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SEGAL TALKS: Aristide Tarnagda & Safoura Kaboré (Burkina Faso)

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SEGAL TALKS: Aristide Tarnagda & Safoura Kaboré (Burkina Faso)

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Start:
Apr 10, 2020
End:
Apr 10, 2020
Venue:
Live Stream
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The Martin E. Segal Theatre Center Announces
 SEGAL TALKS
Week Two

Daily Live Online Conversations with US and Global Theatre Artists
on howlround.tv

Friday, April 10, 2020
Every Monday through Friday, 12 noon EDT New York Time

“New Times need new Forms of Theatre.” Bertolt Brecht

Join us for the second weekly line-up of its new global series, SEGAL TALKS.

New York, US, and international theatre artists, curators, researchers and academics will talk for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustandthe State of the World.

TODAY: FRIDAY, APRIL 10, 2020
12 noon, EDT New York Time

Aristide Tarnagda & & Safoura Kaboré  (Burkina Faso)

Join us for an update on the situation for theatre artists in Burkina Faso. Send questions during this live conversation to SegalTalks@gmail.com

  Aristide Tarnagda (Burkina Faso) studied at Jean-Pierre Guingané’s Théâtre de la Fraternité. In 2013, he directed his own play And if I was going to kill them all Ma’am? on a mainstage at the Avignon Theatre Festival, while another of his plays, Red Earth was included in the Off-Festival. He is the Artistic Director of the Récréâtrales Festival, one of the largest Pan-African performance festivals, based in Ouagadougou, Burkina Faso.

 

  Safoura Kaboré (Burkina Faso) is an actress from Burkina Faso. She has performed in France, Switzerland, and Belgium, as well as across West Africa. In Burkina Faso, she is affiliated with Théâtre de la Fraternité and Théâtre Feeren. She has gained recognition for her roles in Aristide Tarnagda’s Façons d’aimer (Ways of Loving), the title role in his play Musika, as well as performing in Christian Schiaretti’s production of Aimé Césaire’s A Season in the Congo.

 

  Heather Jeanne Denyer (interpreter and translator of Aristide Tarnagda) is an Assistant Professor of Theatre at California State University – Fullerton. She is a dramaturg, playwright, translator, and scholar who focuses on women’s studies and African theatre and puppetry. She has a PhD in Theatre &  Performance from the Graduate Center, CUNY, and an MFA in Dramaturgy from Columbia University.​​

 

ABOUT SEGAL TALKS:

The newly introduced SEGAL TALKS are a daily one-hour LIVE online conversation from Monday to Friday Sabout making art and making sense in the Time of Corona. SEGAL TALKS is in English, ad-free and will be live-streaming on howlround.tv as well as on the Segal Center YouTube Channel. Each session will be archived on both platforms, and will raise money for a theatre artist or a company. In collaboration with HowlRound Theatre Commons, based at Emerson College.

Viewers can submit questions during the live session at: SegalTalks@gmail.com

The second weekly program, starting Monday, April 6, 2020, will feature:

Laila Soliman & Dalia Basiouny (Egypt) & Sahar Assaf (Lebanon); Tung-Yen & Wu-Kang Chen (Taiwan); Lucia Calamaro, Graziano Graziani, Valeria Orani (Italy); Meredith Monk (New York, US); Aristide Tarnagda (Burkina Faso).

Participants from week one included: Taylor Mac & Kristin Martin (New York); Mok Chiu Yu (Hong Kong) + Hanchen Feng, Shuyi Liao (China); Thomas Ostermeier (Germany); Marco Martinelli & Ermanna Montanari, Teatro delle Albe (Italy); Toshiki Okada (Japan)

EARLIER IN WEEK 2:
Sahar Assaf (Lebanon), Dalia Basiouny & Laila Soliman (Egypt)
Lucia Calamaro, Graziano Graziani & Valeria Orani (Italy)
Chou Tung-yen, Wu-Kang Chen, & Kathy Hong (Taiwan)
Meredith Monk

UPCOMING IN WEEK 3:
TBC

SEGAL TALKS was conceived, created and curated by Frank Hentschker in March 2020.

SEGAL TALKS has been made possible by the support of Susan and Jack Rudin(†), the Hearst Foundation, and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

For more information on the SEGAL TALKS, please visit www.TheSegalCenter.org
For contact: mestc@gc.cuny.edu
The Martin E. Segal Theatre Center
The Graduate Center, CUNY, 365 Fifth Avenue, at 34th Street
www.TheSegalCenter.org

ABOUT THE MARTIN E. SEGAL THEATRE CENTER: Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDEPEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab StagesEuropean Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org

THE SEGAL TEAM

Creative Producer: Sunyoung Kim
Media Supervisor: Jackie Spaventa
Next Generation Fellow: May Adra

THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.

HowlRound Theatre Commons at www.HowlRound.com is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world.

HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston. www.HowlRound.com

 

 

 

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