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April 8

SEGAL TALKS: Chou Tung-Yen, Wu-Kang Chen, & Kathy Hong (Taiwan)

The Martin E. Segal Theatre Center Announces
 SEGAL TALKS
Week Two

Daily Live Online Conversations with US and Global Theatre Artists
on howlround.tv

Wednesday, April 8, 2020
Every Monday through Friday, 12 noon EDT New York Time

“New Times need new Forms of Theatre.” Bertolt Brecht

Join us for the second weekly line-up of its new global series, SEGAL TALKS.

New York, US, and international theatre artists, curators, researchers and academics will talk for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustandthe State of the World.

TODAY: WEDNESDAY, APRIL 8, 2020
12 noon, EDT New York Time

Chou Tung-YenWu-Kang Chen, & Kathy Hong (Taiwan)

Join us for an update on the situation for theatre artists in Taiwan. Send questions during this live conversation to SegalTalks@gmail.com.

  Chou Tung-Yen is the founder and director of Very Mainstream Studio & Very Theatre Company (www.vmstudio.tw). Centering around theatre and moving image, he makes interdisciplinary works of performance, installation, and music video. By blending digital imagery, physical movement and theatrical elements, he has created several award-winning performances including Emptied Memories and Teatime with me, myself and I. Alongside creating poetic theatre performances/ installations, he made several short films and feature documentaries which screened internationally, including Golden Horse Festival, Seattle International Film Festival and OutFest in LA.

  Wu-Kang Chen, born and raised in Taiwan, started studying dance at the age of twelve and graduated from the Taiwan University of Arts. Wu-Kang joined Eliot Feld’s Ballet Tech, where he became a soloist the following year, and Peridance. Starting his long-term collaboration with choreographer Eliot Feld, he was invited to join Feld’s Diamond Project of New York City Ballet in 2006. In 2004, he co-founded HORSE Dance Theatre as Artistic Director with significant works including Velocity (2007), Bones (2008), 2 Men (2012) which toured in Asia, the US and Europe. Wu-Kang curated Dance X Sounds seasonal improvisation platform Primal Chaos in 2016.

   Kathy Hong is the Chairperson of the Performing Arts Network Development Association an association of arts managers in Taiwan, and an advisor to the Cloud Gate Dance Theater, ALIEN Art Centre, and Vocal Asia Festival. She is an arts professional with extensive experience in theater and international collaboration. She was Executive Director of OISTAT – International Organization of Scenographers, Theater Architects and Technicians 2012-2015, and Marketing Communications Director of National Kaohsiung Center for the Arts 2015-2019.
Additional thanks to Chi-Ping Yen from Taipei Cultural Center in New York.

 

ABOUT SEGAL TALKS:

The newly introduced SEGAL TALKS are a daily one-hour LIVE online conversation from Monday to Friday Sabout making art and making sense in the Time of Corona. SEGAL TALKS is in English, ad-free and will be live-streaming on howlround.tv as well as on the Segal Center YouTube Channel. Each session will be archived on both platforms, and will raise money for a theatre artist or a company. In collaboration with HowlRound Theatre Commons, based at Emerson College.

Viewers can submit questions during the live session at: SegalTalks@gmail.com

The second weekly program, starting Monday, April 6, 2020, will feature:

Laila Soliman & Dalia Basiouny (Egypt) & Sahar Assaf (Lebanon); Tung-Yen & Wu-Kang Chen (Taiwan); Lucia Calamaro, Graziano Graziani, Valeria Orani (Italy); Meredith Monk (New York, US); Aristide Tarnagda (Burkina Faso).

Participants from week one included: Taylor Mac & Kristin Martin (New York); Mok Chiu Yu (Hong Kong) + Hanchen Feng, Shuyi Liao (China); Thomas Ostermeier (Germany); Marco Martinelli & Ermanna Montanari, Teatro delle Albe (Italy); Toshiki Okada (Japan)

UPCOMING WEEK 2 SCHEDULE:
Meredith Monk (NYC)
Aristide Tarnagda (Burkina Faso)

EARLIER IN WEEK 2:
Sahar Assaf (Lebanon), Dalia Basiouny & Laila Soliman (Egypt)
Lucia Calamaro, Graziano Graziani & Valeria Orani (Italy)

 

SEGAL TALKS was conceived, created and curated by Frank Hentschker in March 2020.

SEGAL TALKS has been made possible by the support of Susan and Jack Rudin(†), the Hearst Foundation, and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

For more information on the SEGAL TALKS, please visit www.TheSegalCenter.org
For contact: mestc@gc.cuny.edu
The Martin E. Segal Theatre Center
The Graduate Center, CUNY, 365 Fifth Avenue, at 34th Street
www.TheSegalCenter.org

ABOUT THE MARTIN E. SEGAL THEATRE CENTER: Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDEPEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab StagesEuropean Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org

THE SEGAL TEAM

Creative Producer: Sunyoung Kim
Media Supervisor: Jackie Spaventa
Next Generation Fellow: May Adra

THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.

HowlRound Theatre Commons at www.HowlRound.com is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world.

HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston. www.HowlRound.com

 

Start: Apr 8, 2020
End: Apr 8, 2020
Venue: Live Stream
Category:
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April 9

SEGAL TALKS: Meredith Monk (NYC, USA)

The Martin E. Segal Theatre Center Announces
 SEGAL TALKS
Week Two

Daily Live Online Conversations with US and Global Theatre Artists
on howlround.tv

Thursday, April 9, 2020
Every Monday through Friday, 12 noon EDT New York Time

“New Times need new Forms of Theatre.” Bertolt Brecht

Join us for the second weekly line-up of its new global series, SEGAL TALKS.

New York, US, and international theatre artists, curators, researchers and academics will talk for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustandthe State of the World.

TODAY: THURSDAY APRIL 9, 2020
12 noon, EDT New York Time

Meredith Monk

Join us for an update on the situation for theatre artists in New York City. Send questions during this live conversation to SegalTalks@gmail.com.

  Meredith Monk is considered one of the most unique and influential artists of our time. She has been a pioneer of interdisciplinary work for over 50 years. Her award-winning films, Ellis Island and Book of Days, have screened world-wide and on PBS, and her music has been used by filmmakers Jean-Luc Godard, Terrence Malick, David Byrne and the Coen brothers, among others. Monk has made more than a dozen recordings on the ECM label, including the 2008 Grammy-nominated Impermanence. In conjunction with her 50th season of performing and creating work, she was named the 2014-15 Debs Composer’s Chair at Carnegie Hall. Recent honors include the 2017 Dorothy and Lillian Gish Prize and a 2015 National Medal of Arts.

 

 

ABOUT SEGAL TALKS:

The newly introduced SEGAL TALKS are a daily one-hour LIVE online conversation from Monday to Friday Sabout making art and making sense in the Time of Corona. SEGAL TALKS is in English, ad-free and will be live-streaming on howlround.tv as well as on the Segal Center YouTube Channel. Each session will be archived on both platforms, and will raise money for a theatre artist or a company. In collaboration with HowlRound Theatre Commons, based at Emerson College.

Viewers can submit questions during the live session at: SegalTalks@gmail.com

The second weekly program, starting Monday, April 6, 2020, will feature:

Laila Soliman & Dalia Basiouny (Egypt) & Sahar Assaf (Lebanon); Tung-Yen & Wu-Kang Chen (Taiwan); Lucia Calamaro, Graziano Graziani, Valeria Orani (Italy); Meredith Monk (New York, US); Aristide Tarnagda (Burkina Faso).

Participants from week one included: Taylor Mac & Kristin Martin (New York); Mok Chiu Yu (Hong Kong) + Hanchen Feng, Shuyi Liao (China); Thomas Ostermeier (Germany); Marco Martinelli & Ermanna Montanari, Teatro delle Albe (Italy); Toshiki Okada (Japan)

UPCOMING WEEK 2 SCHEDULE:
Aristide Tarnagda (Burkina Faso)

EARLIER IN WEEK 2:
Sahar Assaf (Lebanon), Dalia Basiouny & Laila Soliman (Egypt)
Lucia Calamaro, Graziano Graziani & Valeria Orani (Italy)
Chou Tung-yen, Wu-Kang Chen, & Kathy Hong (Taiwan)

 

SEGAL TALKS was conceived, created and curated by Frank Hentschker in March 2020.

SEGAL TALKS has been made possible by the support of Susan and Jack Rudin(†), the Hearst Foundation, and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

For more information on the SEGAL TALKS, please visit www.TheSegalCenter.org
For contact: mestc@gc.cuny.edu
The Martin E. Segal Theatre Center
The Graduate Center, CUNY, 365 Fifth Avenue, at 34th Street
www.TheSegalCenter.org

ABOUT THE MARTIN E. SEGAL THEATRE CENTER: Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDEPEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab StagesEuropean Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org

THE SEGAL TEAM

Creative Producer: Sunyoung Kim
Media Supervisor: Jackie Spaventa
Next Generation Fellow: May Adra

THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.

HowlRound Theatre Commons at www.HowlRound.com is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world.

HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston. www.HowlRound.com

 

 

 

Start: Apr 9, 2020
End: Apr 9, 2020
Venue: Live Stream
Category:
, , , , ,

April 10

SEGAL TALKS: Aristide Tarnagda (Burkina Faso)

The Martin E. Segal Theatre Center Announces
 SEGAL TALKS
Week Two

Daily Live Online Conversations with US and Global Theatre Artists
on howlround.tv

Friday, April 10, 2020
Every Monday through Friday, 12 noon EDT New York Time

“New Times need new Forms of Theatre.” Bertolt Brecht

Join us for the second weekly line-up of its new global series, SEGAL TALKS.

New York, US, and international theatre artists, curators, researchers and academics will talk for one hour with Segal Center’s director, Frank Hentschker, about life and art in the Time of Corona and speak about challenges, sorrows, and hopes for the new Weltzustandthe State of the World.

TODAY: FRIDAY, APRIL 10, 2020
12 noon, EDT New York Time

Aristide Tarnagda (Burkina Faso)

Join us for an update on the situation for theatre artists in Burkina Faso. Send questions during this live conversation to SegalTalks@gmail.com

  Aristide Tarnagda (Burkina Faso) studied at Jean-Pierre Guingané’s Théâtre de la Fraternité. In 2013, he directed his own play And if I was going to kill them all Ma’am? on a mainstage at the Avignon Theatre Festival, while another of his plays, Red Earth was included in the Off-Festival. He is the Artistic Director of the Récréâtrales Festival, one of the largest Pan-African performance festivals, based in Ouagadougou, Burkina Faso.

 

  Heather Jeanne Denyer (interpreter and translator of Aristide Tarnagda) is an Assistant Professor of Theatre at California State University – Fullerton. She is a dramaturg, playwright, translator, and scholar who focuses on women’s studies and African theatre and puppetry. She has a PhD in Theatre &  Performance from the Graduate Center, CUNY, and an MFA in Dramaturgy from Columbia University.​​

 

ABOUT SEGAL TALKS:

The newly introduced SEGAL TALKS are a daily one-hour LIVE online conversation from Monday to Friday Sabout making art and making sense in the Time of Corona. SEGAL TALKS is in English, ad-free and will be live-streaming on howlround.tv as well as on the Segal Center YouTube Channel. Each session will be archived on both platforms, and will raise money for a theatre artist or a company. In collaboration with HowlRound Theatre Commons, based at Emerson College.

Viewers can submit questions during the live session at: SegalTalks@gmail.com

The second weekly program, starting Monday, April 6, 2020, will feature:

Laila Soliman & Dalia Basiouny (Egypt) & Sahar Assaf (Lebanon); Tung-Yen & Wu-Kang Chen (Taiwan); Lucia Calamaro, Graziano Graziani, Valeria Orani (Italy); Meredith Monk (New York, US); Aristide Tarnagda (Burkina Faso).

Participants from week one included: Taylor Mac & Kristin Martin (New York); Mok Chiu Yu (Hong Kong) + Hanchen Feng, Shuyi Liao (China); Thomas Ostermeier (Germany); Marco Martinelli & Ermanna Montanari, Teatro delle Albe (Italy); Toshiki Okada (Japan)

EARLIER IN WEEK 2:
Sahar Assaf (Lebanon), Dalia Basiouny & Laila Soliman (Egypt)
Lucia Calamaro, Graziano Graziani & Valeria Orani (Italy)
Chou Tung-yen, Wu-Kang Chen, & Kathy Hong (Taiwan)
Meredith Monk

UPCOMING IN WEEK 3:
TBC

SEGAL TALKS was conceived, created and curated by Frank Hentschker in March 2020.

SEGAL TALKS has been made possible by the support of Susan and Jack Rudin(†), the Hearst Foundation, and Marvin Carlson, Sidney E. Cohn Chair, The Graduate Center CUNY.

For more information on the SEGAL TALKS, please visit www.TheSegalCenter.org
For contact: mestc@gc.cuny.edu
The Martin E. Segal Theatre Center
The Graduate Center, CUNY, 365 Fifth Avenue, at 34th Street
www.TheSegalCenter.org

ABOUT THE MARTIN E. SEGAL THEATRE CENTER: Originally founded in 1979 as the Center for Advanced Studies in Theatre Arts (CASTA), The Martin E. Segal Theatre Center was renamed in March of 1999 to recognize Martin E. Segal, one of New York City’s outstanding leaders of the arts. The Segal Center curates over thirty events throughout the Spring and Fall academic seasons, all free and open to the public. Dedicated to bridging the gap between the professional and academic theatre communities, the Segal Center presents readings, performance, lectures, and artists and academics in conversation. In addition, the Segal Center presents three annual festivals (PRELUDEPEN World Voices: International Pay Festival, and The Segal Center Film Festival on Theatre and Performance) and publishes and maintains three open access online journals (Arab StagesEuropean Stages, and The Journal of American Drama and Theatre). The Segal Center also publishes many volumes of plays in translation and is the leading publisher of plays from the Arab world. The Martin E. Segal Theatre Center (MESTC) is a vital component of the Theatre Program’s academic culture and creating in close collaboration a research nexus, focusing on dramaturgy, new media, and global theatre. The Segal Center provides an intimate platform where both artists and theatre professionals can actively participate with audiences to advance awareness and appreciation. www.TheSegalCenter.org

THE SEGAL TEAM

Creative Producer: Sunyoung Kim
Media Supervisor: Jackie Spaventa
Next Generation Fellow: May Adra

THE GRADUATE CENTER, CITY UNIVERSITY OF NEW YORK, of which the Martin E. Segal Theatre Center is an integral part, is the doctorate-granting institution of The City University of New York (CUNY). An internationally recognized center for advanced studies and a national model for public doctoral education, the school offers more than thirty doctoral programs, as well as a number of master’s programs. Many of its faculty members are among the world’s leading scholars in their respective fields, and its alumni hold major positions in industry and government, as well as in academia. The Graduate Center is also home to twenty-eight interdisciplinary research centers and institutes focused on areas of compelling social, civic, cultural, and scientific concerns. Located in a landmark Fifth Avenue building, The Graduate Center has become a vital part of New York City’s intellectual and cultural life with its extensive array of public lectures, exhibitions, concerts, and theatrical events. www.gc.cuny.edu.

HowlRound Theatre Commons at www.HowlRound.com is a free and open platform for theatre makers worldwide that amplifies progressive, disruptive ideas about the art form and facilitates connection between diverse practitioners. HowlRound envisions a theatre field where resources and power are shared equitably in all directions, contributing to a more just and sustainable world.

HowlRound was founded on an organizing principle in the “commons”—a social structure that invites open participation around shared values. HowlRound is a knowledge commons that encourages freely sharing intellectual and artistic resources and expertise. It is our strong belief that the power of live theatre connects us across difference, puts us in proximity of one another, and strengthens our tether to our commonalities. HowlRound is based at Emerson College, Boston. www.HowlRound.com

 

 

 

Start: Apr 10, 2020
End: Apr 10, 2020
Venue: Live Stream
Category:
, , , , ,

April 23

POSTPONED: Net-Works: Mapping Labor in Theatre and Performance

POSTPONED (New Date TBC)

Thursday, April 23
Graduate Center CUNY
All Day Panel Discussions + 7:00pm Keynote
DTSA GC CUNY Student Conference

FREE + Open to public. First come, first served

Theatre and performance constantly negotiate between seen and unseen labor. Certain kinds of labor disappear, both socially and theatrically, while others are put on display. Organized by students of the Ph.D. Program in Theatre and Performance, “Net-Works: Mapping Labor in Theatre and Performance” is a conference that seeks to uncover the collaborative and solitary labor necessitated by creative and performative spaces; the labor of working in a globally connected world; and the labor of working at the intersections of the material, the human, and the ephemeral.

Through panel discussions held throughout the day and an evening keynote speech open to the public, the conference aims to discuss and exchange interrogative approaches to the study of labor along with its visible and invisible networks in theatre and performance.

Opening Remarks by: David Savran.
Keynote by: Shannon Jackson.
Organized by: Taylor Culbert, Ruijiao Dong, Mayurakshi Sen,
and Alex Viteri Arturo.

Net-Works is produced with the support of the Doctoral Theatre Students’ Association (DTSA); The Martin E. Segal Theatre Center; The Ph.D. Program in Theatre and Performance; the Sidney E. Cohn, Vera Mowry Roberts Chair, and the Lucille Lortel Chairs.

Date: April 23
Venue: Segal Theatre and other locations within the CUNY Center for Graduate Studies
Category:
, ,

April 27

POSTPONED: 2020 DTSA Booth Award Honoring Mimi Lien

POSTPONED (New Date TBC)

Monday, April 27
Segal Theatre
6:30pm Award Ceremony

FREE + Open to public. First come, first served

 

Set Design by Mimi Lien, AN OCTOROON.
By Branden Jacobs-Jenkins, directed by Sarah Benson. Soho Rep/Theatre for a New Audience, costumes by Wade Laboissonnierre.
Photo by Mimi Lien.

The Doctoral Theatre Students’ Association presents the 2020 Edwin Booth Award to New York designer Mimi Lien. The Edwin Booth Award is given annually by the DTSA to honor a person, organization, or company for their outstanding contribution to the NYC theatre community, and to promote integration of professional and academic theatre.

Mimi Lien designs sets and environments for theatre, dance, and opera. Arriving at set design from a background in architecture, her work often focuses on the interaction between audience/environment and object/performer. She is co-founder of JACK, the inclusion-minded performance space in Brooklyn; sits on the Board of Directors at Soho Rep; and is a core company member of Pig Iron Theatre Company (Philadelphia), where she was recently the lead artist of SUPERTERRANEAN (‘19), the company’s epic piece of “visual theatre.”

Her visual dramaturgy has been central to some of the most celebrated shows in recent NYC history, including Fairview, An Octoroon, Taylor Mac’s A 24-Decade History of Popular Music, John, and Natasha, Pierre, & The Great Comet of 1812. Her work has been recognized with the Obie Award, Hewes Design Award, Tony Award, Drama Desk Award, Outer Critics Circle Award, Lucille Lortel Award, Bessie Aware, and the MacArthur Fellowship. Past honorees include Ellen Stewart (‘84), Joseph Papp (‘89), Arthur Miller (‘92), Richard Foreman (‘97), Tony Kushner (‘02), Karen Finley (‘08), The Living Theatre (‘09), Elevator Repair Service (‘14), and Taylor Mac (‘17).

Organized by Nicolas Benacerraf and the DTSA Booth Award Committee:
Jess Applebaum, Stephen Cedars, Sarah Lucie, Dohyun Gracia Shin,
Christine Renee Snyder, and Alison Walls.

In collaboration with the Segal Center.

 

Mimi Lien. Photo by Alec Duffy.

Start: Apr 27, 2020
End: Apr 27, 2020
Venue: Segal Theater
Category:
, ,
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