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SEGAL TALKS: Stacy Klein & Stephanie Monseu (US)

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SEGAL TALKS: Stacy Klein & Stephanie Monseu (US)

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Start:
May 8, 2020
End:
May 8, 2020
Venue:
Live Stream
Category:
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Click here to watch the HowlRound Live Stream.
Click here to watch the Segal Facebook Live Stream.
Click here to watch previous talks on the Segal YouTube Channel.

SEGAL TALKS Week Six
Stacy Klein & Stephanie Monseu (US)
Friday, May 8, 2020, 12 noon EDT

“New Times need new Forms of Theatre.” Bertolt Brecht

Click here to join us for an update on the situation for theatre artists in the US.

Stacy Klein is the Founder and Artistic Director of Double Edge Theatre. She began the company in 1982, in Boston, and in 1994 moved the theatre and her family to a 105-acre former dairy farm in rural Ashfield, MA, to create a sustainable artistic home. Klein’s three current original performances—Leonora & Alejandro, La Maga y El Maestro, inspired by surrealist visionary painter Leonora Carrington; SUGA; and the indoor-outdoor traveling spectacle Leonora’s World, are part of the Latin American Cycle and were created with her longtime ensemble both on the farm and on tour. They are at the forefront of her creative vision and define her concept of “living culture.” Accompanied by living culture is Double Edge’s Art Justice, which further acknowledges the need for combining justice with artistic practice through rural residency, collaboration, and access to facilities. Rena Mirecka mentored Klein since the 1970s, and Klein has a Ph.D. in Theatre History and Criticism. In 2013, she received the 2013 Doris Duke Performing Artist Award recognizing exemplary US artists in the field.

Stephanie Monseu and Keith Nelson founded NYC’s Bindlestiff Family Cirkus in 1994. Monseu is Bindlestiff’s Artistic Director, as well as a professional entertainer, MC and ring mistress, tour manager and booker. Since 2009, Monseu has partnered with municipal, arts, and human services agencies as the director of Bindlestiff’s Cirkus After School and Coarc Cirkus – Social Circus programs for adults with neurodiversity and youth in Columbia County, NY and NYC. Bindlestiff’s activities include annual performance seasons in NYC and the Hudson Valley; national touring; free public events (NYC Unicycle Festival); support for emerging circus artists (First of May Award, Bindlestiff’s Open Stage) and Cavalcade of Youth (artists under 21).

ABOUT SEGAL TALKS:

The Martin E. Segal Theatre Center is proud to announce the fifth weekly line-up of its new global series, SEGAL TALKS. New York, US, and international theatre artists, curators, researchers and academics will talk daily for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustand— the State of the World. The Segal Center is the only theatre institution in NYC and the US creating original programming every day during the week.

Week Five with: Rimini Protokoll’s Daniel Wetzel, Helgard Haug, & Stefan Kaegi (Germany); Guy Régis Jr (Haiti); Jalila Baccar (Tunis); Peter Sellars (USA); Oskar Eustis & Tony Torn (NYC, USA)

The newly introduced ad-free SEGAL TALKS will be live-streamed in English on howlround.tv and on the Segal Center Facebook page. All the previous SEGAL TALKS will be found on howlround.tv, the Segal Center Facebook page, and the Segal Center YouTube Channel. The Segal Theatre Center will raise money for theatre artists and companies. This work is in collaboration with HowlRound Theatre Commons, based at Emerson Collage.

Viewers can submit questions during the live streaming at SegalTalks@gmail.com

Visit www.theSegalCenter.org or contact mest@gc.cuny.edu for more information on SEGAL TALKS.

For press information please contact Frank Hentschker at fhentschker@gc.cuny.edu

Follow us on Facebook on @segalcenter, or click here.
Follow us on Instagram on @segalcenter, or click here.
Follow us on Twitter on @segalcenter, or click here.

SEGAL TALKS is a daily one-hour LIVE online conversation from Monday to Friday — about making art and making sense in the Time of Corona.  

Participants from previous weeks included:

Click here for Week 5 participants: Rimini Protokoll’s Daniel Wetzel, Helgard Haug, & Stefan Kaegi (Germany); Guy Régis Jr (Haiti); Jalila Baccar (Tunis); Peter Sellars(USA); Oskar Eustis & Tony Torn (NYC, USA)

Click here for Week 4 participants: Milo Rau (Switzerland); Richard Schechner (NYC, US); Basil Jones (South Africa); Arthur Nauzyciel & Keren Ann (France); Guillermo Calderón (Chile)

Click here for Week 3 participants: The New BlackFest’s Keith Adkins with Dennis A. Allen II, France-Luce Benson, & Lisa Strum (NYC); Nature Theatre of Oklahoma’s Kelly Copper & Pavol Liska + The Big Dance Theatre’s Annie-B Parson & Paul Lazar (NYC); The Foundry Theatre’s Melanie Joseph with Aaron Landsman & Aurin Squire (NYC); Shahid Nadeem (Pakistan) + Abhishek Majumdar & Anurupa Roy (India); TR Warszawa’s Grzegorz Jarzyna with Agata Kołacz & Roman Pawłowski (Poland)

Click here for Week 2 participants: Laila Soliman, Dalia Basiouny (Egypt) + Sahar Assaf (Lebanon); Chou Tung-Yen, Kathy Hong, Wu-Kang Chen (Taiwan); Lucia Calamaro, Graziano Graziani, Valeria Orani (Italy); Meredith Monk (New York, US); Aristide Tarnagda & Safoura Kaboré (Burkina Faso)

Click here for Week 1 participants: Taylor Mac & Kristin Martin (New York, US); Mok Chiu Yu (Hong Kong) + Hanchen Feng, Shuyi Liao (China); Thomas Ostermeier (Germany); Teatro delle Albe’s Marco Martinelli, Ermanna Montanari (Italy); Toshiki Okada (Japan)

All the previous SEGAL TALKS will be found on howlround.tv, the Segal Center Facebook page, and the Segal Center YouTube Channel.

SEGAL TALKS was conceived, created and curated by Frank Hentschker in March 2020.

SEGAL TALKS has been made possible by the support of Susan and Jack Rudin(†), the Hearst Foundation, and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

ABOUT THE MARTIN E. SEGAL THEATRE CENTER: Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDEPEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab StagesEuropean Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org

THE SEGAL TEAM
Executive Director: Frank Hentschker
Creative Producer: Sunyoung Kim
Media Supervisor: Jackie Spaventa
Next Generation Fellow: May Adra
Senior Assistant Director of Programs: Cory Tamler
Junior Assistant Director of Programs: Kyueun Kim
Assistant to the Director: Andie Lerner

THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.

HowlRound Theatre Commons at www.HowlRound.com is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world.

HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston. http://www.howlround.com 

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