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May 11

Approaching Dance: Transdisciplinary Methodologies and Modalities of the Moving Body in Performance The Doctoral Theatre Students’ Association 2017 Conference

Image © The Bureau for the Future of Choreography 21

Thursday, May 11
Segal Theatre

All day conference

FREE + Open to public. First come, first served.

Approaching Dance
Transdisciplinary Methodologies and Modalities of the Moving Body in Performance
The Doctoral Students Association 2017 Conference

Join us for an interdisciplinary conference organized by the Doctoral Theatre Students’ Association (DTSA) interrogating dance scholarship and methodologies. This day-long conference aims to discuss and exchange methodological approaches to dance and to build a network for emerging scholars inside and outside of dance studies. The day will culminate in a public round table discussion with Thomas DeFrantz (Duke), Nadine George-Graves (UCSD), VK Preston (Toronto), Katherine Profeta (Queens College, CUNY), and Paul Scolieri (Barnard), moderated by Erika T. Lin (The Graduate Center, CUNY).

Followed by a performance intervention by The Bureau for the Future of Choreography.

RSVP is required https://goo.gl/forms/FcA4rVPVDIoCZ4vo1

For more information, schedule, and RSVP form for roundtable and performance,
please visit:
http://approachingdance.com

This conference is presented by the Doctoral Theatre Students’ Association (DTSA, GC CUNY), The Martin E. Segal Theatre Center, and The Ph.D. Program in Theatre. With additional support from Marvin Carlson, Sidney E. Cohn Chair in Theatre Studies; David Savran, Vera Mowry Roberts Chair in American Theatre; and the Doctoral Students’ Council.

     

Start: May 11, 2017
End: May 11, 2017
Venue: Segal Theatre
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May 15

50 Years of Theatre of the Ridiculous

Photo courtesy of the artists

Monday, May 15
Segal Theatre

6:30pm Readings + Conversation with Everett Quinton, et al.
+ 5:00pm Screening

FREE + Open to public. First come, first served.

50 years ago in New York City, the Theatre of the Ridiculous movement as a theatrical genre started in in 1965 with The Play-House of the Ridiculous, the spin-off group The Ridiculous Theatrical Company formed in 1967.

The Theatre of the Ridiculous made a break with the dominant trends in theatre of naturalistic acting and realistic settings and brought elements of queer/camp performance to avant-garde theatre. Cross-gender casting was common, scenarios improvised, and players often recruited from non-professional sources, such as drag queens or other “street stars.” In a reference to Martin Esslin’s concept of a theatre of the absurd, in 1965, Ronald Tavel promoted the first “Ridiculous” performances with the one-line manifesto: “We have passed beyond the absurd: our position is absolutely preposterous.”

With original Theatre of the Ridiculous company members Everett Quinton, Beth Dodye BassJulia Campanelli, Geraldine Dulex, Eureka, Jim Freeman, Chris Johnson, Lenys Sama, Kevin Scullin, and Jenne Vath.

 

Evening Program

6:30pm Excerpted play readings
Conquest of the Universe or When Queens Collide by Charles Ludlam
Turds in Hell by Charles Ludlam and Bill Vehr
Grand Tarot by Charles Ludlam

Afternoon Screening

5:00pm Scenes from the Ridiculous
edited clips from Ridiculous Theatrical Company 60 min

 

Photo courtesy of the artist

Everett Quinton made his stage debut in  the 1976  RIDICULOUS THEATRICAL COMPANY’S production of Charles Ludlam’s CAPRICE.  After that Everett became a member of the company and over 21 years appeared in about 100 productions including:  BLUEBEARD, CAMILLE, TURDS IN HELL, SALAMMBO, and LOVE’S TANGLED WEB among others.  Everett became Artistic Director of the company in 1987 after Charles Ludlam’s untimely passing. Everett is now a freelance actor and director.  He has appeared with The Penguin Rep, RedBull Theater, Yorick Theater, The Arizona Theater Co., The San Jose Rep, to name a few.

 

Start: May 15, 2017
End: May 15, 2017
Venue: Segal Theatre
Category:
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May 22

Classix: A Reading Series Celebrating Classic Plays By Black Playwrights

Alice Childress,Kathleen Collins,Bill Gunn,and Ron Milner. Photo courtesy of the artists

Monday + Tueaday, May 22 +23
Segal Theatre

4:30pm + 6:30pm Readings

FREE + Open to public. First come, first served.

Please join us as we expand our collective knowledge of the classical canon with an exceptional group directors and actors for this unique series—curated by Awoye Timpo as “an exhibition of rarely seen Black classic plays.” Play readings are followed in the evening by a discussion with the theatre artists involved. Alice Childress, Kathleen Collins, Bill Gunn, and Ron Milner are just four out of a long line of writers whose extraordinary plays were produced in the 20th century. This series celebrates classic plays that feature dynamic characters, extraordinary dialogue, and compelling stories—all written by an eclectic group of Black writers, whose plays speak to their own time in a way that deeply resonates with our own.

Monday, May 22

4:30pm Wine in the Wilderness by Alice Childress
A timeless and thrilling play, Wine in the Wilderness (1969) revolves around a young girl who befriends an artist in the midst of painting his triptych. In this piece Childress explores the depths of Black womanhood.

6:30pm What the Wine-Sellers Buy by Ron Milner
Written in 1974, What the Wine-Sellers Buy was originally produced by Joseph Papp at the New York Shakespeare Festival at Lincoln Center. The play centers around Steve Carlton, a carefree high school student, who wrestles between his dream to become a professional basketball player and the other possibilities in his life.

Tuesday, May 23

4:30pm The Forbidden City by Bill Gunn
Bill Gunn’s final play, The Forbidden City, premiered at New York’s Public Theater in 1989. Set in the 1930s the play reckons with the nature of family and the excesses of love and power.

6:30pm The Brothers by Kathleen Collins
In this memory-drama, Collins weaves together a series of scenes and monologues about black men who “should have been born white’’ because they “spent their entire lives trying to jump out of their skins.’’ The Brothers (1982) was originally produced by the Women’s Project at the American Place Theater.

Playwright, novelist, actor, and screenwriter Alice Childress was a visionary artist. Born was in Charleston, South Carolina in 1916 she later moved to Harlem where she began writing and immersing herself in the vibrant arts scene. Ms. Childress wrote over a dozen plays over the course of her career including Florence, Wedding Band:
A Love/Hate Story in Black and White, Trouble in Mind, Mojo: A Black Love Story, and Wine in the Wilderness. She also wrote the novels Like One of the Family and A Hero Ain’t Nothin’ but a Sandwich which was later turned into a film. A Tony Award nominee for her performance in Anna Lucasta, Ms. Childress was also a tireless advocate for actor union rights.

Photo by Mark Reid

Born in 1942, raised in Jersey City, and educated at Skidmore and the Sorbonne, Kathy Collins was an activist with SNCC during the Civil Rights Movement who went on to carve out a career for herself as a playwright and filmmaker during a time when black women were rarely seen in those roles. She was married twice, and had
two children who she raised in Piermont, New York. She died young, at age 46, from breast cancer. Her most known work is the film Losing Ground, followed perhaps by two plays, In the Midnight Hour, and The Brothers. A never-before released collection of short fiction, Whatever Happened to Interracial Love?, was published by Ecco Press in Fall 2016. kathleencollins.org

Bill Gunn was an extraordinary artistic force with an exceptional body of work across various mediums. He began his career as an actor and appeared on Broadway in The Immoralist and off-Broadway in the classic play Take A Giant Step by Louis Peterson. Several of his plays were produced at the New York Shakespeare Festival
under the leadership of Joseph Papp and include masterpieces such as Black Picture Show, Johnnas, and The Forbidden City. In addition to his extensive work in the theater, Mr. Gunn wrote and directed films including his best-known work Ganja and Hess as well as the film Stop. He is also the author of two novels, All the Rest Have Died and Rhinestone Sharecropping. Bold, inventive, and surprising the work of Bill Gunn is impressively resonant and dynamic as ever.

Ron Milner was a legendary playwright with an extraordinary body of work including the plays Who’s Got His Own, Season’s Reasons, The Warning—A Theme for Linda, Jazz Set, and Roads to the Mountaintop which was a tribute to Dr. Martin Luther King Jr.. Born and raised in Detroit, his work is infused with a rhythmic and regional
authenticity and an uncompromising depth of character. His play Checkmates appeared on Broadway in a production directed by Woodie King Jr. and featuring extraordinary an exceptional cast including Denzel Washington, Ruby Dee, Paul Winfield and Marsha Jackson. Mr. Milner is also the author of the book for the musical Don’t Get God Started, written in collaboration with the Winans family.

Awoye Timpo is a New York-based director. Credits include Sister Son/ji (Billie Holiday Theater), Carnaval (National Black Theatre), Ndebele Funeral (59E59; South African tour; Edinburgh Festival), The Libation Bearers (Shakespeare Theatre NJ), Chasing the Bird (Joyce Theater), Children of the Road (NYU Grad Acting), In the Continuum (Juilliard), Tears of Anatolia (Columbia), Araby (La Mama), Clybourne Park (Farmers Alley), Ruined (WMU), The Vanished (Novisi, site-specific), Rhinoceros (Novisi). Broadway: Assistant Director, Shuffle Along; Associate Director, Jitney. Segal Center: PEN World Voices, Feast (Fall 2016), Other: Page 73, TerraNOVA, Ma-Yi, Royal Shakespeare Company, WNYC, ABC/Disney, Soho Rep Writer/ Director Lab, Cherry Lane Mentor Project, Lincoln Center Directors Lab.

Start: May 22, 2017
End: May 23, 2017
Venue: Segal Theatre
Category:
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