenes portrays the life of a Polish neighborhood, revealing a grand love story with a bread making machine in the background.

The song Hajs, in which Mister D demands a money sandwich in a shrill voice, was illustrated with a music video inspired by 90’s style. Produced using conventions from video games, it presents characters from rap videos passing through the style of a Polish housing project. This video is to promote Hardkor Disko, a film by Krzysztof Skonieczny.

Dorota

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Dorota Masłowska is a Polish novelist, playwright, and since recently – musician. Her career began with the publication of several poems while she was still a student at Gdańsk University. She enjoyed a great deal of success with her first novel, Snow White and Russian Red (Wojna polsko-ruska pod flagą biało-czerwoną) and soon became a regular columnist for some of Poland’s most respected magazines. Masłowska follows many generations of Poles who have taken it upon themselves to explore Polish identity.

 

photo courtesy of the artist

photo courtesy of the artist

Krzysztof Skonieczny a.k.a. głębokiOFF (1983) – Polish actor, independent theatre and film director, scriptwriter, producer, creator of the music videos, visual artist, founder of artistic conglomerate – głębokiOFF (“deeply independent”), interested in an interdisciplinary approach to art. Krzysztof recieved number of awards in various fields. He has directed and created diverse projects all over the world e.g. in USA, Republic of South Africa, South America, Thailand, frequently in Europe and others. He comes from Wrocław, now based in Warsaw. Currently he is working on tv mini-series based on the book Blinded by the Lights by Jakub Żulczyk. krzysztofskonieczny.pl

 

 

Secret Notebooks

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3:10pm – 3:20pm
Half Straddle/Tina Satter –
Secret Notebooks: Half Straddle Rap + Free the Skull: Music Video for Moon Duo (US, 2012/2015)
3 minutes 44 seconds + 3 minutes 57 seconds| Segal Theatre (70 seats)
English

Secret Notebooks: With a few months off one summer, and amazing collaborators, Half Straddle set out to make their first-ever rap song and video. Playing off the idioms of the genre, Half Straddle’s girl rappers drop push-ups with no knees, late nights with Soledad O’Brien, and references to their bangs as a knowingly ridiculous vocabulary for throwing shade, all set in a lusciously drenched visual realm and accompanied by deep beats.

Free the Skull: Sanae Yamada of the band Moon Duo commissioned Half Straddle to make this video. Tina was inspired by the sort of noir detective sound she heard in the song and an instinct to filter this sensibility through the dreamscape of young girl detectives who could serve as portals to an unexpected idea of what “freeing the
skull” could mean. Moon Duo’s sound can feel excitingly hard, as well as dreamy and ritualistic and the girls bowing down to this alien force seemed a natural narrative to reflect that.

Tina Satter_Headshot

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Half Straddle is an Obie-winning Brooklyn-based ensemble of performers and designers that makes plays, performances, and videos written and directed by Tina Satter. This critically acclaimed company began in 2008 and has toured its shows in the U.S., Europe, and Asia. www.halfstraddle.com

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Segal Theatre
Category:
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February 26, 2016

Lucien Bourjeily – About 66 Minutes in Damascus

66 Minutes in Damascus

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3:00pm – 3:30pm
Lucien Bourjeily – About 66 Minutes in Damascus (Lebanon, 2012)
19 minutes 30 seconds| Elebash Recital Hall (180 seats)
English

Lucien Bou Rjeily gives a short presentation about his site-specific play, 66 Minutes in Damascus. Inspired by the descriptions of Syrian detention centers from foreign journalists and local activists arbitrarily incarcerated by the autocratic regime, 66 Minutes in Damascus puts the audience in the place of a group of tourists who visit the Syrian capital, only to be arrested by the Syrian secret service.

Lucien Bou Rjeily

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Lucien Bourjeily is an actor, director, writer and producer of both theatre and film but is mostly known for his work in immersive and interactive theatre. He is a Fulbright scholar and holds an MFA in Filmmaking from Loyola Marymount University in LA. His work in both theatre and film has traveled the worldwide festival circuits and won him many awards of which the YCE international British Council award in Edinburgh, Scotland in 2009. He brought his progressive approach to theatre to London’s LIFT Festival in 2012 with 66 Minutes in Damascus.

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Elebash Recital Hall
Category:
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February 26, 2016

Zeina Daccache – Scheherazade’s Diary

Scheherazade

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3:30pm – 5:00pm
Zeina Daccache – Scheherazade’s Diary (Lebanon, 2013)
80 minutes | Elebash Recital Hall (180 seats)
Arabic with English subtitles

The women inmates of Lebanon’s Baabda Prison mine the depths of personal experience and confront patriarchy as they prepare and present the first theatre performance staged inside an Arab Women’s prison. Filmed during, and after, the ten-month drama therapy/theatre project run in Baabda prison, in 2012, by drama therapist and director Zeina Daccache, this gripping and tragicomic documentary features the women inmates who, through their unprecedented theatre initiative entitled, Scheherazade in Baabda, challenge societies that oppress women.

headshot

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Zeina Daccache, is a Lebanese actress, director and drama therapist. She works for TV as an actress, and is a drama therapist working in different social sectors and has directed the award-winning film 12 Angry Lebanese. She is the founder and director of Catharsis-Lebanese Center for Drama Therapy, and she directed in 2009 12 Angry Lebanese – the play performed by the inmates in Roumieh Prison (Lebanon) and in 2012 the play Scheherazade in Baabda performed by the women inmates from Baabda Prison. And in 2013 she directed the play From the Bottom of My Brain with the residents of Al Fanar psychiatric hospital.

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Elebash Recital Hall
Category:
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February 26, 2016

NEW YORK: Temporary Distortion/Kenneth Collins | John Jesurun | Shaun Irons & Lauren Petty | Daniel Fish & Jim Findlay

3:30PM – NEW YORK

TemporaryDistortion_HandThatErases_Still02

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3:30pm – 3:45pm
Temporary Distortion/Kenneth Collins – Only the Hand That Erases (US, 2016)

14 minutes | Segal Theatre (70 seats)
English

Purely imagery and yet pure of image, moments previously captured on celluloidare erased and revisited as ideas inside the mind.

This film was created specifically for the Segal Center Film Festival on Theatre and Performance 2016.

KC

Photo courtesy of the artist

Temporary Distortion explores the potential tensions and overlaps found between practices in visual art, theatre, cinema, and music. The group works across and between disciplines to create performances, installations, films, albums, and works for the stage. Temporary Distortion’s recent work has focused on long-duration, installation-based performance featuring live music, where spectators are encouraged to freely come and go throughout all‑night events. www.temporarydistortion.com

 

 

SNOW

Photo courtesy of the artist

3:45pm – 5:15pm
John Jesurun –
Snow (US, 2000)
77 minutes | Segal Theatre (70 seats)
English
sites.google.com/site/johnjesurun/snow

A toxic American cocktail of death, desire, technology, and television. Jesurun’s four screen mixdown of the original 2000 performance launches four “characters” and twenty-two shifting POVs through the unforgiving eye of one virtual actor. During the presentation of an original four screen live edit of the 2000 piece, that audience experienced this work similarly on four screens. The secluded live performance was transmitted and edited live to four screens in the audience area. There were four live actors and one “virtual actor”–a computerized camera POV with attached “character” voice.

Featuring Valerie Charles,Peter Crook, Mary Ewald, Peter Sorensen, and Jojo Abaoag. Music by Black Beetle And Rebecca Moore.

John Jesurun

Photo courtesy of the artist

John Jesurun is a writer, director, and media artist. Since 1982, he has provided text, direction, and design for over thirty pieces including: the 61 episode Chang in a Void Moon, the media trilogy: Deep Sleep/White Water/Black Maria, Everything That Rises Must Converge, and Snow. Fellowships include: NEA, MacArthur, Rockefeller, Guggenheim, Asian Cultural Council, and Foundation for Contemporary Arts. He has been published by TCG, Sun & Moon Press, and NoPassport Press. His work Shatterhand Massacree and Other Media Texts has been published by Performing Arts Journal. Past projects include Faust~How I Rose/BAM, Philoktetes/Soho Rep, Firefall/DTW, Stopped Bridge Of Dreams/La Mama, Jeff Buckley video Last Goodbye, and Harry Partch’s opera Delusion of the Fury/Japan Society. His webserial, Shadowland was shown live at La Mama and streamed on Vimeo.

 

01_WHY_JIM_arrow

Photo courtesy of the artist

5:15pm – 5:30pm
AutomaticRelease/Shaun Irons & Lauren Petty – Why Why Always (US, work in progress)

15 minutes | Segal Theatre (70 seats)
English

Why Why Always is a live, multimedia performance installation that re-envisions Jean-Luc Godard’s seminal film Alphaville. This multi-platform project offers a dynamic interplay between theater, dance, installation art, technology, and media by integrating live performers, multi-screen projections, live-feed cameras, sculptural set elements, and a vibrant tapestry of sound. These short films, inspired by Alphaville, feature Jim Fletcher as the character Lemmy Caution. These sequences will be integrated into the live performance.

Shaun Irons

Shaun Irons. Photo courtesy of the artist

AutomaticRelease (Shaun Irons & Lauren Petty) is a Brooklyn based artist duo who make multidisciplinary performances, multimedia installations, experimental films, documentaries, and video scores for live performance. They recently presented a performance installation called Keep Your Electric Eye On Me at HERE, NYC and completed a documentary about ERS called Standing By. Their work has been seen in diverse locations in New York and internationally including BAM, Abrons Art Center, The Chocolate Factory, PS 122, and Anthology Film Archives. Shaun and Lauren have received numerous awards and residency fellowships such as NYSCA, NYFA, MacDowell, Yaddo, and The Bogliasco Foundation. www.automaticrelease.org

 

Photo courtesy of the artist

Photo courtesy of the artist

5:30pm – 6:00pm
Daniel Fish & Jim Findlay – 
The Source (US, 2014)
8 minutes 11 seconds | Segal Theatre (70 seats)
English

This video is based on the oratorio with four channel video, The Source with music by Ted Hearne and text by Mark Doten that had its World Premiere at BAM 2014 NEXT WAVE FESTIVAL. The Source concerns Chelsea Manning, the U.S. Army private responsible for leaking hundreds of thousands of classified documents to WikiLeaks. The text is an assemblage of Twitter feeds, chat log transcripts, court testimony, and Iraqi and Afghanistan war logs. For this piece, Jim Findlay and Daniel Fish filmed nearly one hundred people, one at a time, as they watched an eleven minute US military video of combat from the Iraqi War. For the original live performance, the footage of the people watching the video was projected on four large screens that surrounded the audience and the singers, placing them alone and together in one shared space.

Daniel Fish. Photo courtesy of the artist

Daniel Fish. Photo courtesy of the artist

Daniel Fish is a director who makes work across theater, film, and opera. Recent work: Who Left This Fork Here, Oklahoma and Eternal. His work has been seen at theaters and festivals throughout the U.S. and Europe including The Walker Arts Center, PuSH, Teatro Nacional D. Maria, Lisbon/Estoril Film Festival, Vooruit, Festival TransAmériques, Noorderzon Festival, The Public Theater’s Under The Radar, Opera Philadelphia/Curtis Opera Theater, A.R.T., Bard College, Yale Repertory Theater, McCarter Theater, Düsseldorfer Schauspielhaus, a.o., and commissions include MacDowell, Baryshnikov Arts Center, MassMOCA, LMCC/Governor’s Island.

Jim Findlay. Photo by Pavol Liska.

Jim Findlay. Photo by Pavol Liska.

Jim Findlay works across boundaries as a theater and visual artist, and filmmaker. His recent work includes his original performances Vine of the Dead, Dream of the Red Chamber and the direction/design of David Lang’s Whisper Opera. His work has been seen at Lincoln Center and Arena Stage, a.o. , and over 50 cities internationally.

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Segal Theatre
Category:
,

February 26, 2016

Steven Soderbergh – And Everything is Going Fine

And Everything is Going Fine

Photo courtesy of the artist

5:00pm – 6:30pm
Steven Soderbergh – And Everything is Going Fine [Spalding Gray] (US, 2010)
89 minutes | Elebash Recital Hall (180 seats)
English

The late Spalding Gray was a brilliant playwright and actor, known for his dazzling, distinctive monologues, an art form all his own. Here, master filmmaker Steven Soderbergh, who collaborated with him on King of the Hill and Gray’s Anatomy, takes Gray’s own words–captured over 25 years—to craft a profound, insightful and wonderfully entertaining portrait of this quintessential American artist.

Steven Soderbergh

Photo courtesy of the artist

Steven Soderbergh (b. 1963) began making short 16-millimeter films with second-hand equipment around the age of 15. His first major break was when the rock group Yes assigned him to shoot a concert film, which eventually earned him a Grammy nomination for Yes: 9012 Live (1985). Following this achievement, Soderbergh filmed Sex, Lies, and Videotape (1989), a film that earned him the Cannes Film Festival’s Palme d’Or Award, the Independent Spirit Award for Best Director, and an Oscar nomination for Best Original Screenplay. In 2000, Soderbergh directed two major motion pictures that are now his most successful films to date: Erin Brockovich (2000) and Traffic (2000). These films were both nominated for Best Picture at the 2001 Academy Awards and gave him the first twin director Oscar nomination in almost 60 years and the first ever win.

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Elebash Recital Hall
Category:
,

February 26, 2016

David Levine & David Conison – THEATR

 

Photo courtesy of the artists

Photo courtesy of the artists

6:00pm – 6:30pm
David Levine & David Conison – THEATR (US, 2015)
30 minutes | Segal Theatre (70 seats)
English
www.david-levine.net, www.conison.com

David Levine and David Conison discuss their provocative, innovative and disruptive idea on how you can commission theatre in your own home: “Our project is an app, somewhere between Uber and Seamless, that will offer theater on-demand, straight to your home, and basically get rid of the entire institutional and physical architecture of theater.”

 

"Habit" David Levine NY Premiere Presented by Performance Space 122 & FIAF's Crossing the Line Festival New York, N.Y. September 21, 2012 Photo Credit: Julieta Cervantes

David Levine. Photo by Julieta Cervantes

 

David Conison

David Conison. Photo courtesy of the artist

David Levine & David Conison are both theater directors concerned with the transactional elements of theatergoing.

 

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Segal Theatre
Category:
,

February 26, 2016

FILM BLOCK: Back to Back Theatre | Hugo Glendinning & Tim Etchells/Forced Entertainment

6:30PM – FILM BLOCK

 

Photo courtesy of the artists

Photo courtesy of the artists

6:30pm – 6:50pm
Back to Back Theatre
The Democratic Set: North Melbourne + Edinburgh (Australia, 2012)
6 minutes 33 seconds + 8 minutes 30 seconds | Segal Theatre (70 seats)
English
www.democraticset.backtobacktheatre.com

*Introduction by Professor Peter Eckersall (The Graduate Center, CUNY)

THE DEMOCRATIC SET Edinburgh was presented at the Edinburgh International Festival with Lung Ha’s Theatre Company and Indepen-dance.

THE DEMOCRATIC SET is a residency model for creating short films and performances, to explore the belief that all people are, in principle, equal and should enjoy social, political and economic rights and opportunities. THE DEMOCRATIC SET uses a custom‑made film set, a neutral room with two opposing doors. Disturbingly obvious and tantalizingly strange, THE DEMOCRATIC SET is a rapid series of short live performances and screen‑based video portraits created in collaboration with communities. THE DEMOCRATIC SET is a cavalcade of portrait, soapbox and drama.

Back to Back Theatre creates new forms of contemporary theatre imagined from the minds and experiences of a unique ensemble of actors with a disability, giving voice to the social and political issues that speak to all people. Based in the regional center of Geelong, the company is one of Australia’s most globally recognized and respected contemporary
theatre companies. Back to Back Theatre makes work locally and presents it globally, touring extensively to national and international festivals and cultural institutions. In addition to its professional practice, Back to Back collaborates intensively with communities around the world.

 

HG4_3940crop

Photo courtesy of Hugo Glendinning & Tim Etchells

6:50pm – 7:30pm
Hugo Glendinning & Tim Etchells/Forced Entertainment
– Uncertain Fragments (UK, 2016)
39 minutes | Segal Theatre (70 seats)
English
www.forcedentertainment.com
www.hugoglendinning.com
www.timetchells.com

Film essay reflecting on the work and process of the world-renowned UK performance ensemble, Forced Entertainment, combining interview fragments, performance excerpts, backstage, and rehearsal room material from diverse projects, focused around an excerpt from the group’s 2001 performance, First Night.

Hugo Glendinning has been working as a photographer for 27 years. His output stretches across the cultural industries from fine art collaborations in video and photography, through production and performance documentation to portrait work. He is regularly commissioned by The RSC, National Theatre and Royal Opera House.

Tim Etchells is an artist and a writer based in the UK whose work shifts between visual art, performance and fiction. He has worked in a wide variety of contexts, notably as the leader of the world-renowned Sheffield-based performance group Forced Entertainment. Recent publications include Vacuum Days (Storythings, 2012) and While You Are With Us Here Tonight (LADA, 2013). He is currently Professor of Performance & Writing at Lancaster University.

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Segal Theatre
Category:
,

February 26, 2016

FILM BLOCK: Evan Husney & Emily Wilson | Mukunda Angulo

6:30PM – FILM BLOCK

The Making of Mirror Heart

Photo courtesy of VICE

6:30pm – 6:50pm
Evan Husney & Emily Wilson
 – The Making of Mirror Heart
16 minutes | Elebash Recital Hall (180 seats)
English

The Angulo brothers are the subjects of the award-winning documentary THE WOLFPACK, which chronicles their isolated childhood where they were locked away from society in an apartment on the Lower East Side of Manhattan. They discovered the outside world through the films they loved and elaborately recreated with handmade props and costumes.

VICE engaged the brothers to make their first original short film on a soundstage, Mirror Heart–– this is the making of that film.

Producers: Evan Husney and Emily Wilson.

 

IMG_2463

Photo courtesy of VICE

6:50pm – 7:00pm
Mukunda Angulo
Mirror Heart (US)
6 minutes 30 seconds| Elebash Recital Hall (180 seats)
English

A short film of dreamlike characters coming together in unity to overcome their differences. Mirror Heart was conceived by Mukunda and his family. They worked with him to make it and they also starred in it.

IMG_2462

Photo courtesy of the artist

Mukunda Angulo is a filmmaker/artist from New York City, he starred in the award winning film THE WOLFPACK, and has made multiple film shorts as Director/Writer. And also had a gallery show at Jeffery Deitch showcasing his art. He currently has his production company with his brothers called Wolfpack Pictures

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Elebash Recital Hall
Category:
,

February 26, 2016

FILM BLOCK: Romeo Castellucci | Jan Fabre | Robert Wilson

7:30PM – FILM BLOCK

Brentano

Photo courtesy of the artist

7:30pm – 8:00pm
Romeo Castellucci
Brentano (Italy, 1995)
25 minutes | Segal Theatre (70 seats)
Italian with English subtitles
www.raffaellosanzio.org

Visionary theater director Romeo Castellucci’s rare venture into film: a theatre of mental mysteries. Inspired by a 1913 short story of Swiss novelist Robert Walser about the death wish of German Romantic poet Clemens Brentano (1778-1842).

headshot

Photo courtesy of the artist

Romeo Castellucci is an Italian theatre director, playwright, artist, and designer. He earned his diploma in set design and painting at the Accademia di Belle Arti di Bologna and co-founded the Societas Raffaello Sanzio. His company is considered to be one of the most radical contemporary theatre groups in Italy and in Europe. In 2003 he became director of the theatre section of the 37th edition of the Venice Biennale. In 2008, he was one of two “associate artists” at the Festival d’Avignon and created three pieces inspired by Dante’s Divine Comedy. The trilogy was considered by the French newspaper Le Monde to be “the best play and one of the ten most influential cultural events in the world for the decade 2000-2010”.

 

The_Problem. Photo Courtesy of LIMA

Photo courtesy of LIMA

8:00pm – 8:30pm
Jan Fabre –
The Problem (Belgium, 2001)
30 minutes | Segal Theatre (70 seats)
German with English subtitles
janfabre.be

In this work Jan Fabre compares himself to his fetish animal, the dung beetle, and considers that his goal as an artist is similar to the role of insects in life evolution. A performance with the German star philosophers Peter Sloterdijk and Dietmar Kamper. The film is an homage to the latter.

Jan Fabre -

Photo courtesy of the artist

Jan Fabre is a Belgian multidisciplinary artist, playwright, stage director, choreographer, and designer. He studied at the Municipal Institute of Decorative Arts and the Royal Academy of Fine Arts in Antwerp.

 

 

 

 

WRhoza

Photo courtesy of Dissident Industries

8:30pm – 9:00pm
Robert Wilson
Winona Ryder Video Portrait (US, 2004)
17 minutes | Segal Theatre (70 seats)
English
www.dissidentusa.com/robert-wilson/overview/

Winona Ryder channels the character Winnie from the Samuel Beckett play, Happy Days. Buried to her neck in sand, with a Carmen Miranda headdress, an open purse, toothbrush, and gun, the play unrolls in her head, not the stage. Musical score: Michael Galasso

2011+(c)+Lucie+Jansch_highres

Photo by Lucie Jansch

Born in Waco, Texas, Robert Wilson is among the world’s foremost theater and visual artists. His works for the stage unconventionally integrate a wide variety of artistic media, including dance, movement, lighting, sculpture, music and text. After being educated at the University of Texas and Brooklyn’s Pratt Institute, Wilson founded the New York based performance collective “The Byrd Hoffman School of Byrds” in the mid-1960s, and developed his first signature works, including Deafman Glance (1970) and A Letter for Queen Victoria (1974-1975). With Philip Glass he wrote the seminal opera Einstein on the Beach (1976). Wilson has been honored with numerous awards for excellence, including a Pulitzer Prize nomination, two Premio Ubu awards, the Golden Lion of the Venice Biennale, and an Olivier Award. Wilson is the founder and Artistic Director of The  Watermill Center, a laboratory for the Arts in Water Mill, New York.

 

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Segal Theatre
Category:
,

February 26, 2016

Sascha Just – Heirs

Chief DarrylMontanaHeirs

Photo courtesy of the artist

7:30pm – 9:30pm
Sascha Just – Heirs (US/Germany, 2015)
88 minutes | Elebash Recital Hall (180 seats)
English
www.frauleinfreytag.com

New Orleans, city of jazz and Mardi Gras at the shores of the Mississippi river, is the setting for Heirs. Between French flair and African rhythms, ballrooms and street parades, Heirs explores the Crescent City’s heritage of racist injustices–and the roots of its famous (performance) arts. Heirs follows three New Orleanian artists, percussionist Jason Marsalis, theatre artist/Carnival Ball Queen Lisa D’Amour, and Black Indian Chief Darryl Montana, on journeys to their families’ artistic histories.

*Followed by a discussion.

SaschaJust

Photo courtesy of the artist

Sascha Just is a a filmmaker and doctoral candidate in the theatre program of the Graduate Center, where she writes her dissertation on the relationship between the media and the performance arts of New Orleans. This passion for live performances inspired another recent production, Ambassadors – The Native Jazz Quartet at Work, that documents four jazzmen competing in the American Music Abroad Program. Ambassadors screened at the American Documentary Film Festival in Palm Springs, Woman with A Movie Camera, KTOO Television, Katra Film Series, and the The Queens World Film Festival (nominated for best short documentary). It is now part of the permanent collection of Rancho Mirage Public Library in California.

Start: Feb 26, 2016
End: Feb 26, 2016
Venue: Elebash Recital Hall
Category:
,

March 14, 2016

Segal Book Celebration: Four Arab Hamlet Plays

Front cover from Four Arab Hamlet Plays

Front cover from Four Arab Hamlet Plays

Monday, March 14
Segal Theatre

6:30pm Reading + Discussion

FREE + Open to public. First come, first served.

Jumping off from Shakespeare’s tragedy, the Arab Hamlet tradition has produced bitter and hilarious political satire, musical comedy, and farce. This new Segal Center publication Four Arab Hamlet Plays  samples that tradition with works by Nabyl Lahlou (Ophelia is Not Dead, Morocco, 1968), Mamduh Adwan (Hamlet Wakes Up Late, Syria, 1976), Nader Omran (A Theatre Company Found a Theatre and Theatred “Hamlet”, Jordan, 1984), Jawad al-Assadi (Forget Hamlet, Iraq, 1994), plus an autobiographical sketch by Mahmoud Aboudoma (“Gamlet” is Russian for “Hamlet”, Egypt, 2006). Edited and translated by Marvin Carlson and Margaret Litvin, with Joy Arab. Additional full translation by Khalid Amine, as well as translation contributions by Michael LoCicero and George Potter.

Featuring an excerpted reading from Four Arab Hamlet Plays directed by Rebekah Maggor. Followed by a Skype session with Margaret Litvin, and discussion and Q & A with Marvin Carlson.

364Marvin Carlson is the Sidney E. Cohn Professor of Theatre, Comparative Literature, and Middle Eastern Studies at the Graduate Center of the City University of New York. His research and teaching interests include dramatic theory and Western European theatre history and dramatic literature, especially of the 18th, 19th, and 20th centuries. He has been awarded the ATHE Career Achievement Award, the George Jean Nathan Prize, the Barnard Hewitt Award, the George Freedley Award, and a Guggenheim Fellowship. He has been a Walker-Ames Professor at the University of Washington, a Fellow of the Institute for Advanced Studies at Indiana University, a Visiting Professor at the Freie Universitat of Berlin, and a Fellow of the American Theatre. In 2005 he was awarded an honorary doctorate by the University of Athens. His best-known book, Theories of the Theatre (Cornell University Press, 1984), has been translated into seven languages. His 2001 book, The Haunted Stage won the Callaway Prize. His newest book is Four Arab Hamlet Plays (Martin E. Segal Center Publications 2015).

Margaret Litvin

Margaret Litvin is associate professor of Arabic and Comparative Literature at Boston University (USA) and founder of the Middle East and North Africa Studies Program in Boston University’s Frederick S. Pardee School of Global Studies. She is the author of Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost (Princeton, 2011). Her articles, interviews, and reviews have appeared in journals of Arabic literature, Shakespeare studies, and theatre. She holds a PhD in Social Thought from the University of Chicago and a BA in Humanities from Yale. During the 2015-6 year she is an ACLS Frederick Burkhardt Fellow at the Swedish Collegium for Advanced Study in Uppsala, Sweden, researching the literary impact of Arab-Russian and Arab-Soviet educational and cultural ties, a project for which she has also been awarded a Peter Paul Career Development Professorship at BU and a Fellowship for Experienced Researchers from the Alexander von Humboldt Foundation.

RebekRebekah Maggorah Maggor is a director, translator, performer, playwright, and scholar. Her plays and translations have had readings and productions at the American Repertory Theater, the New York Theater Workshop, the Old Vic in London, the Huntington Theatre Company, the Segal Theatre Center, among others. Maggor has received grants and fellowships from the National Endowment for the Arts for literature in translation, the Andrew W. Mellon Foundation’s Global Connections Program through TCG, the Doris Duke Charitable Foundation’s Building Bridges Program, and the Fulbright Middle East and North Africa Regional Research Program. She is co-editor and co-translator of the forthcoming anthology Tahrir Tales: Plays from the Egyptian Revolution (June, 2016, Seagull Books). She has taught theatre and performance at Vanderbilt University and Harvard University and is currently an affiliated scholar at the Charles Warren Center at Harvard University. aoiagency.com/rebekah-maggor

Start: Mar 14, 2016
End: Mar 14, 2016
Venue: Segal Theatre
Category:
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